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		<id>http://fizzwiki.com/index.php?title=Convexity&amp;diff=1767</id>
		<title>Convexity</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Convexity&amp;diff=1767"/>
		<updated>2026-08-24T18:13:52Z</updated>

		<summary type="html">&lt;p&gt;Convexity: /* Career */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#description2:Jared &amp;quot;Jae&amp;quot; Lee Tompkins (born July 17, 1998), known professionally as Convexity, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retro-futuristic music style inspired by jazz and funk, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene.}}&lt;br /&gt;
{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Origin|custom_label3=Occupations|custom_label4=Instruments|custom_label5=Genre|custom_label6=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28) &amp;lt;br&amp;gt; [[wikipedia:Rocky_Mount,_North_Carolina|Rocky Mount, North Carolina]], US|datapoint2=[[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]], US|datapoint3=Composer • songwriter • producer • multi-instrumentalist|datapoint4=Piano • alto saxophone • baritone saxophone • clarinet|datapoint5=[[Fizz]]|datapoint6=[[Telefuzz]] • [[wikipedia:Never_Say_Die_Records|Never Say Die Records]] • [[wikipedia:Monstercat|Monstercat]] • [[wikipedia:Disciple_Records|Disciple Records]] • [[wikipedia:Circus_Records|Circus Records]] • Rushdown • artbyFORM • Reinelex Records • SILKENWOOD • Neoluminum • The Half Heart Project • Maverick&#039;s Playlist|image_caption=Convexity in 2023|name=Convexity|image=[[File:Convexity.jpg|thumb|Convexity in 2023]]|custom_label7=Years active|datapoint7=2012–present}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jared &amp;quot;Jae&amp;quot; Lee Tompkins&#039;&#039;&#039; (born July 17, 1998), known professionally as &#039;&#039;&#039;Convexity&#039;&#039;&#039;, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retro-futuristic music style inspired by jazz and funk, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene. Raised in [[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]], they gained initial recognition following the release of &#039;&#039;Timequake EP&#039;&#039; (2021) on British producer [[wikipedia:Chime_(musician)|Chime]]&#039;s record label Rushdown. After several stints of label management and ownership, Tompkins founded and currently manages the [[Fizz]] record label [[Telefuzz]].&lt;br /&gt;
&lt;br /&gt;
== Early life ==&lt;br /&gt;
Tompkins was born on July 17, 1998 in [[wikipedia:Rocky_Mount,_North_Carolina|Rocky Mount, North Carolina]], moving to [[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]] only a year afterward.&lt;br /&gt;
&lt;br /&gt;
Tompkins&#039;s grandmother introduced them to piano when they were 5 years old, putting color-coded stickers on the family heirloom piano and writing sheet music where notes were color-coded to the stickers. Their father bought them [[wikipedia:Magix_Music_Maker|Magix Music Maker]] from [[wikipedia:Circuit_City|Circuit City]] when they were 7 years old, which was their first exposure to a digital audio workstation, and began arranging loops and playing with MIDI and sequencers at this age. During middle school, Tompkins developed an interest in tracker software such as MadTracker and [[wikipedia:Renoise|Renoise]], inspired by artists such as [https://binaerpilot.neocities.org/ Binärpilot].&lt;br /&gt;
&lt;br /&gt;
While attending [[wikipedia:Scholars_Academy|Scholars Academy]] for high school education, Tompkins participated as a baritone saxophone player in the [[wikipedia:Socastee_High_School|Socastee High School]] Marching Braves.&lt;br /&gt;
&lt;br /&gt;
Tompkins participated in the [[wikipedia:Clemson_University|Clemson University]] [[wikipedia:Clemson_University_Tiger_Band|Tiger Band]] for one year as an alto saxophone player. They received a Bachelor of Science in Computer Science and a Bachelor of Arts in Performing Arts (Audio Technology Concentration) from Clemson University in May 2020. They were honored with the Outstanding Student In Performing Arts (Audio Technology) Award for the 2019-2020 school year, and were employed as the department intern before graduating.&lt;br /&gt;
&lt;br /&gt;
Tompkins uses any pronouns, primarily &#039;&#039;they/them&#039;&#039;, and is loosely a part of the [[wikipedia:Furry_fandom|furry fandom]].&lt;br /&gt;
&lt;br /&gt;
== Career ==&lt;br /&gt;
Tompkins was introduced to [[wikipedia:Noisestorm|Noisestorm]] in 2011 from a [[wikipedia:Minecraft|Minecraft]] [[wikipedia:Machinima|Machinima]] video, and was promptly introduced to Canadian electronic music record label [[wikipedia:Monstercat|Monstercat]] soon after and developed a fascination with dubstep and other bass music. Tompkins started producing dubstep using Renoise under the alias &#039;&#039;&#039;c0nvexity&#039;&#039;&#039; in March 2012. Contrary to popular belief, the alias did not come from mathematics, but rather from [https://spyro.fandom.com/wiki/Convexity the final level in The Legend of Spyro: A New Beginning].&lt;br /&gt;
&lt;br /&gt;
After years of failing to reach an audience, in late 2016, Tompkins felt there was a gap between the biggest record labels and the smaller passionate communities beginning to pop up on [[wikipedia:Discord|Discord]], which was a new platform at the time. As a result, Tompkins founded the netlabel [https://soundcloud.com/xpanserecords Xpanse Records] in October 2016 in order to help give a platform to the underground bass music scene. Xpanse Records kickstarted the careers of artists such as [https://open.spotify.com/artist/2yKb2sD6dystFr0tTmSu2X gyrofield], [https://open.spotify.com/artist/1uivqPv0xxpaqrB8Ero5xJ Euan Ellis], [https://open.spotify.com/artist/7voZA8iemE4e4c17BdlNaA Cloudcage], [https://open.spotify.com/artist/7j32fTp3oaXsRUmnIQixaX Feathervane], and more before it ceased operations at the end of 2019.&lt;br /&gt;
&lt;br /&gt;
During the peak of Xpanse&#039;s success, Tompkins released their first successful song “Cosmic Kittens” in March 2018, which was promoted by YouTuber [[wikipedia:CaptainSparklez|CaptainSparklez]] and covered by streamer [https://www.the8bitdrummer.com/ The8BitDrummer]. Around this time, Tompkins rebranded their project to &#039;&#039;&#039;Convexity&#039;&#039;&#039; and started taking music more seriously.&lt;br /&gt;
&lt;br /&gt;
Tompkins self-released their debut album &#039;&#039;Complications&#039;&#039; in June 2020 as their senior capstone project for Clemson University. Later that year, Tompkins was discovered by British producer [[wikipedia:Chime_(musician)|Chime]], the pioneer of the [[wikipedia:Dubstep#2016%E2%80%93present:_Colour_bass|Color Bass]] movement, who signed them to her record label [https://www.chimetunes.net/rushdown Rushdown]. Tompkins debuted on Rushdown in April 2021 with their single &amp;quot;Entanglement&amp;quot;. Months later, Tompkins released &#039;&#039;Timequake EP&#039;&#039; via Rushdown, which began earning them support and recognition across the underground bass music scene. Tompkins became A&amp;amp;R for Rushdown at the start of 2022 until it ceased operations in mid-2023.&lt;br /&gt;
&lt;br /&gt;
Tompkins went on to release on various different labels and participate in various community events over the years. Most notably, Tompkins debuted alongside Chime on Monstercat in January 2024 with the single &amp;quot;Liminal&amp;quot;. Later that year, Tompkins went on to release &#039;&#039;Transmissions EP&#039;&#039; on American label [[wikipedia:Disciple_Records|Disciple Records]]. Tompkins went on to debut on British label [[wikipedia:Never_Say_Die_Records|Never Say Die Records]] in 2026 alongside Iraqi-Canadian producer [https://open.spotify.com/artist/2AnDfvE1sUehbs7vEdLSVU euphee] with a mashup remix of American producer [[wikipedia:Ace_Aura|Ace Aura]]&#039;s singles &amp;quot;Shattered&amp;quot; and &amp;quot;Gem World&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Tompkins became an integral part of the Fizz movement at its debut, and in April 2026, founded the Fizz record label [[Telefuzz]], which they currently own and operate.&lt;br /&gt;
&lt;br /&gt;
== Musical style and influences ==&lt;br /&gt;
