Melodic Minor Modes (Alternate Names): Difference between revisions
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Created page with "In music, the Athenian, Cappadocian, Asgardian, Arcadian, Olympian, Sisyphean and Palamidian scales are scale names for the modes of melodic minor created by an anonymous group of theorists in 2021. === Scales === Athenian 1 2 ♭3 4 5 6 7 Aka. Melodic Minor, Ascending Melodic Minor. Cappadocian Scale|Cappadoc..." |
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[[Olympian Scale|Olympian]] 1 2 3 4 5 ♭6 ♭7 Aka. Mixolydian b6. | [[Olympian Scale|Olympian]] 1 2 3 4 5 ♭6 ♭7 Aka. Mixolydian b6. | ||
[[ | [[Sisyphean Scale|Sisyphean]] 1 2 ♭3 4 ♭5 ♭6 ♭7 Aka. Half Diminished, Aeolian b5. | ||
[[Palamidian Scale|Palamidian]] 1 ♭2 ♭3 ♭4 ♭5 ♭6 ♭7 Aka. Altered Scale, Super Locrian, Locrian b4. | [[Palamidian Scale|Palamidian]] 1 ♭2 ♭3 ♭4 ♭5 ♭6 ♭7 Aka. Altered Scale, Super Locrian, Locrian b4. | ||
[[Category:Music Theory]] | [[Category:Music Theory]] | ||
Latest revision as of 18:40, 7 June 2026
In music, the Athenian, Cappadocian, Asgardian, Arcadian, Olympian, Sisyphean and Palamidian scales are scale names for the modes of melodic minor created by an anonymous group of theorists in 2021.
Scales
Athenian 1 2 ♭3 4 5 6 7 Aka. Melodic Minor, Ascending Melodic Minor.
Cappadocian 1 ♭2 ♭3 4 5 6 ♭7 Aka. Dorian b2.
Asgardian 1 2 3 ♯4 ♯5 6 7 Aka. Lydian #5.
Arcadian 1 2 3 ♯4 5 6 ♭7 Aka. Lydian Dominant, Lydian b7, Mixolydian #4.
Olympian 1 2 3 4 5 ♭6 ♭7 Aka. Mixolydian b6.
Sisyphean 1 2 ♭3 4 ♭5 ♭6 ♭7 Aka. Half Diminished, Aeolian b5.
Palamidian 1 ♭2 ♭3 ♭4 ♭5 ♭6 ♭7 Aka. Altered Scale, Super Locrian, Locrian b4.