http://fizzwiki.com/api.php?action=feedcontributions&feedformat=atom&user=FizzwikiadminFizzWiki - User contributions [en]2026-09-14T07:24:16ZUser contributionsMediaWiki 1.45.3http://fizzwiki.com/index.php?title=Fizz_Movement&diff=1783Fizz Movement2026-08-27T21:57:40Z<p>Fizzwikiadmin: </p>
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<div>{{#seo:|keywords=fizz movement, what is the fizz movement, fizz music}}<br />
[[File:Fizz metro art red low quality.jpg|thumb|[[Fizz]]|200x200px]]<br />
The '''Fizz movement''' is a web of [[Fizz]] fans (Aka. fizzheads, fizzers), musicians, creators, influencers, music theorists and trolls dedicated to spreading the Fizz [[Fizz|music genre]] and [[Torus of Fizzosophy|philosophy]] (often called the [[Torus of Fizzosophy|Fizzosophy]]). The movement has a multitude of goals, including the primary objective of spreading Fizz, inventing [[Fizz De Novism|new]] concepts and terminology to describe music theoretic and cultural phenomena, pushing back against the [[Jazz Imperial Complex|Jazz imperial complex]], igniting the [[Mass Jazz Exodus|mass Jazz exodus]], defending anti-slop art philosophy, spreading chaos in general, and of course, having fun. The movement spreads Fizz by making and sharing Fizz music, (politely) spamming the [[fancy f]] in livestream chats, and posting both serious and ironic Fizz content on Instagram meme pages. The extreme wing of the Fizz movement is generally referred to as [[Dark Fizz]].<br />
<br />
The movement has supporters from all over the world, with most internal communications happening in online communities of prominent Fizz artists like [[Convexity]], phonon and [[Israel Strom]]. Fizz meetups typically happen at music festivals and individual shows performed by Fizz and Fizz-adjacent artists.<br />
<br />
[[Category:Fizz Community]]<br />
<br />
== History ==<br />
The Fizz movement began on April 16, 2025 following the YouTube premier of [[Fizz Vol. 1]]. The movement expanded to a new audience when the premier of [https://telefuzz.net/vol1 TELEFUZZ VOL. 1] hit YouTube on April 2nd, 2026.<br />
== Memes ==<br />
Other than the audience that Fizz artists themselves have attracted, the most famous channel through which Fizz is spread is the [[fizzmemes]] community meme page on Instagram. Fizzmemes' "Fizz vs. Jazz" memes with long winded, absurdist captions inspired imitations from many other accounts. Memes with that format garnering over 1M views in total.<br />
<br />
[[Category:Fizzosophy]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1782Superparticular Polyrhythm2026-08-27T14:25:36Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees, but don’t actually give a f*ck about using them in interesting ways. [[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1781Superparticular Polyrhythm2026-08-27T14:21:50Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees, but don’t actually give a sh*t about using them in interesting ways. [[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1780Superparticular Polyrhythm2026-08-27T14:07:17Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like some kind of neurodivergent person, but could care less about actually using them in interesting ways. [[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1779Superparticular Polyrhythm2026-08-27T12:49:36Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like some kind of autistic person, but could care less about actually using them in interesting ways. [[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1778Superparticular Polyrhythm2026-08-27T12:46:19Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like an autistic person, but could care less about actually using them in interesting ways.[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=MediaWiki:Sidebar&diff=1777MediaWiki:Sidebar2026-08-27T12:26:40Z<p>Fizzwikiadmin: </p>
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* LANGUAGES</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1776Superparticular Polyrhythm2026-08-27T12:20:38Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like some kind of autistic person, but could care less about actually using them in interesting ways.[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1775Superparticular Polyrhythm2026-08-27T12:11:42Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like an autistic person, but could care less about actually using them in interesting ways.[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1774Superparticular Polyrhythm2026-08-27T12:10:52Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like some kind of neurodivergent person, but could care less about actually using them in interesting ways.[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1773Superparticular Polyrhythm2026-08-27T12:10:20Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like some kind of anxious neurodivergent person, but could care less about actually using them in interesting ways.[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1772Superparticular Polyrhythm2026-08-27T11:59:51Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like an autistic person, but could care less about actually using them in interesting ways.[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1771Superparticular Polyrhythm2026-08-27T11:56:49Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like some kind of neurodivergent person, but could care less about using them in interesting ways.[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1770Superparticular Polyrhythm2026-08-27T11:53:44Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers (Ex. 33:32, 99:100). They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like an autistic person, but could care less about using them in interesting ways.[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1769Superparticular Polyrhythm2026-08-27T11:51:36Z<p>Fizzwikiadmin: </p>
<hr />
<div>A '''superparticular polyrhythm''' is a polyrhythm or tuplet with a superparticular ratio of two large numbers ''(Ex. 33:32, 99:100)''. They’re popular among musicians that enjoy polyrhythms enough to tap them out on their knees like some kind of neurodivergent person, but could care less about using them in interesting ways.[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Stromian_Tuplet_Notation&diff=1768Stromian Tuplet Notation2026-08-25T09:08:16Z<p>Fizzwikiadmin: /* Bridge Tuplets */</p>
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<div>{{#seo:|keywords=nested tuplets, polyrhythms, israel strom}}<br />
[[File:Stromian tuplet notation 1.jpg|thumb|Nested tuplet from polyriddim by phonon|399x399px]]'''Stromian tuplet notation''' is a system for expressing '''[[tuplets]]'''. The main purpose of STN is to convey complicated tuplet ideas over text. The system strikes a balance between legibility and efficiency.<br />
<br />
It can get frustrating when you send your homie a Fizz WIP and they ask “what’s that rhythm 8 seconds in?” To which you reply ''“It’s a bar long triplet but the first and last of those 3 beats are both nonuplets, and the beat in the middle is just filled with 8th notes. Or 8th note triplets rather... Never mind, you get what I mean. Actually I'll draw a picture and send it..."''. STN allows you to reply with "it's 3[9:1+4:1+9:1]:2/2" like an absolute chad.<br />
<br />
== [https://fizzwiki.com/Tuplets#Nested_Tuplets Nested Tuplets] ==<br />
[[File:Stromian tuplet notation 2.jpg|thumb|Nested tuplet used frequently in The Black Page by Frank Zappa|199x199px]]<br />
In STN, the '''nest tuplet''' '''(outside tuplet)''' is written with the numerator at the beginning and the denominator at the end, the contents of which are written in a bracketed section in between, which includes the nested tuplet and however many beats come before and or after it. In this page's main image, the "11[ ]:8" is the nest tuplet, the "8:6" is the nested tuplet, and the "+5" is the leftover beats in the nest tuplet.<br />
<br />