Tompkins&#039;s current sound is a forward-thinking blend of jazz, funk, vaporwave, and bass music, inspired by the styles of jazztronica artists such as [[wikipedia:Haywyre|Haywyre]] and [https://open.spotify.com/artist/2ev6Cd0yJVCcpf2zezEQ8Z Anomalie], as well as funk legends such as [[wikipedia:George_Clinton_(funk_musician)|George Clinton]] and [[wikipedia:Bootsy_Collins|Bootsy Collins]]. Tompkins&#039;s current style of dubstep is inspired by [[wikipedia:Eptic|Eptic]], [https://open.spotify.com/artist/5EEuae5uigQnwgYCl0s8EF Teminite], [https://open.spotify.com/artist/3Rv0Jk1kBDlab5MagkkbuM Veksyu], [https://open.spotify.com/artist/5mMGXoGMzmSf6tkxo30ja4 JoeB], [https://open.spotify.com/artist/02Qx9Py43LFTy9nQZC2jXk OCTANE], and many others.&lt;br /&gt;
&lt;br /&gt;
In 2021 with the release of &amp;quot;Lattice&amp;quot; from &#039;&#039;Timequake EP&#039;&#039;, Tompkins inadvertently created a meme within the underground bass music community about using unconventional snares and percussion, especially when Chime exclaimed &amp;quot;What even is that snare?&amp;quot; during a performance that used the song.&lt;br /&gt;
&lt;br /&gt;
Tompkins is proudly autodidactic, having self-taught piano, music theory, and jazz theory, feverishly studying and advocating for alternate theories, such as [[wikipedia:Lydian_Chromatic_Concept_of_Tonal_Organization|George Russell’s Lydian Chromatic Concept of Tonal Organization]], and [[wikipedia:Wayne_Shorter|Wayne Shorter]]&#039;s and [[wikipedia:Jacob_Collier|Jacob Collier]]&#039;s ideas on nonfunctional harmony.&lt;br /&gt;
&lt;br /&gt;
== Fuzz ==&lt;br /&gt;
&#039;&#039;&#039;Fuzz&#039;&#039;&#039; (stylized &#039;&#039;&#039;FUZZ&#039;&#039;&#039;, short for &#039;&#039;&#039;[https://genius.com/Bootsys-rubber-band-bootsy-get-live-lyrics#:~:text=Super%20Hip%2DNotic%2C%20Trans%2DA%2DPhonic Super Hip-Notic Trans-A-Phonic] [https://genius.com/Parliament-supergroovalisticprosifunkstication-lyrics GroovalisticprosiFUZZtication]&#039;&#039;&#039;) is an audiovisual aesthetic and alternate universe created by Convexity that the [[Telefuzz]] label and community follows. Fuzz first made an appearance in Convexity&#039;s 2023 proto-fizz song [https://soundcloud.com/convexity/fuzzstep FUZZSTEP]. The aesthetic of Fuzz is derived from several points of inspiration, primarily [[wikipedia:P-Funk_mythology|P-Funk Mythology]], as well as analog horror, vaporwave, and retrofuturism. &lt;br /&gt;
&lt;br /&gt;
In the lore of Fuzz, the protagonist represented by Convexity continually sends transmissions from ***** County, an unnamed oppressive regime that exhibits supernatural control over the region and clamps down any dissent. ***** County is a metaphor for the corporate consolidation of electronic dance music and the continued direction of risk aversion that prevents Fuzz from propagating. After receiving a decree from [[wikipedia:Dr._Funkenstein|Dr. Funkenstein]] to be their own label, Jae created Telefuzz to distribute Fuzz as widely as possible, rescue refugees from ***** County (now otherwise known as the [https://genius.com/Parliament-sir-nose-dvoidoffunk-pay-attention-b3m-lyrics#:~:text=Zone%20of%20Zero%20Funkativity Zone of Zero FUZZativity]), and start a revolution against THE MACHINE that represents the County government.&lt;br /&gt;
&lt;br /&gt;
After the debut of the Fizz genre, Fuzz adopted the values of [[Dark Fizz|Dark Fizz / Fizz Extremism]], especially its anti-establishment ideology. The finalized tenets of Fuzz after the debut of Telefuzz include [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], Endless Pursuit of [https://www.youtube.com/watch?v=ph6AaddC6bA THE ONE] ([https://genius.com/Parliament-funkentelechy-lyrics FUZZentelechy], analogous to [[The Thing]]), Mogging Slopbots ([https://genius.com/Parliament-placebo-syndrome-lyrics The Placebo Syndrome]), and Rejection of Corpsloplidation (The Zone of Zero FUZZativity).&lt;br /&gt;
&lt;br /&gt;
== Fizz contributions ==&lt;br /&gt;
Apart from the contributions of Telefuzz, Convexity coined [[Oreo Theory]] in May 2026 based on the nonfunctional harmonic ideas of George Russell and Wayne Shorter, and created a YouTube video based on the theory called [https://www.youtube.com/watch?v=-D2qCKrIs14 THINKING IN SCALES: Fizz Theory and Harmonic Freedom].&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
&#039;&#039;This list only shows the portion of Convexity&#039;s discography that is considered to be officially Fizz music.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== EPs ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;WHAT REMAINS&#039;&#039; (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Singles ===&lt;br /&gt;
&lt;br /&gt;
* FUZZSTEP (2023, SILKENWOOD)&lt;br /&gt;
* SWOG LAMP (with KERO) (2024, artbyFORM)&lt;br /&gt;
* THE ITEM (with KERO) (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Remixes ===&lt;br /&gt;
&lt;br /&gt;
* Anomalie - Velours (2022, Independent)&lt;br /&gt;
* The Gap Band - I Like It (2026, Independent)&lt;br /&gt;
* Ace Aura &amp;amp; Nytrix - Shattered Gem (with euphee) (2026, Never Say Die Records)&lt;br /&gt;
&lt;br /&gt;
[[Category: Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Fizz_vs._Jazz&amp;diff=1766</id>
		<title>Fizz vs. Jazz</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Fizz_vs._Jazz&amp;diff=1766"/>
		<updated>2026-08-24T18:00:06Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#seo:|keywords=jazz vs fizz, differences between fizz and jazz, is fizz jazz}}&lt;br /&gt;
[[File:Fizz pills and Jazz pills.jpg|thumb|Jazz Pills and Fizz Pills|299x299px]]&lt;br /&gt;
[[Fizz]] is a sub-genre of &#039;&#039;&#039;EDM&#039;&#039;&#039; with a huge amount of &#039;&#039;&#039;Jazz&#039;&#039;&#039; influence. There are countless similarities between Jazz and Fizz, but their differences warrant categorizing them differently. Similar to how it&#039;s useful to categorize Jazz separately from Blues, and Blues separately from Spirituals.&lt;br /&gt;
&lt;br /&gt;
This is what skeptics tend to misunderstand about Fizz: Fizz &#039;&#039;&#039;can&#039;t&#039;&#039;&#039; identify their music as Jazz since they&#039;re musically, culturally and philosophically incompatible. If they did identify as such, the amount of norms being broken would lead them to (rightfully) get criticized by Jazz purists. The Fizz community doesn&#039;t identify as it&#039;s own thing out of arrogance, disrespect or a delusion that they invented something they didn&#039;t, it&#039;s purely out of refusal to submit to the [[Jazz Imperial Complex|Jazz imperial complex]], and out of respect for Jazz purists who, if they heard a Fizz song like Weevil Lore by phonon&amp;lt;ref&amp;gt;https://www.youtube.com/watch?v=agb780qtc20&amp;lt;/ref&amp;gt; or LACKSTRIKE by [[Convexity]]&amp;lt;ref&amp;gt;https://www.youtube.com/watch?v=zlXMIRpwspM&amp;lt;/ref&amp;gt;, would definitely not say that it&#039;s &amp;quot;real Jazz&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Let&#039;s just say that the &#039;&#039;&amp;quot;Fizz is just repackaged Jazz&amp;quot;&#039;&#039; talking point isn&#039;t coming from living Jazz legends like Herbie Hancock, Wynton Marsalis or anyone actually invested in their tradition, it&#039;s typically parroted by casual &#039;&#039;&#039;Jazz Fusion&#039;&#039;&#039; fans that haven&#039;t listened to much Fizz, don&#039;t have the ear to notice the obvious differences, haven&#039;t interacted with any actual Jazz purists who would disagree with them, and think that anything with modal interchange and chord extensions is Jazz (Those things are used regularly in Classical music btw).&lt;br /&gt;
&lt;br /&gt;
== Differences between Jazz and Fizz ==&lt;br /&gt;
The following list contains some of the musical and philosophical differences between the two genres. Some of the characteristics mentioned in the &#039;&#039;&#039;Jazz&#039;&#039;&#039; column won&#039;t necessarily apply to genres that [[Jazz Imperial Complex|identify as Jazz]], like Jazztronica or Nu-Jazz, but that&#039;s an issue for them to reckon with.&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
!&lt;br /&gt;
!&#039;&#039;&#039;Jazz&#039;&#039;&#039;&lt;br /&gt;
!&#039;&#039;&#039;Fizz&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Improvisation&#039;&#039;&#039; &lt;br /&gt;
|A core part of the genre. &lt;br /&gt;
|Utilized often, but not fundamentally important. &lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Recorded music vs. live music&#039;&#039;&#039;&lt;br /&gt;
