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27 July 2026

26 July 2026

  • 17:1417:14, 26 July 2026 Tuning math tools (hist | edit) [1,764 bytes] Fizzwikiadmin (talk | contribs) (Created page with "The following is a list of basic tools to find the exact differences between frequencies, ratios, and cents. Difference between frequencies in cents To find the difference between frequencies in cents, use this formula (works on Google). 1200log ₂(hz/hz) For example, the difference between 440hz and 432hz is roughly 32 cents. 1200log ₂(440/432) ≈ 31.77 Frequency ± cents To add or subtract cents from a frequency, use this formula (works on Google). hz(2^(±cent...")
  • 15:2115:21, 26 July 2026 Thingonium Shockwave (hist | edit) [924 bytes] ShankaraFizz (talk | contribs) (Created page with "A '''thingonium shockwave''' is a hypothetical configuration of matter and energy that is optimized for maximum production of thingonium and release of þ particles. Such an optimized configuration would consistent of human or intelligent sapient beings who create musical ideas that have The Thing (aka thingonium), and do no other action, other than creating more matter and energy optimized for creation of more thingonium. It should be noted that a thingon...") Tag: Visual edit
  • 06:2206:22, 26 July 2026 Super Lydian (hist | edit) [2,253 bytes] Fizzwikiadmin (talk | contribs) (Created page with "Super Lydian Category:Music Theory")
  • 06:1006:10, 26 July 2026 Fizzmemes (hist | edit) [3,285 bytes] Fizzwikiadmin (talk | contribs) (Created page with "{{Infobox | name = '''Fizzmemes''' | image = File:Israel_Strom.jpg | image_caption = Fizzmemes in 2026 | custom_label0 = Background Information | datapoint1 = April 16, 2026 | custom_label1 = Created | datapoint2 = Unknown | custom_label2 = Account Managers | datapoint3 = Instagram • TikTok | custom_label3 = Platforms | datapoint4 = Fizzcommunity • Fizzwiki • Darkfizz98 | custom_label4 = Associated accounts | datapoint6 = Hopecorecorememes • Trumpetjacob • Ind...")

22 July 2026

  • 20:2520:25, 22 July 2026 Scottsman's Uncertainty Principle (hist | edit) [996 bytes] ShankaraFizz (talk | contribs) (Created page with "The '''Scottsman's Uncertainty Principle''' (SUP) refers to the idea that it's very difficult or impossible to fully perceive the innate, static, or "vertical axis" qualities of a part of a musical gesture without also decoupling those motes and/or particles from the time dimension/horizontal axis dependent context that gives them their full exact feelings and qualities they have. SUP often makes deep listening sessions frustrating for mus...") Tag: Visual edit

20 July 2026

16 July 2026

15 July 2026

12 July 2026

  • 10:2210:22, 12 July 2026 Clud (hist | edit) [758 bytes] Lattaio Meimnagaan JS (talk | contribs) (Created page with "thumb|A '''clud'''. A '''Clud (Complexity Larping Chud)''' is someone who prioritizes the complexity of a song more than if it sounds good or not. Cluds suffer from a generational disease called MCB (Musical Complexity Bias). Maximizing the music-theoretical density in a song doesn't make you a clud. Complexity is good and isn't the main problem of clud behavior. The main problem is their absolute obsession of pushing it into everything they do and...") Tag: Visual edit: Switched
  • 09:5009:50, 12 July 2026 Music Complexity Bias (hist | edit) [3,736 bytes] Lattaio Meimnagaan JS (talk | contribs) (Created page with "'''Time Complexity Bias (TCB)''' is an occurrence where the composer overengineers the "complex" time signature(s) of a piece, when it just ends up being '''equivalent to a much simpler time signature'''. In plain english, you could explain it as '''"the song''' is supposed to be '''complex,''' but it actually '''isn't"'''. It is the opposite of extreme musical reductionism and people who find themselves in such situations could be consid...") Tag: Visual edit: Switched originally created as "Time Complexity Bias"

11 July 2026

10 July 2026

  • 11:0311:03, 10 July 2026 Microrhythms (hist | edit) [2,266 bytes] Niggamario (talk | contribs) (Created page with "'''Microrhythms''' are the subtle variations in timing musicians have; the instances where they slightly drift off the main grid. They’re small enough that they don’t show up on sheet music, but big enough to shape the feel of a phrase. This rhythmic concept is what gives a musician their unique rhythmic signature, and explains why two people can play the same thing at the same tempo but will sound very distinct. All musicians have their own microrhythmic displaceme...") Tag: Visual edit
  • 10:5610:56, 10 July 2026 Quintuplets (hist | edit) [902 bytes] Niggamario (talk | contribs) (Created page with "A '''quintuplet''' (or a five-tuplet) is a tuplet consisting of five notes of equal length, typically used against 4 beats as a 5:4 polyrhythm. It’s regarded as the second building block when learning polyrhythms right after 3:2. thumb|A sixteenth-note quintuplet It’s also the basis of quintuplet swing, where the main grid is subdivided into quintuplets and the swing percentage becomes 60%. The most notable example of...") Tag: Visual edit

