| Display title | Minor11 of the Gaps |
| Default sort key | Minor11 of the Gaps |
| Page length (in bytes) | 762 |
| Namespace ID | 0 |
| Page ID | 153 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Page creator | ShankaraFizz (talk | contribs) |
| Date of page creation | 02:59, 18 June 2026 |
| Latest editor | Fizzwikiadmin (talk | contribs) |
| Date of latest edit | 01:58, 21 June 2026 |
| Total number of edits | 3 |
| Total number of distinct authors | 2 |
| Recent number of edits (within past 90 days) | 3 |
| Recent number of distinct authors | 2 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Minor11 of the gaps refers to the phenomenon of many j*zz and nujazz/jazztronica musicians defaulting to the use of min11 (specifically a chord with the tones 1 b3 5 b7 9 11) to fill gaps in harmonic ability (to create based chord progressions essentially) when they don't know what to do next. It is... |