|In Jazz, the recording of a piece of music is commonly understood to be a snapshot of a live performance, making the record arguably &#039;&#039;&#039;less important&#039;&#039;&#039; than the live version.&lt;br /&gt;
|Because of the production-heavy nature of Fizz, live performances are commonly understood to be instantiations of the recorded, high-effort &amp;quot;ideal&amp;quot; version of the song. Both are seen as &#039;&#039;&#039;equally important&#039;&#039;&#039;. &lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Sound design&#039;&#039;&#039;&lt;br /&gt;
|Used widely in Jazz, but not fundamental at all. &lt;br /&gt;
|A core part of the genre, alongside music theory.&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Music theory&#039;&#039;&#039;&lt;br /&gt;
|Heavily embraced.&lt;br /&gt;
|A core part of the genre, alongside sound design.&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Ethics of production tools&#039;&#039;&#039;&lt;br /&gt;
|Quantization, autotune and editing are seen as &#039;&#039;&#039;permissible&#039;&#039;&#039;, but these kinds of tools used in excess can make a piece sound overproduced, which takes away from the humanity of it.&lt;br /&gt;
|Quantization, autotune and any kind of editing are seen as tools that &#039;&#039;&#039;add&#039;&#039;&#039; humanity to the music. The term &amp;quot;overproduced&amp;quot; is almost never used unironically in the Fizz community.&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Gatekeeping&#039;&#039;&#039;&lt;br /&gt;
|[[Jazz Imperial Complex]]&lt;br /&gt;
|A piece of music is Fizz if the composer identifies it as such. &#039;&#039;&#039;Charlie Kirk&#039;&#039;&#039; wouldn&#039;t agree with this kind of definition, but that&#039;s generally how the community thinks about it. The community will occasionally push back against an artist identifying their music as Fizz if they&#039;re demonstrably clueless about what it is.&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Song structure&#039;&#039;&#039;&lt;br /&gt;
|Jazz most commonly contains a &amp;quot;head&amp;quot; section, which happens at least twice in the song, and has at least one solo section somewhere in between. What happens around those sections varies from style to style.&lt;br /&gt;
|Most Fizz features the kind of sections you&#039;d expect from EDM, like swells, buildups, and drops. Even though Fizz commonly follows a [[Fizz is Pop|Pop-like]] verse-chorus structure, it&#039;s notorious for having varied, chaotic, and even disjointed sequences of sections, including breakdowns and &amp;quot;aftersections&amp;quot;.&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Instrumentation&#039;&#039;&#039;&lt;br /&gt;
|Jazz features &#039;&#039;&#039;Acoustic&#039;&#039;&#039; and &#039;&#039;&#039;Electric&#039;&#039;&#039; instruments for the most part.&lt;br /&gt;
|Fizz features &#039;&#039;&#039;Synthetic/Electronic&#039;&#039;&#039; and &#039;&#039;&#039;Sampled&#039;&#039;&#039; sounds for the most part. &lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Common tropes&#039;&#039;&#039;&lt;br /&gt;
|ii V I cadences&lt;br /&gt;
Chromaticism &lt;br /&gt;
&lt;br /&gt;
Swing &lt;br /&gt;
&lt;br /&gt;
Walking bass lines &lt;br /&gt;
|VI VII I cadences&lt;br /&gt;
Melodic hooks&lt;br /&gt;
&lt;br /&gt;
Rigid, quantized rhythms&lt;br /&gt;
&lt;br /&gt;
Jumpy bass lines&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Swing&#039;&#039;&#039;&lt;br /&gt;
|On a basic level, swing is described as a displacement of every other beat on the grid. In reality, swing is an extremely &#039;&#039;&#039;complex, fluid grid&#039;&#039;&#039; that takes years to feel intuitively (as a musician).&lt;br /&gt;
|Swing is understood to be the &#039;&#039;&#039;mere mathematical operation&#039;&#039;&#039; of displacing every other beat on the grid, often described by percentages (ex. 57% swing, 66% swing) by DAW users.&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Harmony&#039;&#039;&#039;&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; |Jazz harmony doesn&#039;t shy away from utilizing concepts like altered chord extensions, chromaticism, bebop scales and diminished scales. Fizz harmony tends to be more diatonic and use simpler, brighter extensions and scales, with it&#039;s complexity arising more from modal interchange.&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;Percussion&#039;&#039;&#039;&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; |For the most part, Jazz uses &#039;&#039;&#039;acoustic&#039;&#039;&#039; drums, whereas Fizz uses &#039;&#039;&#039;electronic&#039;&#039;&#039; drums. &#039;&#039;This is also the main factor that differentiates most Jazz from Jazztronica.&#039;&#039; This difference may seem trivial at first, but composers who have experience with both can confirm that acoustic kicks/snares and heavier electronic kicks/snares arguably don&#039;t even have the same percussive function. Other small differences include Jazz&#039;s iconic ride cymbal patterns, you won&#039;t hear much of that in Fizz, and conversely, you won&#039;t hear many quantized quarter-note claps in Jazz. &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
[[Category:Fizzosophy]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Fizz_Movement&amp;diff=1765</id>
		<title>Fizz Movement</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Fizz_Movement&amp;diff=1765"/>
		<updated>2026-08-24T17:59:39Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#seo:|keywords=fizz movement, what is the fizz movement, fizz music}}&lt;br /&gt;
[[File:Fizz metro art red low quality.jpg|thumb|[[Fizz]]|200x200px]]&lt;br /&gt;
The &#039;&#039;&#039;Fizz movement&#039;&#039;&#039; is a web of [[Fizz]] fans (Aka. fizzheads, fizzers), musicians, creators, influencers, music theorists and trolls dedicated to spreading the Fizz [[Fizz|music genre]] and [[Torus of Fizzosophy|philosophy]] (often called the [[Torus of Fizzosophy|Fizzosophy]]). The movement has a multitude of goals, including the primary objective of spreading Fizz, inventing [[Fizz De Novism|new]] concepts and terminology to describe music theoretic and cultural phenomena, pushing back against the [[Jazz Imperial Complex|Jazz imperial complex]], igniting the [[Mass Jazz Exodus|mass Jazz exodus]], defending anti-slop art philosophy, spreading chaos in general, and of course, having fun. The movement spreads Fizz by making and sharing Fizz music, (politely) spamming the [[fancy f]] in livestream chats, and posting both serious and ironic Fizz content on Instagram meme pages. The extreme wing of the Fizz movement is generally referred to as [[Dark Fizz]].&lt;br /&gt;
&lt;br /&gt;
The movement has supporters from all over the world, with most internal communications happening in online communities of prominent Fizz artists like [[Convexity]], phonon and [[Israel Strom]]. Fizz meetups typically happen at music festivals and individual shows performed by Fizz and Fizz-adjacent artists.&amp;lt;gallery mode=&amp;quot;nolines&amp;quot;&amp;gt;&lt;br /&gt;
File:Fizz movement meetup knower concert.jpg|Fizz musicians Clord, Ethan Walker, Israel Strom and xenprism&lt;br /&gt;
File:Fizz artists fizz movement meetup knower concert.jpg|Fizz musicians Andy Chamberlain, Jonathan Berroa and Dominic Getty&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The Fizz movement began on April 16, 2025 following the YouTube premier of [[Fizz Vol. 1]]. The movement expanded to a new audience when the premier of [https://telefuzz.net/vol1 TELEFUZZ VOL. 1] hit YouTube on April 2nd, 2026.&lt;br /&gt;
== Memes ==&lt;br /&gt;
Other than the audience that Fizz artists themselves have attracted, the most famous channel through which Fizz is spread is the [[fizzmemes]] community meme page on Instagram. Fizzmemes&#039; &amp;quot;Fizz vs. Jazz&amp;quot; memes with long winded, absurdist captions inspired imitations from many other accounts. Memes with that format garnering over 1M views in total.&lt;br /&gt;
&lt;br /&gt;
[[Category:Fizzosophy]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Dark_Fizz&amp;diff=1764</id>
		<title>Dark Fizz</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Dark_Fizz&amp;diff=1764"/>