The '''nested tuplet's denominator''' and '''leftover beats''' will always add up to the '''nest tuplet's numerator,''' making the nest tuplet's numerator redundant. The purpose of writing the nest tuplet's numerator at all is to make it more legible. The idea is for the human reader to glance at "7[1+3:2+4]:4", see the "7[ ]:4" and immediately think "So it's a septuplet. Now to figure out what's inside". The notation system used by the [https://metrictrees.netlify.app/ MeTr] music tool on [https://chambercode.com/ ChamberCode] is very similar to STN for nested tuplets, except it doesn’t have STN’s redundant nest tuplet numerator.<br />
{| class="wikitable"<br />
|+Stromian vs. MeTr notation<br />
!<br />
!Tuplet<br />
!Notation<br />
|-<br />
|Stromian<br />
|11:8 with a nested 8:6 at the beginning<br />
|11[8:6+5]:8<br />
|-<br />
|MeTr <br />
|11:8 with a nested 8:6 at the beginning<br />
|[8:6+5]:8<br />
|}<br />
<br />
== Non-Dyadic Tuplets ==<br />
<br />
=== @ symbol method ===<br />
The most clear and concise method is to use the @ symbol. For example, a non-dyadic sextuplet consisting of only 5 sextuplets could be written as "5@6:4".<br />
<br />
=== Time signature method ===<br />
Another way of notating non-dyadic tuplets in STN is to use a time signature as a denominator. For example, a non-dyadic sextuplet consisting of only 5 sextuplets could be written as "5:5/6". This method is usually more confusing to read than the @ symbol method, but is sometimes useful when clarifying the exact length of the tuplet.<br />
<br />
== Bridge Tuplets ==<br />
[[File:Bridge Tuplet Visualization.jpg|thumb|200x200px|[7:4+6:4][5+6:4+4]]][[File:Bridged bridge tuplet.jpg|alt=Bridged bridge tuplet|thumb|199x199px|Bridged bridge tuplet [6:4], [6:4][2+5:3+1], [6:4][2+5:3+1][1+3:2+4+1]]]One way of notating [[Bridge Tuplet|bridge tuplets]] in STN is by using '''two''' bracketed sections, the '''first''' one laying out the two tuplets being bridged, and the '''second''' one laying out where the bridge tuplet starts, its ratio, and where it ends. For example, a bridge tuplet in which a '''7:4''' and a '''6:4''' are being bridged by a '''6:4''' somewhere in the middle could be written like [7:4+6:4][5+6:4+4].<br />
<br />
[7:4+6:4][5+6:4+4] means that there are the first 5 septuplets, followed by the "6:4" bridge tuplet, followed by the last 4 sextuplets.<br />
<br />
This step of adding another box to create another bridge tuplet can be repeated indefinitely. For example, the top-to-bottom sequence of progressively complex tuplets shown in the "bridged bridge tuplet" image can be written as such:<br />
<br />
[6:4]<br />
<br />
[6:4][2+5:3+1]<br />
<br />
[6:4][2+5:3+1][1+3:2+4+1]<br />
<br />
The benefit of laying it out in a sequence is legibility. If the whole thing is overwhelming to parse, you can work on grasping the first couple of boxes first, instead of taking it in all at once.<br />
<br />
== Limitations ==<br />
[[File:Nested nested triplet.jpg|thumb|200x200px|Nested nested triplet]]<br />
[[File:Non-dyadic nested bridge tuplet.jpg|thumb|200x200px|<nowiki>8[[4:3+7:5][2+7:6+3]]:8/7</nowiki>]]<br />
=== Ambiguity ===<br />
When written with STN, the exact length of the tuplet can be ambiguous. If there’s a 4 in the denominator, that could mean that the tuplet is 4 ''quarter notes'' long, but it could also be 4 ''eighth notes'', 4 ''sixteenth notes'', etc. This ambiguity can be solved by writing the nest tuplet's denominator as a '''time signature''' instead of a plain number.<br />
<br />
11[8:6+5]:'''8''' —> 11[8:6+5]:'''8/8'''<br />
<br />
=== Legibility ===<br />
A triplet inside of a nested triplet is pretty easy to conceptualize when reading it on sheet music, as opposed to STN, where it would be written like “3[3[3:2+1]:2+1]:2”. STN has its limitations, but it allows those familiar with it to glance at “11[6+9:5]:8” and think “ah yes, a 11:8 tuplet with a nested 9:5 at the end”.<br />
<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Quintuplet_Swing&diff=1751Quintuplet Swing2026-08-23T09:22:28Z<p>Fizzwikiadmin: </p>
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<div>[[File:Quintuplet Swing.jpg|alt=Common quintuplet swing beat as played on a drum set|thumb|Common quintuplet swing drum beat]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1750Superparticular Polyrhythm2026-08-23T09:22:09Z<p>Fizzwikiadmin: </p>
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<div>[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1749Superparticular Polyrhythm2026-08-23T09:21:52Z<p>Fizzwikiadmin: </p>
<hr />
<div>[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|21:22 polyrhythm]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Superparticular_Polyrhythm&diff=1748Superparticular Polyrhythm2026-08-23T09:21:36Z<p>Fizzwikiadmin: Created page with "Example of a superparticular polyrhythm (21:22)"</p>
<hr />
<div>[[File:Superparticular polyrhythm.png|alt=21:22, an example of a superparticular polyrhythm|thumb|Example of a superparticular polyrhythm (21:22)]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=File:Superparticular_polyrhythm.png&diff=1747File:Superparticular polyrhythm.png2026-08-23T09:20:18Z<p>Fizzwikiadmin: </p>
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<div>A 21:22 polyrhythm, an example of a superparticular polyrhythm.</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Bridge_Tuplet&diff=1746Bridge Tuplet2026-08-23T01:45:29Z<p>Fizzwikiadmin: </p>
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<div>{{#seo:|keywords=bridge tuplets, polyrhythms, nested tuplets}}<br />
[[File:Bridge Tuplet.jpg|thumb|Basic Bridge Tuplet]]<br />
[[File:Bridge Tuplet Visualization.jpg|thumb|Bridge Tuplet Visualization]]<br />
A '''bridge tuplet''' is a tuplet connecting either two tuplets or one tuplet back to the parent grid. They might look exceedingly complex, but they can easily be optimizations of high-level polyrhythmic ideas.<br />
<br />
All bridge tuplets are '''nested tuplets''' and can be written as such. However, if you have a tuplet that connects two tuplets with different beat lengths, you would end up with numbers too big to think about as tuplets and the whole thing would be a disaster. With bridge tuplet notation, the numbers are much friendlier and the rhythms are a lot more conceivable.<br />
<br />
It’s very important to mention that bridge tuplet notation works because tuplets represent notes at different speeds. In the Bridge Tuplet Visualization on the right, the little 6:4 simply represents 6 sextuplets against 4 eighth notes, because the big septuplet and sextuplet just change the speed of the eighth note.<br />
<br />
Fizz musician Israel Strom explains this concept in his YouTube video [https://youtu.be/paqtvlEBeUU 6 Levels of Polyrhythms Explained]<br />
<br />
<br />
Note that notation softwares and other websites are much more friendly to nested tuplet notation, so you'll need to convert your bridge tuplet to be notated as a nested tuplet in some cases. Fizz musician Jonathan Berroa breaks down the conversion in his Youtube video [https://youtu.be/8v1dFyOcnWM Bridge Tuplet to Nested Tuplet Tutorial]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Stromian_Tuplet_Notation&diff=1745Stromian Tuplet Notation2026-08-23T01:43:22Z<p>Fizzwikiadmin: </p>
<hr />
<div>{{#seo:|keywords=nested tuplets, polyrhythms, israel strom}}<br />
[[File:Stromian tuplet notation 1.jpg|thumb|Nested tuplet from polyriddim by phonon|399x399px]]'''Stromian tuplet notation''' is a system for expressing '''[[tuplets]]'''. The main purpose of STN is to convey complicated tuplet ideas over text. The system strikes a balance between legibility and efficiency.<br />
<br />
It can get frustrating when you send your homie a Fizz WIP and they ask “what’s that rhythm 8 seconds in?” To which you reply ''“It’s a bar long triplet but the first and last of those 3 beats are both nonuplets, and the beat in the middle is just filled with 8th notes. Or 8th note triplets rather... Never mind, you get what I mean. Actually I'll draw a picture and send it..."''. STN allows you to reply with "it's 3[9:1+4:1+9:1]:2/2" like an absolute chad.<br />
