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[[File:Flavor examples.jpg|thumb|Examples of different flavors for the same two Oreo cookies]]
[[File:Flavor examples.jpg|thumb|Examples of different flavors for the same two Oreo cookies]]
'''Oreo Theory''' is the idea that any two notes, regardless of the interval between them, may be compatible, and that what really matters are the notes that exist between them. Think of it like an Oreo cookie: you have the two dark-colored (unless you eat vanilla oreos.. ew) biscuits on the top and bottom, and you have the cream in the middle that holds them together. The "biscuits" in this sense are the top and bottom notes, and the "cream" are the notes that justify the two notes and solidify their harmonic profile. If you've ever seen reharmonization exercises where the guy takes two notes and sets one to descend chromatically, harmonizing each note pair, you'll understand what we're talking about.
'''Oreo Theory''' is the idea that any two notes, regardless of the interval between them, may be compatible, and that what really matters are the notes that exist between them. Think of it like an Oreo cookie: you have the two dark-colored (unless you eat vanilla oreos.. ew) biscuits on the top and bottom, and you have the cream in the middle that holds them together. The "biscuits" in this sense are the top and bottom notes, and the "cream" are the notes that justify the two notes and solidify their harmonic profile. If you've ever seen reharmonization exercises where the guy takes two notes and sets one to descend chromatically, harmonizing each note pair, you'll understand what we're talking about.
<blockquote>''"for example, bass note D, melody note G# how could we harmonize that? well the interval is a #11. what scales have a #11? lydian, which outlines a DM13#11. or perhaps even arcadian? D13#11"'' - Convexity, May 27th, 2026</blockquote>[https://www.youtube.com/watch?v=-D2qCKrIs14 This video] by Convexity explains Oreo Theory in detail.
<blockquote>''"for example, bass note D, melody note G# how could we harmonize that? well the interval is a #11. what scales have a #11? lydian, which outlines a DM13#11. or perhaps even arcadian? D13#11"'' - Convexity, May 27th, 2026</blockquote>[https://www.youtube.com/watch?v=-D2qCKrIs14 This video] by [[Convexity]] explains Oreo Theory in detail.


== CREAM CHART ==
== CREAM CHART ==
{| class="wikitable"
{| class="wikitable"
!'''Interval between cookies'''
!Interval between cookies
'''(scale degree)'''
(scale degree)
!'''Interval between cookies'''
!Interval between cookies
'''(interval notation)'''
(interval notation)
!'''Possible Ionian creams'''
!Possible Ionian Creams
!'''Possible Athenian creams'''
!Possible [[Modes of the Melodic Minor Scale|Athenian]] Creams
!'''Possible Appalachian creams'''
!Possible [[Modes of the Harmonic Minor Scale|Appalachian]] Creams
!Possible [[Modes of the Harmonic Major Scale|Laramidian]] Creams
|-
|-
|'''1'''
|'''1'''
|'''P1'''
|'''P1'''
|Any
|Any
|Any
|Any
|Any
Line 30: Line 32:


Morphean
Morphean
|Sangarian
Plummetian
Phobetorian
|-
|-
|'''9'''
|'''9'''
Line 43: Line 49:
|Asgardian
|Asgardian
Arcadian
Arcadian
Olympian


Athenian
Athenian
Olympian


Sisyphean
Sisyphean
Line 53: Line 59:


Appalachian
Appalachian
|Morossian
Laramidian
Dolorian
|-
|-
|'''b3 / #9'''
|'''b3 / #9'''
Line 76: Line 86:


Morphean
Morphean
|Empyrean
Morossian
Dolorian
Plummetian
Phobetorian
|-
|-
|'''3'''
|'''3'''
Line 95: Line 113:


Morphean
Morphean
|Empyrean
Laramidian
Sangarian
Plummetian
|-
|-
|'''11'''
|'''11'''
Line 108: Line 132:


Locrian
Locrian
|Athenian
|Olympian
Olympian
Athenian


Cappadocian
Cappadocian
Line 120: Line 144:


Adonian
Adonian
|Laramidian
Sangarian
Dolorian
Phobetorian
|-
|-
|'''#11 / b5'''
|'''#11 / b5'''
Line 137: Line 167:


Morphean
Morphean
|Empyrean
Morossian
Dolorian
Phobetorian
|-
|-
|'''5'''
|'''5'''
Line 151: Line 187:
Phrygian
Phrygian
|Arcadian
|Arcadian
Olympian
Athenian
Athenian
Olympian


Cappadocian
Cappadocian
Line 162: Line 198:


Herculean
Herculean
|Morossian
Laramidian
Sangarian
Plummetian
|-
|-
|'''#5 / b13'''
|'''#5 / b13'''
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Morphean
Morphean
|Empyrean
Laramidian
Plummetian
Phobetorian
|-
|-
|'''13'''
|'''6 / 13'''
|'''M6'''
|'''M6'''
|Lydian
|Lydian
Line 204: Line 252:


Morphean
Morphean
|Empyrean
Morossian
Sangarian
Dolorian
Phobetorian
|-
|-
|'''b7'''
|'''b7'''
Line 227: Line 283:


Adonian
Adonian
|Sangarian
Dolorian
Plummetian
|-
|-
|'''7'''
|'''7'''
Line 238: Line 298:


Appalachian
Appalachian
|Empyrean
Morossian
Laramidian
|}
|}
Please note that using Chlamydian is highly disencouraged unless one enjoys white oreos.
[[Category:Music Theory]]
[[Category:Music Theory]]

Latest revision as of 13:58, 24 August 2026

An oreo graph depicting two particularly dissonant notes and a possible combination of notes to resolve them.
Examples of different flavors for the same two Oreo cookies

Oreo Theory is the idea that any two notes, regardless of the interval between them, may be compatible, and that what really matters are the notes that exist between them. Think of it like an Oreo cookie: you have the two dark-colored (unless you eat vanilla oreos.. ew) biscuits on the top and bottom, and you have the cream in the middle that holds them together. The "biscuits" in this sense are the top and bottom notes, and the "cream" are the notes that justify the two notes and solidify their harmonic profile. If you've ever seen reharmonization exercises where the guy takes two notes and sets one to descend chromatically, harmonizing each note pair, you'll understand what we're talking about.

"for example, bass note D, melody note G# how could we harmonize that? well the interval is a #11. what scales have a #11? lydian, which outlines a DM13#11. or perhaps even arcadian? D13#11" - Convexity, May 27th, 2026

This video by Convexity explains Oreo Theory in detail.

CREAM CHART

Interval between cookies

(scale degree)

Interval between cookies

(interval notation)

Possible Ionian Creams Possible Athenian Creams Possible Appalachian Creams Possible Laramidian Creams
1 P1 Any Any Any Any
b9 m2 Phrygian

Locrian

Cappadocian

Palamidian

Herculean

Adonian

Morphean

Sangarian

Plummetian

Phobetorian

9 M2 Lydian

Ionian

Mixolydian

Dorian

Aeolian

Asgardian

Arcadian

Olympian

Athenian

Sisyphean

Thesian

Paralydian

Appalachian

Morossian

Laramidian

Dolorian

b3 / #9 m3 Dorian

Aeolian

Phrygian

Locrian

Athenian

Cappadocian

Sisyphean

Palamidian

Calliopean

Paralydian

Appalachian

Adonian

Morphean

Empyrean

Morossian

Dolorian

Plummetian

Phobetorian

3 M3 Lydian

Ionian

Mixolydian

Asgardian

Arcadian

Olympian

Palamidian

Calliopean

Thesian

Herculean

Morphean

Empyrean

Laramidian

Sangarian

Plummetian

11 P4 Ionian

Mixolydian

Dorian

Aeolian

Phrygian

Locrian

Olympian

Athenian

Cappadocian

Sisyphean

Thesian

Appalachian

Herculean

Adonian

Laramidian

Sangarian

Dolorian

Phobetorian

#11 / b5 TT Lydian

Locrian

Asgardian

Arcadian

Sisyphean

Palamidian

Calliopean

Paralydian

Adonian

Morphean

Empyrean

Morossian

Dolorian

Phobetorian

5 P5 Lydian

Ionian

Mixolydian

Dorian

Aeolian

Phrygian

Arcadian

Olympian

Athenian

Cappadocian

Calliopean

Paralydian

Appalachian

Herculean

Morossian

Laramidian

Sangarian

Plummetian

#5 / b13 m6 Aeolian

Phrygian

Locrian

Asgardian

Olympian

Sisyphean

Palamidian

Thesian

Appalachian

Herculean

Morphean

Empyrean

Laramidian

Plummetian

Phobetorian

6 / 13 M6 Lydian

Ionian

Mixolydian

Dorian

Asgardian

Arcadian

Athenian

Cappadocian

Calliopean

Thesian

Paralydian

Adonian

Morphean

Empyrean

Morossian

Sangarian

Dolorian

Phobetorian

b7 m7 Mixolydian

Dorian

Aeolian

Phrygian

Locrian

Arcadian

Olympian

Cappadocian

Sisyphean

Palamidian

Paralydian

Herculean

Adonian

Sangarian

Dolorian

Plummetian

7 M7 Lydian

Ionian

Asgardian

Athenian

Calliopean

Thesian

Appalachian

Empyrean

Morossian

Laramidian

Please note that using Chlamydian is highly disencouraged unless one enjoys white oreos.