		<updated>2026-08-24T17:59:19Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Dark Torus of Fizzosophy.jpg|thumb|300x300px|Dark [[Torus of Fizzosophy]]]]&lt;br /&gt;
[[File:Dark Fizz Symbol.jpg|thumb|200x200px|Dark Fizz Symbol]]&lt;br /&gt;
&#039;&#039;&#039;Dark Fizz&#039;&#039;&#039; (Aka. &#039;&#039;&#039;Fizz Extremism&#039;&#039;&#039;) is the extreme, cynical, anti-establishment version of [[Fizz]] ideology. Followers of Dark Fizz believe in [[The Thing|thing-realism]] and also typically hold strong anti-establishment and anti-slop views. Unlike [[Anti-fizz|Anti-Fizz]], Dark Fizz isn&#039;t separate to Fizz, it&#039;s just more extreme. The relationship between Fizz and Dark Fizz is often compared to the relationship between woke and &amp;quot;dark-woke&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
=== Symbol ===&lt;br /&gt;
Dark Fizz is most commonly represented with the &#039;&#039;&#039;triple integral&#039;&#039;&#039;. This symbol is especially prevalent in the Telefuzz community.&lt;br /&gt;
&lt;br /&gt;
[[Convexity]], who pioneered [[Convexity#Fuzz|Fuzz]] and the [[Telefuzz]] label/community has stated that they believe the triple integral symbolizes the &#039;&#039;&#039;3 axioms&#039;&#039;&#039; on the [[Torus of Fizzosophy]].&lt;br /&gt;
&lt;br /&gt;
=== Secret Fourth Axiom ===&lt;br /&gt;
Some Fizz Extremists recognize a fourth axiom in relation to Dark Fizz. Since the first two axioms are opposites, &amp;quot;We Love Everything&amp;quot; and &amp;quot;We Hate Everything&amp;quot;, members of the fizz community occasionally refer to the fourth axiom of &amp;quot;Nothing Matters&amp;quot;, being the opposite to &amp;quot;Everything Matters&amp;quot;. This concept relating to philosophical schools of thought such as Nihilism and Absurdism, is a fitting descriptor of how many Fizz Extremists pursue their musical goals.&lt;br /&gt;
&lt;br /&gt;
For more information on the fourth axiom, see: [[Anti-fizz]] and [[Fizz Political Compass]].&lt;br /&gt;
&lt;br /&gt;
[[Category:Fizzosophy]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Oreo_Theory&amp;diff=1763</id>
		<title>Oreo Theory</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Oreo_Theory&amp;diff=1763"/>
		<updated>2026-08-24T17:58:43Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Oreo Theory Chart v2.jpg|thumb|An oreo graph depicting two particularly dissonant notes and a possible combination of notes to resolve them.]]&lt;br /&gt;
[[File:Flavor examples.jpg|thumb|Examples of different flavors for the same two Oreo cookies]]&lt;br /&gt;
&#039;&#039;&#039;Oreo Theory&#039;&#039;&#039; is the idea that any two notes, regardless of the interval between them, may be compatible, and that what really matters are the notes that exist between them. Think of it like an Oreo cookie: you have the two dark-colored (unless you eat vanilla oreos.. ew) biscuits on the top and bottom, and you have the cream in the middle that holds them together. The &amp;quot;biscuits&amp;quot; in this sense are the top and bottom notes, and the &amp;quot;cream&amp;quot; are the notes that justify the two notes and solidify their harmonic profile. If you&#039;ve ever seen reharmonization exercises where the guy takes two notes and sets one to descend chromatically, harmonizing each note pair, you&#039;ll understand what we&#039;re talking about.&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&#039;&#039;&amp;quot;for example, bass note D, melody note G# how could we harmonize that? well the interval is a #11. what scales have a #11? lydian, which outlines a DM13#11. or perhaps even arcadian? D13#11&amp;quot;&#039;&#039; - Convexity, May 27th, 2026&amp;lt;/blockquote&amp;gt;[https://www.youtube.com/watch?v=-D2qCKrIs14 This video] by [[Convexity]] explains Oreo Theory in detail.&lt;br /&gt;
&lt;br /&gt;
== CREAM CHART ==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
!Interval between cookies&lt;br /&gt;
(scale degree)&lt;br /&gt;
!Interval between cookies&lt;br /&gt;
(interval notation)&lt;br /&gt;
!Possible Ionian Creams&lt;br /&gt;
!Possible [[Modes of the Melodic Minor Scale|Athenian]] Creams&lt;br /&gt;
!Possible [[Modes of the Harmonic Minor Scale|Appalachian]] Creams&lt;br /&gt;
!Possible [[Modes of the Harmonic Major Scale|Laramidian]] Creams&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;1&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;P1&#039;&#039;&#039;&lt;br /&gt;
|Any&lt;br /&gt;
|Any&lt;br /&gt;
|Any&lt;br /&gt;
|Any&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;b9&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m2&#039;&#039;&#039;&lt;br /&gt;
|Phrygian&lt;br /&gt;
Locrian&lt;br /&gt;
|Cappadocian&lt;br /&gt;
Palamidian&lt;br /&gt;
|Herculean&lt;br /&gt;
Adonian&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Sangarian&lt;br /&gt;
Plummetian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;9&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M2&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
&lt;br /&gt;
Mixolydian&lt;br /&gt;
&lt;br /&gt;
Dorian&lt;br /&gt;
&lt;br /&gt;
Aeolian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
&lt;br /&gt;
Olympian&lt;br /&gt;
&lt;br /&gt;
Athenian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
|Thesian&lt;br /&gt;
Paralydian&lt;br /&gt;
&lt;br /&gt;
Appalachian&lt;br /&gt;
|Morossian&lt;br /&gt;
Laramidian&lt;br /&gt;
&lt;br /&gt;
Dolorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;b3 / #9&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m3&#039;&#039;&#039;&lt;br /&gt;
|Dorian&lt;br /&gt;
Aeolian&lt;br /&gt;
&lt;br /&gt;
Phrygian&lt;br /&gt;
&lt;br /&gt;
Locrian&lt;br /&gt;
|Athenian&lt;br /&gt;
Cappadocian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
&lt;br /&gt;
Palamidian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Paralydian&lt;br /&gt;
&lt;br /&gt;
Appalachian&lt;br /&gt;
&lt;br /&gt;
Adonian&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
&lt;br /&gt;
Dolorian&lt;br /&gt;
&lt;br /&gt;
Plummetian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;3&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M3&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
&lt;br /&gt;
Mixolydian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
&lt;br /&gt;
Olympian&lt;br /&gt;
&lt;br /&gt;
Palamidian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Thesian&lt;br /&gt;
&lt;br /&gt;
Herculean&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Laramidian&lt;br /&gt;
&lt;br /&gt;
Sangarian&lt;br /&gt;
&lt;br /&gt;
Plummetian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;11&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;P4&#039;&#039;&#039;&lt;br /&gt;
|Ionian&lt;br /&gt;
Mixolydian&lt;br /&gt;
&lt;br /&gt;
Dorian&lt;br /&gt;
&lt;br /&gt;
Aeolian&lt;br /&gt;
&lt;br /&gt;
Phrygian&lt;br /&gt;
&lt;br /&gt;
Locrian&lt;br /&gt;
|Olympian&lt;br /&gt;
Athenian&lt;br /&gt;
&lt;br /&gt;
Cappadocian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
|Thesian&lt;br /&gt;
Appalachian&lt;br /&gt;
&lt;br /&gt;
Herculean&lt;br /&gt;
&lt;br /&gt;
Adonian&lt;br /&gt;
|Laramidian&lt;br /&gt;
Sangarian&lt;br /&gt;
&lt;br /&gt;
Dolorian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;#11 / b5&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;TT&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Locrian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
&lt;br /&gt;
Palamidian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Paralydian&lt;br /&gt;
&lt;br /&gt;
Adonian&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
&lt;br /&gt;
Dolorian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;5&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;P5&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
&lt;br /&gt;
Mixolydian&lt;br /&gt;
&lt;br /&gt;
Dorian&lt;br /&gt;
&lt;br /&gt;
Aeolian&lt;br /&gt;
&lt;br /&gt;
Phrygian&lt;br /&gt;
|Arcadian&lt;br /&gt;
Olympian&lt;br /&gt;
&lt;br /&gt;
Athenian&lt;br /&gt;
&lt;br /&gt;
Cappadocian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Paralydian&lt;br /&gt;
&lt;br /&gt;
Appalachian&lt;br /&gt;
&lt;br /&gt;
Herculean&lt;br /&gt;
|Morossian&lt;br /&gt;
Laramidian&lt;br /&gt;
&lt;br /&gt;
Sangarian&lt;br /&gt;
&lt;br /&gt;
Plummetian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;#5 / b13&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m6&#039;&#039;&#039;&lt;br /&gt;
|Aeolian&lt;br /&gt;
Phrygian&lt;br /&gt;
&lt;br /&gt;