<br />
== [https://fizzwiki.com/Tuplets#Nested_Tuplets Nested Tuplets] ==<br />
[[File:Stromian tuplet notation 2.jpg|thumb|Nested tuplet used frequently in The Black Page by Frank Zappa|199x199px]]<br />
In STN, the '''nest tuplet''' '''(outside tuplet)''' is written with the numerator at the beginning and the denominator at the end, the contents of which are written in a bracketed section in between, which includes the nested tuplet and however many beats come before and or after it. In this page's main image, the "11[ ]:8" is the nest tuplet, the "8:6" is the nested tuplet, and the "+5" is the leftover beats in the nest tuplet.<br />
<br />
The '''nested tuplet's denominator''' and '''leftover beats''' will always add up to the '''nest tuplet's numerator,''' making the nest tuplet's numerator redundant. The purpose of writing the nest tuplet's numerator at all is to make it more legible. The idea is for the human reader to glance at "7[1+3:2+4]:4", see the "7[ ]:4" and immediately think "So it's a septuplet. Now to figure out what's inside". The notation system used by the [https://metrictrees.netlify.app/ MeTr] music tool on [https://chambercode.com/ ChamberCode] is very similar to STN for nested tuplets, except it doesn’t have STN’s redundant nest tuplet numerator.<br />
{| class="wikitable"<br />
|+Stromian vs. MeTr notation<br />
!<br />
!Tuplet<br />
!Notation<br />
|-<br />
|Stromian<br />
|11:8 with a nested 8:6 at the beginning<br />
|11[8:6+5]:8<br />
|-<br />
|MeTr <br />
|11:8 with a nested 8:6 at the beginning<br />
|[8:6+5]:8<br />
|}<br />
<br />
== Non-Dyadic Tuplets ==<br />
<br />
=== @ symbol method ===<br />
The most clear and concise method is to use the @ symbol. For example, a non-dyadic sextuplet consisting of only 5 sextuplets could be written as "5@6:4".<br />
<br />
=== Time signature method ===<br />
Another way of notating non-dyadic tuplets in STN is to use a time signature as a denominator. For example, a non-dyadic sextuplet consisting of only 5 sextuplets could be written as "5:5/6". This method is usually more confusing to read than the @ symbol method, but is sometimes useful when clarifying the exact length of the tuplet.<br />
<br />
== Bridge Tuplets ==<br />
[[File:Bridge Tuplet Visualization.jpg|thumb|200x200px|[7:4+6:4][5+6:4+4]]][[File:Bridged bridge tuplet.jpg|alt=Bridged bridge tuplet|thumb|199x199px|Bridged bridge tuplet [6:4], [6:4][2+5:3+1], [6:4][2+5:3+1][1+3:2+5]]]One way of notating [[Bridge Tuplet|bridge tuplets]] in STN is by using '''two''' bracketed sections, the '''first''' one laying out the two tuplets being bridged, and the '''second''' one laying out where the bridge tuplet starts, its ratio, and where it ends. For example, a bridge tuplet in which a '''7:4''' and a '''6:4''' are being bridged by a '''6:4''' somewhere in the middle could be written like [7:4+6:4][5+6:4+4].<br />
<br />
[7:4+6:4][5+6:4+4] means that there are the first 5 septuplets, followed by the "6:4" bridge tuplet, followed by the last 4 sextuplets.<br />
<br />
This step of adding another box to create another bridge tuplet can be repeated indefinitely. For example, the top-to-bottom sequence of progressively complex tuplets shown in the "bridged bridge tuplet" image can be written as such:<br />
<br />
[6:4]<br />
<br />
[6:4][2+5:3+1]<br />
<br />
[6:4][2+5:3+1][1+3:2+5]<br />
<br />
The benefit of laying it out in a sequence is legibility. If the whole thing is overwhelming to parse, you can work on grasping the first couple of boxes first, instead of taking it in all at once.<br />
<br />
== Limitations ==<br />
[[File:Nested nested triplet.jpg|thumb|200x200px|Nested nested triplet]]<br />
[[File:Non-dyadic nested bridge tuplet.jpg|thumb|200x200px|<nowiki>8[[4:3+7:5][2+7:6+3]]:8/7</nowiki>]]<br />
=== Ambiguity ===<br />
When written with STN, the exact length of the tuplet can be ambiguous. If there’s a 4 in the denominator, that could mean that the tuplet is 4 ''quarter notes'' long, but it could also be 4 ''eighth notes'', 4 ''sixteenth notes'', etc. This ambiguity can be solved by writing the nest tuplet's denominator as a '''time signature''' instead of a plain number.<br />
<br />
11[8:6+5]:'''8''' —> 11[8:6+5]:'''8/8'''<br />
<br />
=== Legibility ===<br />
A triplet inside of a nested triplet is pretty easy to conceptualize when reading it on sheet music, as opposed to STN, where it would be written like “3[3[3:2+1]:2+1]:2”. STN has its limitations, but it allows those familiar with it to glance at “11[6+9:5]:8” and think “ah yes, a 11:8 tuplet with a nested 9:5 at the end”.<br />
<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Israel_Strom&diff=1744Israel Strom2026-08-23T01:43:01Z<p>Fizzwikiadmin: /* Music Theory */</p>
<hr />
<div>{{#description2:'''Israel (IJ) Jude Strom''' (born December 13, 2003) is a Canadian composer, multi-instrumentalist, producer, theorist and educator from Calgary, Alberta. His work, spanning multiple projects and collaborations, including the release of [[Fizz Vol. 1]] and touring as a keyboardist with [[wikipedia:Knower|Knower]]. Strom has worked, recorded and performed with}}<br />
{{Infobox <br />
| name = '''Israel Strom'''<br />
| image = File:Israel_Strom.jpg<br />
| image_caption = Strom in 2023<br />
| custom_label0 = Background Information<br />
| datapoint1 = Israel Jude Strom December 13, 2003 (Age 22) Calgary, Alberta, Canada<br />
| custom_label1 = Born<br />
| datapoint2 = Composer • multi-instrumentalist • producer • theorist • educator<br />
| custom_label2 = Occupations<br />
| datapoint3 = Piano • bass • drums • guitar • mandolin<br />
| custom_label3 = Instruments<br />
| datapoint4 = [[Fizz]]<br />
| custom_label4 = Genre<br />
| datapoint6 = [https://en.wikipedia.org/wiki/Christianity Christian]<br />
| custom_label6 = Religion<br />
| datapoint7 = [https://en.wikipedia.org/wiki/Harry_Strom Harry Strom] (great-great-uncle)<br />
| custom_label7 = Relatives<br />
| datapoint8 = 2019–present<br />
| custom_label8 = Years active<br />
<br />
}} <br />
<br />
'''Israel (IJ) Jude Strom''' (born December 13, 2003) is a Canadian composer, multi-instrumentalist, producer, theorist and educator from Calgary, Alberta. His work, spanning multiple projects and collaborations, including the release of [[Fizz Vol. 1]] and touring as a keyboardist with [[wikipedia:Knower|Knower]]. Strom has worked, recorded and performed with phonon, [[Jonathan Berroa]], [[wikipedia:Louis_Cole|Louis Cole]], [[wikipedia:Genevieve_Artadi|Genevieve Artadi]], [[wikipedia:Dave_Eggar|Dave Eggar]], [[wikipedia:Daedelus_(musician)|Daedelus]], and [[wikipedia:Jules_Buckley|Jules Buckley]]. Strom was the keyboardist for Louis Cole’s May 2023 trio tour, and has since toured several times with Cole and Knower, including Louis Cole & [[wikipedia:Metropole_Orkest|Metropole Orkest’s]] “Nothing” tour in 2025 conducted by Jules Buckley. Strom and phonon released their magnum opus, Fizz Vol. 1 in 2025, which was crucial in codifying the [[Fizz|Fizz genre]] and igniting the [[Fizz Movement|Fizz movement]]. Strom has been one of the most vocal apologists for the Fizz movement, being involved to varying degrees in Fizz music, explanatory Fizz content, Fizzmemes and [[Main Page|FizzWiki]].<br />
== Early Life ==<br />
Strom was born in Calgary, Alberta on December 13, 2003. He has Haitian, English and Swedish ancestry. His grandfather introduced him to GarageBand at the age of 5, forming his passion for music production. Starting at the age of 9, he took piano and bass lessons from Derek Stoll, a Jazz piano instructor at the [[wikipedia:Mount_Royal_University|Mount Royal University]] Conservatory. Strom played keyboards and bass on his church’s worship team from age 11-12. <br />
<br />
== Artistry ==<br />
<br />
Strom has a distinctly cerebral, left-brained "[[Fizz De Novism|denovistic]]" approach to music, often describing music creation as tedious and frustrating. He claims to be on the autism spectrum (undiagnosed) and credits that for his hyper-fixation on polyrhythms and music theory in general. <br />