9 July 2026

8 July 2026

6 July 2026

  • 23:3023:30, 6 July 2026 The Great Slop Reset (hist | edit) [698 bytes] ShankaraFizz (talk | contribs) (Created page with "The '''Great Slop Reset''' refers to the idea that all pieces of human made artistic output that previously could have been considered slop all lost their slop status the day GenAI output in those artistic fields begin flooding the internet, all of which automatically falls into the slop catigory due to being AI rather than human. The word slop is still going to be used to describe low effort, trashy, or cliche human output because it is still a useful term, but this i...") Tags: Visual edit Mobile edit Mobile web edit
  • 13:5413:54, 6 July 2026 Musical Stream Entry (hist | edit) [1,297 bytes] ShankaraFizz (talk | contribs) (Created page with "'''Musical Stream Entry''' is a hypothetical school/subfield of ear training that focuses on one's inward perception of music and its processing sonically and emotionally in the body and mind in real time. MSE differs from "external" ear training in which a musican is essentially learning to percieve music theory itself within musical input or is learning to increase their particle awareness. Despite this differentiation, traditional ear training and MSE in theory co...") Tags: Visual edit Mobile edit Mobile web edit
  • 01:3701:37, 6 July 2026 Destroy Daw December (hist | edit) [1,386 bytes] ShankaraFizz (talk | contribs) (Created page with "Destroy Daw December (DDD) is a hypothetical event and fizz holy month/holiday in which a musician spends every waking moment available to them using and increasing knowledge of their DAW (digital audio workstation) during the month of December. While it has been talked about for years, no one has yet been confirmed to have completed DDD. It is worth noting that due to the rules of DDD, it functions as a natural continuation of No Nut November as well. Rules of Destroy...") Tags: Visual edit Mobile edit Mobile web edit

5 July 2026

  • 15:3415:34, 5 July 2026 Utility Monster Track (hist | edit) [6,002 bytes] ShankaraFizz (talk | contribs) (Created page with "A '''Utility Monster Track''' (UMT) is a released song that is orders of magnitude better, more enjoyed, or higher in Thingonium than the vast majority, or even the entire rest of the discography of the artist(s) or band that released it. One of the most interesting things about UMTs is that they tend to be some of one's favorite songs of all time. Many people have at least one UMT they love, with the rest of the writer's discography being only glanced over...") Tag: Visual edit

4 July 2026

2 July 2026

1 July 2026

  • 17:1317:13, 1 July 2026 Harmonics & Temperament (hist | edit) [318 bytes] Xenprism (talk | contribs) (Created page with "Harmonics are just as present in rhythm as in harmony: speed up any series of beats, and a tone will eventually be audible. Conversely, a tone can be slowed down to the point where it sounds like a series of beats. In harmony, the harmonic series is an infinite series of [https://en.wikipedia.org/wiki/Sine_wave sine wave] tones (partials) that are multiples of a fundamental frequency. The harmonic series can be replicated percussively by using equally spaced pulses. Dif...")
  • 16:1916:19, 1 July 2026 Tuplets (hist | edit) [5,846 bytes] Xenprism (talk | contribs) (Created page with "A '''tuplet''' is a rhythm whose basis is a value that is not a multiple of a power of 2, or a rhythm that subdivides a beat in a non-standard way with respect to the time signature. Because western rhythmic notation only has dedicated symbols for powers of 2 (whole notes, half notes, quarter notes, eighth notes, etc) tuplets are necessary to express values that are not multiples of powers of 2. For example: 1/12 of a whole note is not a multiple of a...")
  • 15:5015:50, 1 July 2026 Accent (hist | edit) [3,766 bytes] Xenprism (talk | contribs) (Created page with "When a beat is accented, it carries a particular emphasis. There are three different types of rhythmic accent, all of which interact with each other. == Accent Types == === Metric Accent === Metric accent is the emphasis intuitively felt in certain time signatures. For example, a measure of 4/4 often has emphases on the 1 and 3, so these would be called the "strong beats" or "on-beats". The metric accent is placed on them. The strongest beat of a measure (almost always...")
  • 15:2915:29, 1 July 2026 Prosodia Rationalis (hist | edit) [4,324 bytes] Xenprism (talk | contribs) (Created page with "''Prosodia Rationalis: An Essay Towards Establishing the Melody and Measure of Speech, to be Expressed and Perpetuated by Peculiar Symbols'' is a book on notating accents and intonation in language and music. It was originally written in 1775 by Joshua Steele. The full book can be read [https://www.loc.gov/resource/muspre1800.100306/?st=slideshow#slide-24 here]. Steele suggested that the "melody and measure" of speech could be systematically analyzed and transcribed usi...")