Locrian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Olympian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
&lt;br /&gt;
Palamidian&lt;br /&gt;
|Thesian&lt;br /&gt;
Appalachian&lt;br /&gt;
&lt;br /&gt;
Herculean&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Laramidian&lt;br /&gt;
&lt;br /&gt;
Plummetian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;6 / 13&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M6&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
&lt;br /&gt;
Mixolydian&lt;br /&gt;
&lt;br /&gt;
Dorian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
&lt;br /&gt;
Athenian&lt;br /&gt;
&lt;br /&gt;
Cappadocian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Thesian&lt;br /&gt;
&lt;br /&gt;
Paralydian&lt;br /&gt;
&lt;br /&gt;
Adonian&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
&lt;br /&gt;
Sangarian&lt;br /&gt;
&lt;br /&gt;
Dolorian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;b7&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m7&#039;&#039;&#039;&lt;br /&gt;
|Mixolydian&lt;br /&gt;
Dorian&lt;br /&gt;
&lt;br /&gt;
Aeolian&lt;br /&gt;
&lt;br /&gt;
Phrygian&lt;br /&gt;
&lt;br /&gt;
Locrian&lt;br /&gt;
|Arcadian&lt;br /&gt;
Olympian&lt;br /&gt;
&lt;br /&gt;
Cappadocian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
&lt;br /&gt;
Palamidian&lt;br /&gt;
|Paralydian&lt;br /&gt;
Herculean&lt;br /&gt;
&lt;br /&gt;
Adonian&lt;br /&gt;
|Sangarian&lt;br /&gt;
Dolorian&lt;br /&gt;
&lt;br /&gt;
Plummetian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;7&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M7&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Athenian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Thesian&lt;br /&gt;
&lt;br /&gt;
Appalachian&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
&lt;br /&gt;
Laramidian&lt;br /&gt;
|}&lt;br /&gt;
Please note that using Chlamydian is highly disencouraged unless one enjoys white oreos.&lt;br /&gt;
[[Category:Music Theory]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Telefuzz&amp;diff=1762</id>
		<title>Telefuzz</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Telefuzz&amp;diff=1762"/>
		<updated>2026-08-24T17:58:18Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#seo: |description= &#039;&#039;&#039;Telefuzz&#039;&#039;&#039; (styled as &#039;&#039;&#039;TELEFUZZ&#039;&#039;&#039;) is an independent [[Fizz]] record label and community founded by &#039;&#039;&#039;Convexity&#039;&#039;&#039; in 2026.  All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label&#039;s debut compilation album TELEFUZZ, VOL. 1 premiered on April 2, 2026&amp;lt;ref&amp;gt;https://www.youtube.com/watch?v=joQUw7Gv_cs&amp;lt;/ref&amp;gt;, followed by its release to all platforms on April 3, 2026. |keywords=telefuzz, fizz music, fizz music, convexity}}&lt;br /&gt;
{{Infobox&lt;br /&gt;
| name = &#039;&#039;&#039;TELEFUZZ&#039;&#039;&#039;&lt;br /&gt;
| image = File:Telefuzz Vol. 1.jpg&lt;br /&gt;
| image_caption = TELEFUZZ, VOL. 1 album art&lt;br /&gt;
| custom_label0 = Record label&lt;br /&gt;
| datapoint1 = 2026&lt;br /&gt;
| custom_label1 = Founded&lt;br /&gt;
| datapoint2 = [[Convexity]]&lt;br /&gt;
| custom_label2 = Founder&lt;br /&gt;
| datapoint3 = [[Fizz]]&lt;br /&gt;
| custom_label3 = Genres&lt;br /&gt;
| datapoint7 = [https://en.wikipedia.org/wiki/United_States United States]&lt;br /&gt;
| custom_label7 = Country of origin&lt;br /&gt;
| datapoint8 = https://telefuzz.net/&lt;br /&gt;
| custom_label8 = Official website&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&#039;&#039;&#039;Telefuzz&#039;&#039;&#039; (styled as &#039;&#039;&#039;TELEFUZZ&#039;&#039;&#039;) is an independent [[Fizz]] record label and community founded by [[Convexity]] in 2026.  The label&#039;s debut compilation album [https://www.youtube.com/watch?v=joQUw7Gv_cs TELEFUZZ, VOL. 1] premiered on April 2, 2026&amp;lt;ref&amp;gt;https://www.youtube.com/watch?v=joQUw7Gv_cs&amp;lt;/ref&amp;gt;, followed by its release to all platforms on April 3, 2026. All proceeds of Telefuzz are donated to [https://www.savethemusic.org/ Save The Music Foundation]. The label is outwardly committed to the principles laid out on the [[Torus of Fizzosophy]], and the advancement of the [[Fizz Movement|Fizz movement]]. Many members of the Telefuzz community identify as [[Dark Fizz]]. Compared to stereotypical Fizz, Telefuzz releases are known for their distinctly heavy, production-focused style. The label follows the audio and visual aesthetic of &#039;&#039;&#039;Fuzz&#039;&#039;&#039; (styled as &#039;&#039;&#039;FUZZ&#039;&#039;&#039;).  &lt;br /&gt;
&lt;br /&gt;
== Releases ==&lt;br /&gt;
&lt;br /&gt;
=== Albums ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;TELEFUZZ, VOL. 1&#039;&#039; (2026)&lt;br /&gt;
&lt;br /&gt;
=== EPs ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;WHAT REMAINS&#039;&#039; (2026)&lt;br /&gt;
* &#039;&#039;viewers like you&#039;&#039; (2026)&lt;br /&gt;
* &#039;&#039;CULTIVATING THE THING&#039;&#039; (2026)&lt;br /&gt;
[[Category:Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Convexity&amp;diff=1761</id>
		<title>Convexity</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Convexity&amp;diff=1761"/>
		<updated>2026-08-24T17:53:34Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#description2:Jared &amp;quot;Jae&amp;quot; Lee Tompkins (born July 17, 1998), known professionally as Convexity, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retro-futuristic music style inspired by jazz and funk, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene.}}&lt;br /&gt;
{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Origin|custom_label3=Occupations|custom_label4=Instruments|custom_label5=Genre|custom_label6=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28) &amp;lt;br&amp;gt; [[wikipedia:Rocky_Mount,_North_Carolina|Rocky Mount, North Carolina]], US|datapoint2=[[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]], US|datapoint3=Composer • songwriter • producer • multi-instrumentalist|datapoint4=Piano • alto saxophone • baritone saxophone • clarinet|datapoint5=[[Fizz]]|datapoint6=[[Telefuzz]] • [[wikipedia:Never_Say_Die_Records|Never Say Die Records]] • [[wikipedia:Monstercat|Monstercat]] • [[wikipedia:Disciple_Records|Disciple Records]] • [[wikipedia:Circus_Records|Circus Records]] • Rushdown • artbyFORM • Reinelex Records • SILKENWOOD • Neoluminum • The Half Heart Project • Maverick&#039;s Playlist|image_caption=Convexity in 2023|name=Convexity|image=[[File:Convexity.jpg|thumb|Convexity in 2023]]|custom_label7=Years active|datapoint7=2012–present}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jared &amp;quot;Jae&amp;quot; Lee Tompkins&#039;&#039;&#039; (born July 17, 1998), known professionally as &#039;&#039;&#039;Convexity&#039;&#039;&#039;, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retro-futuristic music style inspired by jazz and funk, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene. Raised in [[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]], they gained initial recognition following the release of &#039;&#039;Timequake EP&#039;&#039; (2021) on British producer [[wikipedia:Chime_(musician)|Chime]]&#039;s record label Rushdown. After several stints of label management and ownership, Tompkins founded and currently manages the [[Fizz]] record label [[Telefuzz]].&lt;br /&gt;
&lt;br /&gt;
== Early life ==&lt;br /&gt;
Tompkins was born on July 17, 1998 in [[wikipedia:Rocky_Mount,_North_Carolina|Rocky Mount, North Carolina]], moving to [[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]] only a year afterward.&lt;br /&gt;
&lt;br /&gt;
Tompkins&#039;s grandmother introduced them to piano when they were 5 years old, putting color-coded stickers on the family heirloom piano and writing sheet music where notes were color-coded to the stickers. Their father bought them [[wikipedia:Magix_Music_Maker|Magix Music Maker]] from [[wikipedia:Circuit_City|Circuit City]] when they were 7 years old, which was their first exposure to a digital audio workstation, and began arranging loops and playing with MIDI and sequencers at this age. During middle school, Tompkins developed an interest in tracker software such as MadTracker and [[wikipedia:Renoise|Renoise]], inspired by artists such as [https://binaerpilot.neocities.org/ Binärpilot].&lt;br /&gt;
&lt;br /&gt;