<br />
=== Influences ===<br />
Strom's influences during his formative years include artists like [[wikipedia:Jacob_Collier|Jacob Collier]], [[wikipedia:Frank_Zappa|Frank Zappa]], [[wikipedia:Louis_Cole|Louis Cole]], [[wikipedia:Knower|Knower]], [[wikipedia:Dirty_Loops|Dirty Loops]], [[wikipedia:Adam_Neely|Adam Neely]] and [https://www.instagram.com/sungazerrrr/?hl=en Sungazer]. <br />
=== Music Theory ===<br />
[[File:Non-dyadic nested bridge tuplet.jpg|thumb|Bridge tuplet inside of a non-dyadic tuplet from [https://www.youtube.com/watch?v=JZmbOrZGICo IJ & phonon getfizzed Vol. 1]|260x260px]]<br />
Polyrhythms are the most recognized music theoretic trope in Strom's compositions and playing style. He started becoming more interested in polyrhythms when he first heard polyriddim, phonon's controversial Riddim single from 2020 that brought the concepts of polyrhythms and nested tuplets to a wider audience. Strom has since utilized many polyrhythms in his collaborations with phonon and in general. On October 30, 2022, Strom posted an Instagram reel titled “[https://www.instagram.com/reel/CkWbmirPhrn/?hl=en Polytonal Polyrhythm Warmup]”. This video started a viral trend of pianists playing difficult polyrhythmic etudes, with Strom’s etudes garnering over 20 million views across platforms. His YouTube video, titled “[https://www.youtube.com/watch?v=7OCQjcOLa3c <nowiki>10:2 10[4:3+7]:2 12:4 11:4 3[9:1+4:1+9:1]:4</nowiki>]” ''(written in [[Stromian Tuplet Notation|Stromian tuplet notation]])'' is the most watched video about nested tuplets on the internet. In early 2026, he coined the term "[[Bridge Tuplet|bridge tuplets]]" for a concept that was being talked about in the Fizz community. <br />
<br />
== Discography ==<br />
At the age of 15, Strom began putting out a series of albums, releasing his first album, “IJ’s Adventure” on August 25, 2019, later releasing “Adaptation” on June 13, 2020 and “Lightning Portal” on August 30, 2020. “My Turn” from Adaptation was later re-arranged by Everything Yes for their debut album “Volume 1”, and was performed live on their tour with Sungazer. <br />
<br />
On April 28, 2022, Strom, Daniel Hayn and Noa Denton released “Database”, a Jazztronica EP featuring a wide range of Jazz instrumentalists.<br />
<br />
On May 24, 2024, Strom, Conner and Zack Thomas released "Field Trip", a maximalist, genre-bending EP.<br />
<br />
On April 17, 2025, Strom, phonon and collaborators Ben Francis and Noa Denton released Fizz Vol. 1.<br />
<br />
=== Albums ===<br />
<br />
* ''IJ's Adventure'' (2019)<br />
* ''Adaptation'' (2020)<br />
* ''Lightning Portal'' (2020)<br />
* ''Fizz Vol. 1'' (2025)<br />
<br />
=== EPs ===<br />
<br />
* ''The Dream Tapes'' (2020)<br />
* ''Database'' (2022)<br />
* ''Field Trip'' (2024) <br />
<br />
== Controversy ==<br />
Strom received backlash for speaking out publicly against the use of generative AI in music, calling for AI music to be labelled. <br />
<blockquote>''“I personally think that if your song includes any AI generated audio, you should have to put a label right on the album cover. And if you’re not comfortable with such a label taking up space on your album cover, why are you comfortable with putting AI in your music?”'' - IJ</blockquote><br />
<br />
Strom has also been criticized for using "made-up" Fizz music theory terms like "[[Bridge Tuplets|bridge tuplets]]", and trying to bring back obscure alternate names for the [[Modes of the Melodic Minor Scale|melodic minor modes]] like "[[Cappadocian Scale|cappadocian]]" and "[[Asgardian Scale|asgardian]]"<br />
<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Bridge_Tuplet&diff=1742Bridge Tuplet2026-08-23T01:41:25Z<p>Fizzwikiadmin: Fizzwikiadmin moved page Bridge Tuplets to Bridge Tuplet</p>
<hr />
<div>[[File:Bridge Tuplet.jpg|thumb|Basic Bridge Tuplet]]<br />
[[File:Bridge Tuplet Visualization.jpg|thumb|Bridge Tuplet Visualization]]<br />
A '''bridge tuplet''' is a tuplet connecting either two tuplets or one tuplet back to the parent grid. They might look exceedingly complex, but they can easily be optimizations of high-level polyrhythmic ideas.<br />
<br />
All bridge tuplets are '''nested tuplets''' and can be written as such. However, if you have a tuplet that connects two tuplets with different beat lengths, you would end up with numbers too big to think about as tuplets and the whole thing would be a disaster. With bridge tuplet notation, the numbers are much friendlier and the rhythms are a lot more conceivable.<br />
<br />
It’s very important to mention that bridge tuplet notation works because tuplets represent notes at different speeds. In the Bridge Tuplet Visualization on the right, the little 6:4 simply represents 6 sextuplets against 4 eighth notes, because the big septuplet and sextuplet just change the speed of the eighth note.<br />
<br />
Fizz musician Israel Strom explains this concept in his YouTube video [https://youtu.be/paqtvlEBeUU 6 Levels of Polyrhythms Explained]<br />
<br />
<br />
Note that notation softwares and other websites are much more friendly to nested tuplet notation, so you'll need to convert your bridge tuplet to be notated as a nested tuplet in some cases. Fizz musician Jonathan Berroa breaks down the conversion in his Youtube video [https://youtu.be/8v1dFyOcnWM Bridge Tuplet to Nested Tuplet Tutorial]<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Stromian_Tuplet_Notation&diff=1739Stromian Tuplet Notation2026-08-22T01:33:15Z<p>Fizzwikiadmin: /* Bridge Tuplets */</p>
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<div>{{#seo:|keywords=nested tuplets, polyrhythms, israel strom}}<br />
[[File:Stromian tuplet notation 1.jpg|thumb|Nested tuplet from polyriddim by phonon|399x399px]]'''Stromian tuplet notation''' is a system for expressing '''[[tuplets]]'''. The main purpose of STN is to convey complicated tuplet ideas over text. The system strikes a balance between legibility and efficiency.<br />
<br />
It can get frustrating when you send your homie a Fizz WIP and they ask “what’s that rhythm 8 seconds in?” To which you reply ''“It’s a bar long triplet but the first and last of those 3 beats are both nonuplets, and the beat in the middle is just filled with 8th notes. Or 8th note triplets rather... Never mind, you get what I mean. Actually I'll draw a picture and send it..."''. STN allows you to reply with "it's 3[9:1+4:1+9:1]:2/2" like an absolute chad.<br />
<br />
== [https://fizzwiki.com/Tuplets#Nested_Tuplets Nested Tuplets] ==<br />
[[File:Stromian tuplet notation 2.jpg|thumb|Nested tuplet used frequently in The Black Page by Frank Zappa|199x199px]]<br />
In STN, the '''nest tuplet''' '''(outside tuplet)''' is written with the numerator at the beginning and the denominator at the end, the contents of which are written in a bracketed section in between, which includes the nested tuplet and however many beats come before and or after it. In this page's main image, the "11[ ]:8" is the nest tuplet, the "8:6" is the nested tuplet, and the "+5" is the leftover beats in the nest tuplet.<br />
<br />
The '''nested tuplet's denominator''' and '''leftover beats''' will always add up to the '''nest tuplet's numerator,''' making the nest tuplet's numerator redundant. The purpose of writing the nest tuplet's numerator at all is to make it more legible. The idea is for the human reader to glance at "7[1+3:2+4]:4", see the "7[ ]:4" and immediately think "So it's a septuplet. Now to figure out what's inside". The notation system used by the [https://metrictrees.netlify.app/ MeTr] music tool on [https://chambercode.com/ ChamberCode] is very similar to STN for nested tuplets, except it doesn’t have STN’s redundant nest tuplet numerator.<br />
{| class="wikitable"<br />
|+Stromian vs. MeTr notation<br />
!<br />
!Tuplet<br />
!Notation<br />
|-<br />
|Stromian<br />
|11:8 with a nested 8:6 at the beginning<br />
|11[8:6+5]:8<br />