29 June 2026

  • 20:4120:41, 29 June 2026 Chlamydian Scale (hist | edit) [768 bytes] Dominic251 (talk | contribs) (Created page with "The Chlamydian Scale 1 b2 b3 4 5 6 7 (Aka Neapolitan Major, Cappadocian \(\natural \)7) is a scale so bad that the fizz community decided it needed an aptly bad nickname.")
  • 19:2919:29, 29 June 2026 Bud (Banana Hating Chud) (hist | edit) [754 bytes] Dominic251 (talk | contribs) (Created page with "A '''bud (banana hating chud)''' is someone who hates bananas so much, they feel the need to constantly remind everyone around them at all times. This is usually caused by a deep insecurity that stems from the lack of attention they received as a child. Buds often use discord chats, statuses, and other channels to constantly remind the world of their hatred for bananas, even when it's completely irrelevant to anything whatsoever. Some believe that the symptoms of bud are...")

22 June 2026

20 June 2026

18 June 2026

  • 17:4117:41, 18 June 2026 Performance gunpoint (hist | edit) [671 bytes] ShankaraFizz (talk | contribs) (Created page with "'''Performance Gunpoint''' are those moments where a person with autism or untreated ADHD is forced to perform social fictions and functional social behavior at a time where it truly matters for the social norms in the moment up the the point where it is required for the conversation or interaction to even be functional at all. Examples include having to make a phone call, having to put on a costumer service voice with FULL eye contact (without involuntary ADHD wandering...") Tag: Visual edit originally created as "Performence gunpoint"
  • 02:5902:59, 18 June 2026 Minor11 of the Gaps (hist | edit) [762 bytes] ShankaraFizz (talk | contribs) (Created page with "Minor11 of the gaps refers to the phenomenon of many j*zz and nujazz/jazztronica musicians defaulting to the use of min11 (specifically a chord with the tones 1 b3 5 b7 9 11) to fill gaps in harmonic ability (to create based chord progressions essentially) when where don't know what to do next. It is proposed that this might have to due with min11 having a sort of telelogically neutral sound, in which it can be inserted more or less anywhere and have a good...") Tags: Visual edit Mobile edit Mobile web edit

16 June 2026

  • 16:4216:42, 16 June 2026 This-is-just-ism (hist | edit) [1,069 bytes] ShankaraFizz (talk | contribs) (Created page with "'''This-is-just-ism''' is a common form of insecure, smug, and unhelpful behavior in which someone just can't help but let you know that the system, conceptual framework, or genre you have made is actually merely a variation of, or just flat out is, some other thing. This behavior (which tends to fall under the spectrum of unhelpful to "I wish this person would violate a Fizzinc discord rule so that we had a good excuse to ban them") is commonly seen where ever pan-fiz...") Tag: Visual edit

15 June 2026

  • 18:3918:39, 15 June 2026 Israel Strom (hist | edit) [6,650 bytes] Fizzwikiadmin (talk | contribs) (Created page with "'''Israel (IJ) Jude Strom''' (born December 13, 2003) is a Canadian composer, multi-instrumentalist, producer, theorist and educator from Calgary, Alberta. His work, spanning multiple projects and collaborations, including the release of Fizz Vol. 1 and touring as a keyboardist with Knower. Strom has worked, recorded and performed with phonon, Louis Cole, Genevieve Artadi, Sam Wilkes, David Binney, Anatole Muster, Jonathan Berroa, Rob Aroujo, Oliver Crosby, Zack Grooves,...") Tag: Visual edit
  • 13:0413:04, 15 June 2026 Harmonic Relativity (hist | edit) [2,817 bytes] The Foilist (talk | contribs) (Created page with "'''Harmonic relativity''' is a music theory framework that places emphasis on the relationships between subsequent chords, rather than the relationships of those individual chords back to a key center. ==Formalism== The concept of a key center is discarded entirely. Rather than labeling chords relative to a tonic (ii°, V<sup>7</sup>, etc.), only the relationships between chords are labeled. Each chord relationship (CR) is defined by 3 quantities: the qualities of the f...")

14 June 2026

  • 18:0818:08, 14 June 2026 Fizz Vol. 1 (hist | edit) [2,358 bytes] Fizzwikiadmin (talk | contribs) (Created page with "Fizz Vol. 1 is the first album by phonon and Israel Strom (IJ & phonon) and the first album in the Fizz genre. It was released on April 17, 2025. The album served as a seminal “flag in the ground” for the launch of the Fizz movement, as was made clear by the livechat spamming fancy fs at the end of the premiere on April 16. Due to the absurd amount of effort put into the project, Fizz Vol. 1 maintains a sort of cult-following. The entire album was created by the 4...") Tag: Visual edit

12 June 2026

  • 21:5321:53, 12 June 2026 Palmdale (hist | edit) [850 bytes] ShankaraFizz (talk | contribs) (Created page with "A '''Palmdale''' is a short, typically instrumental song built primarily from a repeating, defined looping gesture(s). Palmdale compositions often employ the use of subtle variations each time the main gesture or progression loops in order to keep an overall sense of variety, which can turn the at first glance simplistic composition into something a musican can spend hours upon hours perfecting. Not all of the layered loops in a palmdale need to repeate the...") Tag: Visual edit

11 June 2026

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