While attending [[wikipedia:Scholars_Academy|Scholars Academy]] for high school education, Tompkins participated as a baritone saxophone player in the [[wikipedia:Socastee_High_School|Socastee High School]] Marching Braves.&lt;br /&gt;
&lt;br /&gt;
Tompkins participated in the [[wikipedia:Clemson_University|Clemson University]] [[wikipedia:Clemson_University_Tiger_Band|Tiger Band]] for one year as an alto saxophone player. They received a Bachelor of Science in Computer Science and a Bachelor of Arts in Performing Arts (Audio Technology Concentration) from Clemson University in May 2020. They were honored with the Outstanding Student In Performing Arts (Audio Technology) Award for the 2019-2020 school year, and were employed as the department intern before graduating.&lt;br /&gt;
&lt;br /&gt;
Tompkins uses any pronouns, primarily &#039;&#039;they/them&#039;&#039;, and is loosely a part of the [[wikipedia:Furry_fandom|furry fandom]].&lt;br /&gt;
&lt;br /&gt;
== Career ==&lt;br /&gt;
Tompkins was introduced to [[wikipedia:Noisestorm|Noisestorm]] in 2011 from a [[wikipedia:Minecraft|Minecraft]] [[wikipedia:Machinima|Machinima]] video, and was promptly introduced to Canadian electronic music record label [[wikipedia:Monstercat|Monstercat]] soon after and developed a fascination with dubstep and other bass music. Tompkins started producing dubstep using Renoise under the alias &#039;&#039;&#039;c0nvexity&#039;&#039;&#039; in March 2012.&lt;br /&gt;
&lt;br /&gt;
After years of failing to reach an audience, in late 2016, Tompkins felt there was a gap between the biggest record labels and the smaller passionate communities beginning to pop up on [[wikipedia:Discord|Discord]], which was a new platform at the time. As a result, Tompkins founded the netlabel [https://soundcloud.com/xpanserecords Xpanse Records] in October 2016 in order to help give a platform to the underground bass music scene. Xpanse Records kickstarted the careers of artists such as [https://open.spotify.com/artist/2yKb2sD6dystFr0tTmSu2X gyrofield], [https://open.spotify.com/artist/1uivqPv0xxpaqrB8Ero5xJ Euan Ellis], [https://open.spotify.com/artist/7voZA8iemE4e4c17BdlNaA Cloudcage], [https://open.spotify.com/artist/7j32fTp3oaXsRUmnIQixaX Feathervane], and more before it ceased operations at the end of 2019.&lt;br /&gt;
&lt;br /&gt;
During the peak of Xpanse&#039;s success, Tompkins released their first successful song “Cosmic Kittens” in March 2018, which was promoted by YouTuber [[wikipedia:CaptainSparklez|CaptainSparklez]] and covered by streamer [https://www.the8bitdrummer.com/ The8BitDrummer]. Around this time, Tompkins rebranded their project to &#039;&#039;&#039;Convexity&#039;&#039;&#039; and started taking music more seriously.&lt;br /&gt;
&lt;br /&gt;
Tompkins self-released their debut album &#039;&#039;Complications&#039;&#039; in June 2020 as their senior capstone project for Clemson University. Later that year, Tompkins was discovered by British producer [[wikipedia:Chime_(musician)|Chime]], the pioneer of the [[wikipedia:Dubstep#2016%E2%80%93present:_Colour_bass|Color Bass]] movement, who signed them to her record label [https://www.chimetunes.net/rushdown Rushdown]. Tompkins debuted on Rushdown in April 2021 with their single &amp;quot;Entanglement&amp;quot;. Months later, Tompkins released &#039;&#039;Timequake EP&#039;&#039; via Rushdown, which began earning them support and recognition across the underground bass music scene. Tompkins became A&amp;amp;R for Rushdown at the start of 2022 until it ceased operations in mid-2023.&lt;br /&gt;
&lt;br /&gt;
Tompkins went on to release on various different labels and participate in various community events over the years. Most notably, Tompkins debuted alongside Chime on Monstercat in January 2024 with the single &amp;quot;Liminal&amp;quot;. Later that year, Tompkins went on to release &#039;&#039;Transmissions EP&#039;&#039; on American label [[wikipedia:Disciple_Records|Disciple Records]]. Tompkins went on to debut on British label [[wikipedia:Never_Say_Die_Records|Never Say Die Records]] in 2026 alongside Iraqi-Canadian producer [https://open.spotify.com/artist/2AnDfvE1sUehbs7vEdLSVU euphee] with a mashup remix of American producer [[wikipedia:Ace_Aura|Ace Aura]]&#039;s singles &amp;quot;Shattered&amp;quot; and &amp;quot;Gem World&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Tompkins became an integral part of the Fizz movement at its debut, and in April 2026, founded the Fizz record label [[Telefuzz]], which they currently own and operate.&lt;br /&gt;
&lt;br /&gt;
== Musical style and influences ==&lt;br /&gt;
Tompkins&#039;s current sound is a forward-thinking blend of jazz, funk, vaporwave, and bass music, inspired by the styles of jazztronica artists such as [[wikipedia:Haywyre|Haywyre]] and [https://open.spotify.com/artist/2ev6Cd0yJVCcpf2zezEQ8Z Anomalie], as well as funk legends such as [[wikipedia:George_Clinton_(funk_musician)|George Clinton]] and [[wikipedia:Bootsy_Collins|Bootsy Collins]]. Tompkins&#039;s current style of dubstep is inspired by [[wikipedia:Eptic|Eptic]], [https://open.spotify.com/artist/5EEuae5uigQnwgYCl0s8EF Teminite], [https://open.spotify.com/artist/3Rv0Jk1kBDlab5MagkkbuM Veksyu], [https://open.spotify.com/artist/5mMGXoGMzmSf6tkxo30ja4 JoeB], [https://open.spotify.com/artist/02Qx9Py43LFTy9nQZC2jXk OCTANE], and many others.&lt;br /&gt;
&lt;br /&gt;
In 2021 with the release of &amp;quot;Lattice&amp;quot; from &#039;&#039;Timequake EP&#039;&#039;, Tompkins inadvertently created a meme within the underground bass music community about using unconventional snares and percussion, especially when Chime exclaimed &amp;quot;What even is that snare?&amp;quot; during a performance that used the song.&lt;br /&gt;
&lt;br /&gt;
Tompkins is proudly autodidactic, having self-taught piano, music theory, and jazz theory, feverishly studying and advocating for alternate theories, such as [[wikipedia:Lydian_Chromatic_Concept_of_Tonal_Organization|George Russell’s Lydian Chromatic Concept of Tonal Organization]], and [[wikipedia:Wayne_Shorter|Wayne Shorter]]&#039;s and [[wikipedia:Jacob_Collier|Jacob Collier]]&#039;s ideas on nonfunctional harmony.&lt;br /&gt;
&lt;br /&gt;
== Fuzz ==&lt;br /&gt;
&#039;&#039;&#039;Fuzz&#039;&#039;&#039; (stylized &#039;&#039;&#039;FUZZ&#039;&#039;&#039;, short for &#039;&#039;&#039;[https://genius.com/Bootsys-rubber-band-bootsy-get-live-lyrics#:~:text=Super%20Hip%2DNotic%2C%20Trans%2DA%2DPhonic Super Hip-Notic Trans-A-Phonic] [https://genius.com/Parliament-supergroovalisticprosifunkstication-lyrics GroovalisticprosiFUZZtication]&#039;&#039;&#039;) is an audiovisual aesthetic and alternate universe created by Convexity that the [[Telefuzz]] label and community follows. Fuzz first made an appearance in Convexity&#039;s 2023 proto-fizz song [https://soundcloud.com/convexity/fuzzstep FUZZSTEP]. The aesthetic of Fuzz is derived from several points of inspiration, primarily [[wikipedia:P-Funk_mythology|P-Funk Mythology]], as well as analog horror, vaporwave, and retrofuturism. &lt;br /&gt;
&lt;br /&gt;
In the lore of Fuzz, the protagonist represented by Convexity continually sends transmissions from ***** County, an unnamed oppressive regime that exhibits supernatural control over the region and clamps down any dissent. ***** County is a metaphor for the corporate consolidation of electronic dance music and the continued direction of risk aversion that prevents Fuzz from propagating. After receiving a decree from [[wikipedia:Dr._Funkenstein|Dr. Funkenstein]] to be their own label, Jae created Telefuzz to distribute Fuzz as widely as possible, rescue refugees from ***** County (now otherwise known as the [https://genius.com/Parliament-sir-nose-dvoidoffunk-pay-attention-b3m-lyrics#:~:text=Zone%20of%20Zero%20Funkativity Zone of Zero FUZZativity]), and start a revolution against THE MACHINE that represents the County government.&lt;br /&gt;
&lt;br /&gt;
After the debut of the Fizz genre, Fuzz adopted the values of [[Dark Fizz|Dark Fizz / Fizz Extremism]], especially its anti-establishment ideology. The finalized tenets of Fuzz after the debut of Telefuzz include [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], Endless Pursuit of [https://www.youtube.com/watch?v=ph6AaddC6bA THE ONE] ([https://genius.com/Parliament-funkentelechy-lyrics FUZZentelechy], analogous to [[The Thing]]), Mogging Slopbots ([https://genius.com/Parliament-placebo-syndrome-lyrics The Placebo Syndrome]), and Rejection of Corpsloplidation (The Zone of Zero FUZZativity).&lt;br /&gt;