|-<br />
|MeTr <br />
|11:8 with a nested 8:6 at the beginning<br />
|[8:6+5]:8<br />
|}<br />
<br />
== Non-Dyadic Tuplets ==<br />
<br />
=== @ symbol method ===<br />
The most clear and concise method is to use the @ symbol. For example, a non-dyadic sextuplet consisting of only 5 sextuplets could be written as "5@6:4".<br />
<br />
=== Time signature method ===<br />
Another way of notating non-dyadic tuplets in STN is to use a time signature as a denominator. For example, a non-dyadic sextuplet consisting of only 5 sextuplets could be written as "5:5/6". This method is usually more confusing to read than the @ symbol method, but is sometimes useful when clarifying the exact length of the tuplet.<br />
<br />
== Bridge Tuplets ==<br />
[[File:Bridge Tuplet Visualization.jpg|thumb|200x200px|[7:4+6:4][5+6:4+4]]][[File:Bridged bridge tuplet.jpg|alt=Bridged bridge tuplet|thumb|199x199px|Bridged bridge tuplet [6:4], [6:4][2+5:3+1], [6:4][2+5:3+1][1+3:2+5]]]One way of notating [[Bridge Tuplets|bridge tuplets]] in STN is by using '''two''' bracketed sections, the '''first''' one laying out the two tuplets being bridged, and the '''second''' one laying out where the bridge tuplet starts, its ratio, and where it ends. For example, a bridge tuplet in which a '''7:4''' and a '''6:4''' are being bridged by a '''6:4''' somewhere in the middle could be written like [7:4+6:4][5+6:4+4].<br />
<br />
[7:4+6:4][5+6:4+4] means that there are the first 5 septuplets, followed by the "6:4" bridge tuplet, followed by the last 4 sextuplets.<br />
<br />
This step of adding another box to create another bridge tuplet can be repeated indefinitely. For example, the top-to-bottom sequence of progressively complex tuplets shown in the "bridged bridge tuplet" image can be written as such:<br />
<br />
[6:4]<br />
<br />
[6:4][2+5:3+1]<br />
<br />
[6:4][2+5:3+1][1+3:2+5]<br />
<br />
The benefit of laying it out in a sequence is legibility. If the whole thing is overwhelming to parse, you can work on grasping the first couple of boxes first, instead of taking it in all at once.<br />
<br />
== Limitations ==<br />
[[File:Nested nested triplet.jpg|thumb|200x200px|Nested nested triplet]]<br />
[[File:Non-dyadic nested bridge tuplet.jpg|thumb|200x200px|<nowiki>8[[4:3+7:5][2+7:6+3]]:8/7</nowiki>]]<br />
=== Ambiguity ===<br />
When written with STN, the exact length of the tuplet can be ambiguous. If there’s a 4 in the denominator, that could mean that the tuplet is 4 ''quarter notes'' long, but it could also be 4 ''eighth notes'', 4 ''sixteenth notes'', etc. This ambiguity can be solved by writing the nest tuplet's denominator as a '''time signature''' instead of a plain number.<br />
<br />
11[8:6+5]:'''8''' —> 11[8:6+5]:'''8/8'''<br />
<br />
=== Legibility ===<br />
A triplet inside of a nested triplet is pretty easy to conceptualize when reading it on sheet music, as opposed to STN, where it would be written like “3[3[3:2+1]:2+1]:2”. STN has its limitations, but it allows those familiar with it to glance at “11[6+9:5]:8” and think “ah yes, a 11:8 tuplet with a nested 9:5 at the end”.<br />
<br />
[[Category:Music Theory]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Quintuplet_Swing&diff=1738Quintuplet Swing2026-08-21T09:41:37Z<p>Fizzwikiadmin: </p>
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<div>[[File:Quintuplet Swing.jpg|alt=Common quintuplet swing beat as played on a drum set|thumb|Common quintuplet swing drum beat]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Quintuplet_Swing&diff=1737Quintuplet Swing2026-08-21T09:41:14Z<p>Fizzwikiadmin: </p>
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<div>[[File:Quintuplet Swing.jpg|alt=Common quintuplet swing beat as played on a drum set|thumb|Quintuplet swing]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Quintuplet_Swing&diff=1736Quintuplet Swing2026-08-21T09:40:33Z<p>Fizzwikiadmin: Created page with "Common quintuplet swing beat as played on a drum set"</p>
<hr />
<div>[[File:Quintuplet Swing.jpg|alt=Common quintuplet swing beat as played on a drum set|thumb|Common quintuplet swing beat as played on a drum set]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=File:Quintuplet_Swing.jpg&diff=1735File:Quintuplet Swing.jpg2026-08-21T09:40:06Z<p>Fizzwikiadmin: </p>
<hr />
<div>Common quintuplet swing beat as played on a drum set</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1734Telefuzz2026-08-20T09:13:03Z<p>Fizzwikiadmin: </p>
<hr />
<div>{{#seo: |description= '''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. |keywords=telefuzz, fizz music, fizz music, convexity}}<br />
{{Infobox<br />
| name = '''TELEFUZZ'''<br />
| image = File:Telefuzz Vol. 1.jpg<br />
| image_caption = TELEFUZZ, VOL. 1 album art<br />
| custom_label0 = Record label<br />
| datapoint1 = 2026<br />
| custom_label1 = Founded<br />
| datapoint2 = Convexity<br />
| custom_label2 = Founder<br />
| datapoint3 = [[Fizz]]<br />
| custom_label3 = Genres<br />
| datapoint7 = [https://en.wikipedia.org/wiki/United_States United States]<br />
| custom_label7 = Country of origin<br />
| datapoint8 = https://telefuzz.net/<br />
| custom_label8 = Official website<br />
<br />
}}<br />
'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. The label's debut compilation album [https://www.youtube.com/watch?v=joQUw7Gv_cs TELEFUZZ, VOL. 1] premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1733Telefuzz2026-08-20T06:48:34Z<p>Fizzwikiadmin: </p>
<hr />
<div>{{#seo: |description= '''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. |keywords=telefuzz, fizz music, fizz music, convexity}}<br />
{{Infobox<br />
| name = '''TELEFUZZ'''<br />
| image = File:Telefuzz Vol. 1.jpg<br />
| image_caption = TELEFUZZ, VOL. 1 album art<br />
| custom_label0 = Record label<br />
| datapoint1 = 2026<br />
| custom_label1 = Founded<br />
| datapoint2 = Convexity<br />
| custom_label2 = Founder<br />
| datapoint3 = [[Fizz]]<br />
| custom_label3 = Genres<br />
| datapoint7 = [https://en.wikipedia.org/wiki/United_States United States]<br />
| custom_label7 = Country of origin<br />
| datapoint8 = https://telefuzz.net/<br />
| custom_label8 = Official website<br />
<br />
}}<br />
'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1732Telefuzz2026-08-20T06:48:12Z<p>Fizzwikiadmin: </p>
<hr />
<div>{{#seo: |description= '''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. |keywords=telefuzz, fizz music, fizz music, convexity}}<br />
{{Infobox<br />
| name = '''TELEFUZZ'''<br />
| image = File:Telefuzz Vol. 1.jpg<br />
| image_caption = TELEFUZZ, VOL. 1 album art<br />
| custom_label0 = Record label<br />
| datapoint1 = 2026<br />
| custom_label1 = Founded<br />
| datapoint2 = Convexity<br />
| custom_label2 = Founder<br />
| datapoint3 = [[Fizz]]<br />
| custom_label3 = Genres<br />
| datapoint7 = [https://en.wikipedia.org/wiki/United_States United States]<br />
| custom_label7 = Country of origin<br />
| datapoint8 = https://telefuzz.net/<br />
| custom_label8 = Official website<br />
<br />
}}<br />
'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. <br />
<br />
The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1731Telefuzz2026-08-20T06:48:03Z<p>Fizzwikiadmin: </p>
<hr />
<div>{{#seo: |description= '''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. |keywords=telefuzz, fizz music, fizz music, convexity}}<br />
{{Infobox<br />
| name = '''TELEFUZZ'''<br />
| image = File:Telefuzz Vol. 1.jpg<br />
| image_caption = TELEFUZZ, VOL. 1 album art<br />
| custom_label0 = Record label<br />
| datapoint1 = 2026<br />
| custom_label1 = Founded<br />
| datapoint2 = Convexity<br />
| custom_label2 = Founder<br />
| datapoint3 = [[Fizz]]<br />
| custom_label3 = Genres<br />
| datapoint7 = [https://en.wikipedia.org/wiki/United_States United States]<br />
| custom_label7 = Country of origin<br />
| datapoint8 = https://telefuzz.net/<br />
| custom_label8 = Official website<br />
<br />
}}<br />
'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. All proceeds of Telefuzz are donated to the [https://www.savethemusic.org/ Save The Music Foundation]. <br />