&lt;br /&gt;
== Fizz contributions ==&lt;br /&gt;
Apart from the contributions of Telefuzz, Convexity coined [[Oreo Theory]] in May 2026 based on the nonfunctional harmonic ideas of George Russell and Wayne Shorter, and created a YouTube video based on the theory called [https://www.youtube.com/watch?v=-D2qCKrIs14 THINKING IN SCALES: Fizz Theory and Harmonic Freedom].&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
&#039;&#039;This list only shows the portion of Convexity&#039;s discography that is considered to be officially Fizz music.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== EPs ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;WHAT REMAINS&#039;&#039; (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Singles ===&lt;br /&gt;
&lt;br /&gt;
* FUZZSTEP (2023, SILKENWOOD)&lt;br /&gt;
* SWOG LAMP (with KERO) (2024, artbyFORM)&lt;br /&gt;
* THE ITEM (with KERO) (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Remixes ===&lt;br /&gt;
&lt;br /&gt;
* Anomalie - Velours (2022, Independent)&lt;br /&gt;
* The Gap Band - I Like It (2026, Independent)&lt;br /&gt;
* Ace Aura &amp;amp; Nytrix - Shattered Gem (with euphee) (2026, Never Say Die Records)&lt;br /&gt;
&lt;br /&gt;
[[Category: Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Convexity&amp;diff=1760</id>
		<title>Convexity</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Convexity&amp;diff=1760"/>
		<updated>2026-08-24T17:33:41Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#description2:Jared &amp;quot;Jae&amp;quot; Lee Tompkins (born July 17, 1998), known professionally as Convexity, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retro-futuristic music style inspired by jazz and funk, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene.}}&lt;br /&gt;
{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Origin|custom_label3=Occupations|custom_label4=Instruments|custom_label5=Genre|custom_label6=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28) &amp;lt;br&amp;gt; [[wikipedia:Rocky_Mount,_North_Carolina|Rocky Mount, North Carolina]], US|datapoint2=[[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]], US|datapoint3=Composer • songwriter • producer • multi-instrumentalist|datapoint4=Piano • alto saxophone • baritone saxophone • clarinet|datapoint5=[[Fizz]]|datapoint6=[[Telefuzz]] • Never Say Die Records • Monstercat • Disciple • Circus Records • Rushdown • artbyFORM • SILKENWOOD • Neoluminum • The Half Heart Project • Maverick&#039;s Playlist|image_caption=Convexity in 2023|name=Convexity|image=[[File:Convexity.jpg|thumb|Convexity in 2023]]|custom_label7=Years active|datapoint7=2012–present}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jared &amp;quot;Jae&amp;quot; Lee Tompkins&#039;&#039;&#039; (born July 17, 1998), known professionally as &#039;&#039;&#039;Convexity&#039;&#039;&#039;, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retro-futuristic music style inspired by jazz and funk, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene. Raised in [[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]], they gained initial recognition following the release of &#039;&#039;Timequake EP&#039;&#039; (2021) on British producer [[wikipedia:Chime_(musician)|Chime]]&#039;s record label Rushdown. After several stints of label management and ownership, Tompkins founded and currently manages the [[Fizz]] record label [[Telefuzz]].&lt;br /&gt;
&lt;br /&gt;
== Early life ==&lt;br /&gt;
Tompkins was born on July 17, 1998 in [[wikipedia:Rocky_Mount,_North_Carolina|Rocky Mount, North Carolina]], moving to [[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]] only a year afterward.&lt;br /&gt;
&lt;br /&gt;
Tompkins&#039;s grandmother introduced them to piano when they were 5 years old, putting color-coded stickers on the family heirloom piano and writing sheet music where notes were color-coded to the stickers. Their father bought them Magix Music Maker from Circuit City when they were 7 years old, which was their first exposure to a digital audio workstation, and began arranging loops and playing with MIDI and sequencers at this age. During middle school, Tompkins developed an interest in tracker software such as MadTracker and Renoise, inspired by artists such as Binärpilot.&lt;br /&gt;
&lt;br /&gt;
While attending Scholars Academy for high school education, Tompkins participated as a baritone saxophone player in the Socastee High School Marching Braves.&lt;br /&gt;
&lt;br /&gt;
Tompkins participated in the Clemson University Tiger Band for one year as an alto saxophone player. They received a Bachelor of Science in Computer Science and a Bachelor of Arts in Performing Arts (Audio Technology Concentration) from Clemson University in May 2020. They were honored with the Outstanding Student In Performing Arts (Audio Technology) Award for the 2019-2020 school year, and were employed as the department intern before graduating.&lt;br /&gt;
&lt;br /&gt;
Tompkins uses any pronouns, primarily &#039;&#039;they/them&#039;&#039;, and are loosely a part of the Furry community.&lt;br /&gt;
&lt;br /&gt;
== Career ==&lt;br /&gt;
Tompkins was introduced to Noisestorm in 2011 from a Minecraft Machinima video, and was promptly introduced to Monstercat soon after and developed a fascination with dubstep and other bass music. Tompkins started producing dubstep using Renoise under the alias &#039;&#039;&#039;c0nvexity&#039;&#039;&#039; in March 2012.&lt;br /&gt;
&lt;br /&gt;
After years of failing to reach an audience, in late 2016, Tompkins felt there was a gap between the biggest record labels and the smaller passionate communities beginning to pop up on Discord, which was a new platform at the time. As a result, Tompkins founded the netlabel Xpanse Records in October 2016 in order to help give a platform to the underground bass music scene. Xpanse Records kickstarted the careers of artists such as gyrofield, Euan Ellis, Cloudcage, Feathervane, and more before it ceased operations at the end of 2019.&lt;br /&gt;
&lt;br /&gt;
During the peak of Xpanse&#039;s success, Tompkins released their first successful song “Cosmic Kittens” in March 2018, which was promoted by YouTuber CaptainSparklez and covered by streamer The8BitDrummer. Around this time, Tompkins rebranded their project to &#039;&#039;&#039;Convexity&#039;&#039;&#039; and started taking music more seriously.&lt;br /&gt;
&lt;br /&gt;
Tompkins self-released their debut album &#039;&#039;Complications&#039;&#039; in June 2020 as their senior capstone project for Clemson University. Later that year, Tompkins was discovered by British producer Chime, the pioneer of the Color Bass movement, who signed them to her record label Rushdown. Tompkins debuted on Rushdown in April 2021 with their single &amp;quot;Entanglement&amp;quot;. Months later, Tompkins released &#039;&#039;Timequake EP&#039;&#039; via Rushdown, which began earning them support and recognition across the underground bass music scene. Tompkins became A&amp;amp;R for Rushdown at the start of 2022 until it ceased operations in mid-2023.&lt;br /&gt;
&lt;br /&gt;
Tompkins went on to release on various different labels and participate in various community events over the years. Most notably, Tompkins debuted alongside Chime on Canadian electronic music record label Monstercat in January 2024 with the single &amp;quot;Liminal&amp;quot;. Later that year, Tompkins went on to release &#039;&#039;Transmissions EP&#039;&#039; on American label Disciple. Tompkins went on to debut on British label Never Say Die Records in 2026 alongside Iraqi-Canadian producer euphee with a mashup remix of American producer Ace Aura&#039;s singles &amp;quot;Shattered&amp;quot; and &amp;quot;Gem World&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Tompkins became an integral part of the Fizz movement at its debut, and in April 2026, founded the Fizz record label [[Telefuzz]], which they currently own and operate.&lt;br /&gt;
&lt;br /&gt;
== Musical style and influences ==&lt;br /&gt;