<br />
The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1730Telefuzz2026-08-20T06:46:48Z<p>Fizzwikiadmin: </p>
<hr />
<div>{{#seo: |description= '''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. |keywords=telefuzz, fizz music, fizz music, convexity}}<br />
{{Infobox<br />
| name = '''TELEFUZZ'''<br />
| image = File:Telefuzz Vol. 1.jpg<br />
| image_caption = TELEFUZZ, VOL. 1 album art<br />
| custom_label0 = Record label<br />
| datapoint1 = 2026<br />
| custom_label1 = Founded<br />
| datapoint2 = Convexity<br />
| custom_label2 = Founder<br />
| datapoint3 = [[Fizz]]<br />
| custom_label3 = Genres<br />
| datapoint7 = [https://en.wikipedia.org/wiki/United_States United States]<br />
| custom_label7 = Country of origin<br />
| datapoint8 = https://telefuzz.net/<br />
| custom_label8 = Official website<br />
<br />
}}<br />
'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. <br />
<br />
The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1729Telefuzz2026-08-20T06:45:06Z<p>Fizzwikiadmin: </p>
<hr />
<div>{{#seo: |description= '''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. |keywords=telefuzz, fizz music, fizz music, convexity}}<br />
{{Infobox<br />
| name = '''TELEFUZZ'''<br />
| image = File:Telefuzz Vol. 1.jpg<br />
| image_caption = TELEFUZZ, VOL. 1 album art<br />
| custom_label0 = Record label<br />
| datapoint1 = Convexity<br />
| custom_label1 = Founder<br />
| datapoint2 = [[Fizz]]<br />
| custom_label2 = Genres<br />
| datapoint7 = [https://en.wikipedia.org/wiki/United_States United States]<br />
| custom_label7 = Country of origin<br />
| datapoint8 = https://telefuzz.net/<br />
| custom_label8 = Official website<br />
<br />
}}<br />
'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. <br />
<br />
The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1728Telefuzz2026-08-20T06:44:52Z<p>Fizzwikiadmin: </p>
<hr />
<div>{{#seo: |description= '''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. |keywords=telefuzz, fizz music, fizz music, convexity}}<br />
{{Infobox<br />
| name = '''TELEFUZZ'''<br />
| image = File:Telefuzz Vol. 1.jpg<br />
| image_caption = TELEFUZZ, VOL. 1 album art<br />
| custom_label0 = Record label<br />
| datapoint1 = Convexity<br />
| custom_label1 = Founder<br />
| datapoint2 = [[Fizz]]<br />
| custom_label2 = Genres<br />
| datapoint7 = [https://en.wikipedia.org/wiki/United_States United States]<br />
| custom_label7 = Country of origin<br />
| datapoint8 = https://telefuzz.net/<br />
| custom_label8 = Official website<br />
<br />
}}<br />
'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. <br />
<br />
The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the broader [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1727Telefuzz2026-08-20T06:43:06Z<p>Fizzwikiadmin: </p>
<hr />
<div>[[File:Telefuzz Vol. 1.jpg|thumb|Album cover art of TELEFUZZ, VOL. 1]]<br />
{{Infobox2<br />
| name = '''TELEFUZZ'''<br />
| image = File:Telefuzz Vol. 1.jpg<br />
| image_caption = TELEFUZZ, VOL. 1 album art<br />
| custom_label0 = Record label<br />
| datapoint1 = Convexity<br />
| custom_label1 = Founder<br />
| datapoint2 = [[Fizz]]<br />
| custom_label2 = Genres<br />
| datapoint7 = [https://en.wikipedia.org/wiki/United_States United States]<br />
| custom_label7 = Country of origin<br />
| datapoint8 = https://telefuzz.net/<br />
| custom_label8 = Official website<br />
<br />
}}<br />
'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. <br />
<br />
The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the broader [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1726Telefuzz2026-08-20T06:36:10Z<p>Fizzwikiadmin: </p>
<hr />
<div>[[File:Telefuzz Vol. 1.jpg|thumb|Album cover art of TELEFUZZ, VOL. 1]]<br />
'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. <br />
<br />
The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the broader [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1725Telefuzz2026-08-20T06:35:50Z<p>Fizzwikiadmin: </p>
<hr />
<div>'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. <br />
<br />
The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the broader [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1724Telefuzz2026-08-20T06:34:07Z<p>Fizzwikiadmin: </p>
<hr />
<div>[[File:Telefuzz Vol. 1.jpg|thumb|Album cover art of TELEFUZZ, VOL. 1]]<br />
'''Telefuzz''' (stylized '''TELEFUZZ''') is a fizz record label and Discord community created by [https://soundcloud.com/convexity Convexity]. Telefuzz commits openly to several tenets of the [[Torus of Fizzosophy]], including [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], [[Torus of Fizzosophy#Music Theory/Sound Design Indulgence|Music Theory/Sound Design Indulgence]], [[Torus of Fizzosophy#Unhinged Musical Shenanigans|Unhinged Musical Shenanigans]], and [[Torus of Fizzosophy#Allergy to Unstimulating, Cliche Musical Ideas|Allergy to Unstimulating, Cliche Musical Ideas]]. Royalties earned by Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation].<br />
<br />
On April 2nd, 2026, the compilation album [https://telefuzz.net/vol1 TELEFUZZ, VOL. 1] debuted with a [https://www.youtube.com/watch?v=joQUw7Gv_cs full video on YouTube] displaying shifting colorful text of the artist names and titles. <br />
<br />
'''Telefuzz''' (styled as '''TELEFUZZ''') is an independent [[Fizz]] record label and community founded by '''Convexity''' in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026<ref>https://www.youtube.com/watch?v=joQUw7Gv_cs</ref>, followed by its release to all platforms on April 3, 2026. <br />
<br />
The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the broader [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of '''Fuzz''' (styled as '''FUZZ'''). <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
<br />
== Fuzz ==<br />
'''Fuzz''' (stylized '''FUZZ''', short for '''[https://genius.com/Bootsys-rubber-band-bootsy-get-live-lyrics#:~:text=Super%20Hip%2DNotic%2C%20Trans%2DA%2DPhonic Super Hip-Notic Trans-A-Phonic] [https://genius.com/Parliament-supergroovalisticprosifunkstication-lyrics GroovalisticprosiFUZZtication]''') is an audiovisual aesthetic and alternate universe created by Convexity that the Telefuzz label and community follows. Fuzz first made an appearance in Convexity's 2023 proto-fizz song [https://soundcloud.com/convexity/fuzzstep FUZZSTEP]. The aesthetic of Fuzz is derived from several points of inspiration, primarily [[wikipedia:P-Funk_mythology|P-Funk Mythology]], as well as analog horror, vaporwave, and retrofuturism. <br />
<br />
In the lore of Fuzz, Jae, the protagonist represented by Convexity, continually sends transmissions from ***** County, an unnamed oppressive regime that exhibits supernatural control over the region and clamps down any dissent. ***** County is a metaphor for the corporate consolidation of electronic dance music and the continued direction of risk aversion that prevents Fuzz from propagating. After receiving a decree from [[wikipedia:Dr._Funkenstein|Dr. Funkenstein]] to be their own label, Jae created Telefuzz to distribute Fuzz as widely as possible, rescue refugees from ***** County (now otherwise known as the [https://genius.com/Parliament-sir-nose-dvoidoffunk-pay-attention-b3m-lyrics#:~:text=Zone%20of%20Zero%20Funkativity Zone of Zero FUZZativity]), and start a revolution against THE MACHINE that represents the County government.<br />
<br />
After the debut of the fizz genre, Fuzz adopted the values of [[Dark Fizz|Dark Fizz / Fizz Extremism]], especially its anti-establishment ideology. The finalized tenets of Fuzz after the debut of Telefuzz include [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], Endless Pursuit of [https://www.youtube.com/watch?v=ph6AaddC6bA THE ONE] ([https://genius.com/Parliament-funkentelechy-lyrics FUZZentelechy], analogous to [[The Thing]]), Mogging Slopbots ([https://genius.com/Parliament-placebo-syndrome-lyrics The Placebo Syndrome]), and Rejection of Corpsloplidation (The Zone of Zero FUZZativity).<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Telefuzz&diff=1723Telefuzz2026-08-20T06:04:54Z<p>Fizzwikiadmin: </p>
<hr />
<div>[[File:Telefuzz Vol. 1.jpg|thumb|Album cover art of TELEFUZZ, VOL. 1]]<br />
'''Telefuzz''' (stylized '''TELEFUZZ''') is a fizz record label and Discord community created by [https://soundcloud.com/convexity Convexity]. Telefuzz commits openly to several tenets of the [[Torus of Fizzosophy]], including [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], [[Torus of Fizzosophy#Music Theory/Sound Design Indulgence|Music Theory/Sound Design Indulgence]], [[Torus of Fizzosophy#Unhinged Musical Shenanigans|Unhinged Musical Shenanigans]], and [[Torus of Fizzosophy#Allergy to Unstimulating, Cliche Musical Ideas|Allergy to Unstimulating, Cliche Musical Ideas]]. Royalties earned by Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation].<br />
<br />
On April 2nd, 2026, the compilation album [https://telefuzz.net/vol1 TELEFUZZ, VOL. 1] debuted with a [https://www.youtube.com/watch?v=joQUw7Gv_cs full video on YouTube] displaying shifting colorful text of the artist names and titles. <br />
<br />
'''TELEFUZZ''' is an independent Fizz record label and community founded by Convexity in 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. <br />
<br />
The label's debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026, followed by its release to all platforms on April 3, 2026. <br />
<br />
== Releases ==<br />
<br />
=== Albums ===<br />
<br />
* ''TELEFUZZ, VOL. 1'' (2026)<br />
<br />
=== EPs ===<br />
<br />
* ''WHAT REMAINS'' (2026)<br />
* ''viewers like you'' (2026)<br />
* ''CULTIVATING THE THING'' (2026)<br />
<br />
== Fuzz ==<br />
'''Fuzz''' (stylized '''FUZZ''', short for '''[https://genius.com/Bootsys-rubber-band-bootsy-get-live-lyrics#:~:text=Super%20Hip%2DNotic%2C%20Trans%2DA%2DPhonic Super Hip-Notic Trans-A-Phonic] [https://genius.com/Parliament-supergroovalisticprosifunkstication-lyrics GroovalisticprosiFUZZtication]''') is an audiovisual aesthetic and alternate universe created by Convexity that the Telefuzz label and community follows. Fuzz first made an appearance in Convexity's 2023 proto-fizz song [https://soundcloud.com/convexity/fuzzstep FUZZSTEP]. The aesthetic of Fuzz is derived from several points of inspiration, primarily [[wikipedia:P-Funk_mythology|P-Funk Mythology]], as well as analog horror, vaporwave, and retrofuturism. <br />
<br />
In the lore of Fuzz, Jae, the protagonist represented by Convexity, continually sends transmissions from ***** County, an unnamed oppressive regime that exhibits supernatural control over the region and clamps down any dissent. ***** County is a metaphor for the corporate consolidation of electronic dance music and the continued direction of risk aversion that prevents Fuzz from propagating. After receiving a decree from [[wikipedia:Dr._Funkenstein|Dr. Funkenstein]] to be their own label, Jae created Telefuzz to distribute Fuzz as widely as possible, rescue refugees from ***** County (now otherwise known as the [https://genius.com/Parliament-sir-nose-dvoidoffunk-pay-attention-b3m-lyrics#:~:text=Zone%20of%20Zero%20Funkativity Zone of Zero FUZZativity]), and start a revolution against THE MACHINE that represents the County government.<br />
<br />
After the debut of the fizz genre, Fuzz adopted the values of [[Dark Fizz|Dark Fizz / Fizz Extremism]], especially its anti-establishment ideology. The finalized tenets of Fuzz after the debut of Telefuzz include [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], Endless Pursuit of [https://www.youtube.com/watch?v=ph6AaddC6bA THE ONE] ([https://genius.com/Parliament-funkentelechy-lyrics FUZZentelechy], analogous to [[The Thing]]), Mogging Slopbots ([https://genius.com/Parliament-placebo-syndrome-lyrics The Placebo Syndrome]), and Rejection of Corpsloplidation (The Zone of Zero FUZZativity).<br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Mike&diff=1719Mike2026-08-09T11:52:39Z<p>Fizzwikiadmin: </p>
<hr />
<div>[[File:Mike wojak meme.jpg|thumb|The "Mike" (Microtonal Theorist)]]<br />
The '''Mike''' is an archetypal representation of a musician who thinks 12 notes just isn't enough. A Mike is someone addicted to microtones even if they sound like absolute sh*t. Oh yeah, and they'll also show you the sh*t and assert their "intellectual dominance" if you don't like it. <br />
<br />
If you engage with a Mike, be prepared for answers to questions you never asked, excessive analysis of arguments you never made, and similar to the Jazz musician, an astounding amount of pride - not only in the complexity of their music, but in the incoherence of their character. A Mike is also a type of [[Clud]]. <br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Mike&diff=1718Mike2026-08-09T11:50:55Z<p>Fizzwikiadmin: </p>
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<div>[[File:Mike wojak meme.jpg|thumb|The "Mike" (Microtonal Theorist)]]<br />
[[File:The microtonal discord server is that way meme.jpg|thumb|The microtonal discord server is that way meme]]<br />
The '''Mike''' is an archetypal representation of a musician who thinks 12 notes just isn't enough. A Mike is someone addicted to microtones even if they sound like absolute sh*t. Oh yeah, and they'll also show you the sh*t and assert their "intellectual dominance" if you don't like it. <br />
<br />
If you engage with a Mike, be prepared for answers to questions you never asked, excessive analysis of arguments you never made, and similar to the Jazz musician, an astounding amount of pride - not only in the complexity of their music, but in the incoherence of their character. A Mike is also a type of [[Clud]]. <br />
[[Category:Fizz Community]]</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Stromian_Tuplet_Notation&diff=1716Stromian Tuplet Notation2026-08-09T01:47:17Z<p>Fizzwikiadmin: </p>
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<div>{{#seo:|keywords=nested tuplets, polyrhythms, israel strom}}<br />
[[File:Stromian tuplet notation 1.jpg|thumb|Nested tuplet from polyriddim by phonon|399x399px]]'''Stromian tuplet notation''' is a system for expressing '''[[tuplets]]'''. The main purpose of STN is to convey complicated tuplet ideas over text. The system strikes a balance between legibility and efficiency.<br />
<br />
It can get frustrating when you send your homie a Fizz WIP and they ask “what’s that rhythm 8 seconds in?” To which you reply ''“It’s a bar long triplet but the first and last of those 3 beats are both nonuplets, and the beat in the middle is just filled with 8th notes. Or 8th note triplets rather... Never mind, you get what I mean. Actually I'll draw a picture and send it..."''. STN allows you to reply with "it's 3[9:1+4:1+9:1]:2/2" like an absolute chad.<br />
<br />
== [https://fizzwiki.com/Tuplets#Nested_Tuplets Nested Tuplets] ==<br />
[[File:Stromian tuplet notation 2.jpg|thumb|Nested tuplet used frequently in The Black Page by Frank Zappa|199x199px]]<br />
In STN, the '''nest tuplet''' '''(outside tuplet)''' is written with the numerator at the beginning and the denominator at the end, the contents of which are written in a bracketed section in between, which includes the nested tuplet and however many beats come before and or after it. In this page's main image, the "11[ ]:8" is the nest tuplet, the "8:6" is the nested tuplet, and the "+5" is the leftover beats in the nest tuplet.<br />
<br />
The '''nested tuplet's denominator''' and '''leftover beats''' will always add up to the '''nest tuplet's numerator,''' making the nest tuplet's numerator redundant. The purpose of writing the nest tuplet's numerator at all is to make it more legible. The idea is for the human reader to glance at "7[1+3:2+4]:4", see the "7[ ]:4" and immediately think "So it's a septuplet. Now to figure out what's inside". The notation system used by the [https://metrictrees.netlify.app/ MeTr] music tool on [https://chambercode.com/ ChamberCode] is very similar to STN for nested tuplets, except it doesn’t have STN’s redundant nest tuplet numerator.<br />
{| class="wikitable"<br />
|+Stromian vs. MeTr notation<br />
!<br />
!Tuplet<br />
!Notation<br />
|-<br />
|Stromian<br />
|11:8 with a nested 8:6 at the beginning<br />
|11[8:6+5]:8<br />
|-<br />
|MeTr <br />
|11:8 with a nested 8:6 at the beginning<br />
|[8:6+5]:8<br />
|}<br />
<br />
== Non-Dyadic Tuplets ==<br />
<br />
=== @ symbol method ===<br />
The most clear and concise method is to use the @ symbol. For example, a non-dyadic sextuplet consisting of only 5 sextuplets could be written as "5@6:4".<br />
<br />
=== Time signature method ===<br />
Another way of notating non-dyadic tuplets in STN is to use a time signature as a denominator. For example, a non-dyadic sextuplet consisting of only 5 sextuplets could be written as "5:5/6". This method is usually more confusing to read than the @ symbol method, but is sometimes useful when clarifying the exact length of the tuplet.<br />
<br />
== Bridge Tuplets ==<br />
[[File:Bridge Tuplet Visualization.jpg|thumb|200x200px|[7:4+6:4][5+6:4+4]][[File:Bridged bridge tuplet.jpg|alt=Bridged bridge tuplet|thumb|199x199px|Bridged bridge tuplet [6:4], [6:4][2+5:3+1], [6:4][2+5:3+1][1+3:2+5]]One way of notating [[Bridge Tuplets|bridge tuplets]] in STN is by using '''two''' bracketed sections, the '''first''' one laying out the two tuplets being bridged, and the '''second''' one laying out where the bridge tuplet starts, its ratio, and where it ends. For example, a bridge tuplet in which a '''7:4''' and a '''6:4''' are being bridged by a '''6:4''' somewhere in the middle could be written like [7:4+6:4][5+6:4+4].<br />
<br />
[7:4+6:4][5+6:4+4] means that there are the first 5 septuplets, followed by the "6:4" bridge tuplet, followed by the last 4 sextuplets.<br />
<br />
This step of adding another box to create another bridge tuplet can be repeated indefinitely. For example, the top-to-bottom sequence of progressively complex tuplets shown in the "bridged bridge tuplet" image can be written as such:<br />
<br />
[6:4]<br />
<br />
[6:4][2+5:3+1]<br />
<br />
[6:4][2+5:3+1][1+3:2+5]<br />
<br />
The benefit of laying it out in a sequence is legibility. If the whole thing is overwhelming to parse, you can work on grasping the first couple of boxes first, instead of taking it in all at once.<br />
<br />
== Limitations ==<br />
[[File:Nested nested triplet.jpg|thumb|200x200px|Nested nested triplet]]<br />
[[File:Non-dyadic nested bridge tuplet.jpg|thumb|200x200px|<nowiki>8[[4:3+7:5][2+7:6+3]]:8/7</nowiki>]]<br />
=== Ambiguity ===<br />
When written with STN, the exact length of the tuplet can be ambiguous. If there’s a 4 in the denominator, that could mean that the tuplet is 4 ''quarter notes'' long, but it could also be 4 ''eighth notes'', 4 ''sixteenth notes'', etc. This ambiguity can be solved by writing the nest tuplet's denominator as a '''time signature''' instead of a plain number.<br />
<br />
11[8:6+5]:'''8''' —> 11[8:6+5]:'''8/8'''<br />
<br />
=== Legibility ===<br />
A triplet inside of a nested triplet is pretty easy to conceptualize when reading it on sheet music, as opposed to STN, where it would be written like “3[3[3:2+1]:2+1]:2”. STN has its limitations, but it allows those familiar with it to glance at “11[6+9:5]:8” and think “ah yes, a 11:8 tuplet with a nested 9:5 at the end”.<br />
<br />
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<div>The '''KyjMUC (Kyj Meimnagaan's Ultra Cluster)''' space is a set of '''414 different heptatonic scales''', each having it's own name. It keeps the names of the [[Neo-Rimsky-Korsakovian Space|NeRK]] scales and uses some of William Zeitler's [https://allthescales.org allthescales.org] names. The scales are separated into perfect and imperfect modes - perfect if it has a perfect 5th and imperfect if it doesn't. They're also each part of a modal or [[Hypermodal system|hypermodal]] family.</div>Fizzwikiadminhttp://fizzwiki.com/index.php?title=Music_Complexity_Bias&diff=1711Music Complexity Bias2026-08-03T02:58:23Z<p>Fizzwikiadmin: </p>
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<div>'''Music Complexity Bias Syndrome (MCB/MCBS)''' is a newly emerging approach towards music that puts complexity in the place of quality and pleasure from listening. In plain english, you could explain it as '''"the song''' is supposed to be '''complex,''' it doesn't matter if it's good or not'''"''' or even picking the more complex path instead of the simple and obvious one, not caring about the final outcome<ref>https://fs.blog/complexity-bias/</ref>. It is the opposite of [[Extreme Musical Reductionism|extreme musical reductionism]] and is the main power supply of [[Clud|Cluds]] (Complexity Larping Chuds) and [[The "Mike" (Microtonal Theorist)|Mikes]] (Microtonal Theorists).<blockquote><big>''“Life is really simple, but we insist on making it complicated. Also fizz is pretty cool btw”''</big><br />
<br />
- Confucius ''<sub><small>might've said some of this</small></sub>''</blockquote><br />
<br />
= Examples =<br />
<br />
=== In Music Criticism ===<br />
Most common examples of MCBS stem from music criticism, album ratings, internet forums and "unpopular opinions", where self-proclaimed music expert cluds pretend to know what they're talking about. For further investigation, I'd suggest watching any album rating by Anthony Fantano.<br />
<br />
=== Examples of MCB in Time (TCB) ===<br />
The song [https://music.youtube.com/watch?v=LGKQv6P35Iw System by Brotherly] sounds pretty complex at first, but eventually you realize it's simply 6/8. Because Brotherly knew very well what they were doing with all the syncopation, this is actually a case of '''TCB on the side of the listener''' as we are the ones hallucinating the absent complexity.<br />
<br />
There is a video of a guitar player describing how proud he was of his 7 + 5 riff, until his teacher or someone told him it's just in 6/8. I would've included a link if i could find it.<br />
<br />
= Similar Phenomenons =<br />
[[File:Time Equivalence.jpg|thumb|A simple chart showing how a '''plain melody or rhythm''' in accelerated bars of 7, 3 and 2 beats can become '''misinterpreted as 4 bars of 3/4'''.]]<br />
=== TCBS ===<br />
'''Time Complexity Bias''' or '''Time Complexity Bias Syndrome (TCBS)''' is an occurrence where the composer overengineers the "complex" time signature(s) of a piece, when it just ends up being '''equivalent to a much simpler time signature'''. It is one of the branches of MCBS.<br />
<br />
=== [[The "Mike" (Microtonal Theorist)|Microtonal exaggeration]] ===<br />
Microtonality is considered something so innovative by some to the point of where they start pushing it into anything and everything. People with this trait are called Mikes.<br />
<br />
=== [[Extreme Musical Reductionism|EMR]] ===<br />
One technically wouldn't be wrong to say that every time signature can be simplified to 1/2048 time, in the worst case, with a few [[tuplets]] or demisemihemidemisemihemidemisemihemidemi(...)quavers. This is actually a different phenomenon (mentioned earlier) called extreme musical reductionism. You could also associate it with the Occam's Razor fallacy.<br />
<br />
=== [[Everything Is In 4/4 Theory|Everything is in 4/4]] ===<br />
What doesn't have as much to do together with the Time Complexity Bias is the [[Everything Is In 4/4 Theory|everything is in 4/4 if you count long enough theory]], even though these two can easily be confused. TCB is about the sum of the values of measures, converting it to 1 measure with a single time signature and simplifying it by dividing the numerator and denominator by the same number. The Everything is in 4/4 theory however just goes on to ignore the intended measure length and just counts everything in the simplest way to count (yet the stupidest way to interpret the actual intentions of the musician). This theory technically falls under extreme musical reductionism.<br />
<references /><br />
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