Tompkins&#039;s current sound is a forward-thinking blend of jazz, funk, vaporwave, and bass music, inspired by the styles of jazztronica artists such as Haywyre and Anomalie, as well as funk legends such as George Clinton and Bootsy Collins. Tompkins&#039;s current style of dubstep is inspired by Eptic, Teminite, Veksyu, JoeB, OCTANE, and many others.&lt;br /&gt;
&lt;br /&gt;
In 2021 with the release of &amp;quot;Lattice&amp;quot; from &#039;&#039;Timequake EP&#039;&#039;, Tompkins inadvertently created a meme within the underground bass music community about using unconventional snares and percussion, especially when Chime exclaimed &amp;quot;What even is that snare?&amp;quot; during a performance that used the song.&lt;br /&gt;
&lt;br /&gt;
Tompkins is proudly autodidactic, having self-taught piano, music theory, and jazz theory, feverishly studying and advocating for alternate theories, such as George Russell’s Lydian Chromatic Concept of Tonal Organization, and Wayne Shorter&#039;s and Jacob Collier&#039;s ideas on nonfunctional harmony.&lt;br /&gt;
&lt;br /&gt;
== Fuzz ==&lt;br /&gt;
&#039;&#039;&#039;Fuzz&#039;&#039;&#039; (stylized &#039;&#039;&#039;FUZZ&#039;&#039;&#039;, short for &#039;&#039;&#039;[https://genius.com/Bootsys-rubber-band-bootsy-get-live-lyrics#:~:text=Super%20Hip%2DNotic%2C%20Trans%2DA%2DPhonic Super Hip-Notic Trans-A-Phonic] [https://genius.com/Parliament-supergroovalisticprosifunkstication-lyrics GroovalisticprosiFUZZtication]&#039;&#039;&#039;) is an audiovisual aesthetic and alternate universe created by Convexity that the [[Telefuzz]] label and community follows. Fuzz first made an appearance in Convexity&#039;s 2023 proto-fizz song [https://soundcloud.com/convexity/fuzzstep FUZZSTEP]. The aesthetic of Fuzz is derived from several points of inspiration, primarily [[wikipedia:P-Funk_mythology|P-Funk Mythology]], as well as analog horror, vaporwave, and retrofuturism. &lt;br /&gt;
&lt;br /&gt;
In the lore of Fuzz, the protagonist represented by Convexity continually sends transmissions from ***** County, an unnamed oppressive regime that exhibits supernatural control over the region and clamps down any dissent. ***** County is a metaphor for the corporate consolidation of electronic dance music and the continued direction of risk aversion that prevents Fuzz from propagating. After receiving a decree from [[wikipedia:Dr._Funkenstein|Dr. Funkenstein]] to be their own label, Jae created Telefuzz to distribute Fuzz as widely as possible, rescue refugees from ***** County (now otherwise known as the [https://genius.com/Parliament-sir-nose-dvoidoffunk-pay-attention-b3m-lyrics#:~:text=Zone%20of%20Zero%20Funkativity Zone of Zero FUZZativity]), and start a revolution against THE MACHINE that represents the County government.&lt;br /&gt;
&lt;br /&gt;
After the debut of the Fizz genre, Fuzz adopted the values of [[Dark Fizz|Dark Fizz / Fizz Extremism]], especially its anti-establishment ideology. The finalized tenets of Fuzz after the debut of Telefuzz include [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], Endless Pursuit of [https://www.youtube.com/watch?v=ph6AaddC6bA THE ONE] ([https://genius.com/Parliament-funkentelechy-lyrics FUZZentelechy], analogous to [[The Thing]]), Mogging Slopbots ([https://genius.com/Parliament-placebo-syndrome-lyrics The Placebo Syndrome]), and Rejection of Corpsloplidation (The Zone of Zero FUZZativity).&lt;br /&gt;
&lt;br /&gt;
== Fizz contributions ==&lt;br /&gt;
Apart from the contributions of Telefuzz, Convexity coined [[Oreo Theory]] in May 2026 based on the nonfunctional harmonic ideas of George Russell and Wayne Shorter, and created a YouTube video based on the theory called [https://www.youtube.com/watch?v=-D2qCKrIs14 THINKING IN SCALES: Fizz Theory and Harmonic Freedom].&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
&#039;&#039;This list only shows the portion of Convexity&#039;s discography that is considered to be officially Fizz music.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== EPs ===&lt;br /&gt;
&lt;br /&gt;
* WHAT REMAINS (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Singles ===&lt;br /&gt;
&lt;br /&gt;
* FUZZSTEP (2023, SILKENWOOD)&lt;br /&gt;
* SWOG LAMP (with KERO) (2024, artbyFORM)&lt;br /&gt;
* THE ITEM (with KERO) (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Remixes ===&lt;br /&gt;
&lt;br /&gt;
* Anomalie - Velours (2022, Independent)&lt;br /&gt;
* The Gap Band - I Like It (2026, Independent)&lt;br /&gt;
* Ace Aura &amp;amp; Nytrix - Shattered Gem (with euphee) (2026, Never Say Die Records)&lt;br /&gt;
&lt;br /&gt;
[[Category: Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Convexity&amp;diff=1759</id>
		<title>Convexity</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Convexity&amp;diff=1759"/>
		<updated>2026-08-24T17:26:04Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#description2:Jared &amp;quot;Jae&amp;quot; Lee Tompkins (born July 17, 1998), known professionally as Convexity, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retro-futuristic music style inspired by jazz and funk, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene.}}&lt;br /&gt;
{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Origin|custom_label3=Occupations|custom_label4=Instruments|custom_label5=Genre|custom_label6=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28) &amp;lt;br&amp;gt; [[wikipedia:Rocky_Mount,_North_Carolina|Rocky Mount, North Carolina]], US|datapoint2=[[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]], US|datapoint3=Composer • songwriter • producer • multi-instrumentalist|datapoint4=Piano • alto saxophone • baritone saxophone • clarinet|datapoint5=[[Fizz]]|datapoint6=[[Telefuzz]] • Never Say Die Records • Monstercat • Disciple • Circus Records • Rushdown • artbyFORM • SILKENWOOD • Neoluminum • The Half Heart Project • Maverick&#039;s Playlist|image_caption=Convexity in 2023|name=Convexity|image=[[File:Convexity.jpg|thumb|Convexity in 2023]]|custom_label7=Years active|datapoint7=2012–present}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jared &amp;quot;Jae&amp;quot; Lee Tompkins&#039;&#039;&#039; (born July 17, 1998), known professionally as &#039;&#039;&#039;Convexity&#039;&#039;&#039;, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retro-futuristic music style inspired by jazz and funk, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene. Raised in [[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]], they gained initial recognition following the release of &#039;&#039;Timequake EP&#039;&#039; (2021) on British producer [[wikipedia:Chime_(musician)|Chime]]&#039;s record label Rushdown. After several stints of label management and ownership, Tompkins founded and currently manages the [[Fizz]] record label [[Telefuzz]].&lt;br /&gt;
&lt;br /&gt;
== Early life ==&lt;br /&gt;
Tompkins was born on July 17, 1998 in [[wikipedia:Rocky_Mount,_North_Carolina|Rocky Mount, North Carolina]], moving to [[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]] only a year afterward.&lt;br /&gt;
&lt;br /&gt;
Tompkins&#039;s grandmother introduced them to piano when they were 5 years old, putting color-coded stickers on the family heirloom piano and writing sheet music where notes were color-coded to the stickers. Their father bought them Magix Music Maker from Circuit City when they were 7 years old, which was their first exposure to a digital audio workstation, and began arranging loops and playing with MIDI and sequencers at this age. During middle school, Tompkins developed an interest in tracker software such as MadTracker and Renoise, inspired by artists such as Binärpilot.&lt;br /&gt;
&lt;br /&gt;
While attending Scholars Academy for high school education, Tompkins participated as a baritone saxophone player in the Socastee High School Marching Braves.&lt;br /&gt;
&lt;br /&gt;
Tompkins participated in the Clemson University Tiger Band for one year as an alto saxophone player. They received a Bachelor of Science in Computer Science and a Bachelor of Arts in Performing Arts (Audio Technology Concentration) from Clemson University in May 2020. They were honored with the Outstanding Student In Performing Arts (Audio Technology) Award for the 2019-2020 school year, and were employed as the department intern before graduating.&lt;br /&gt;
&lt;br /&gt;
Tompkins uses any pronouns, primarily &#039;&#039;they/them&#039;&#039;, and are loosely a part of the Furry community.&lt;br /&gt;
&lt;br /&gt;
== Career ==&lt;br /&gt;
Tompkins was introduced to Noisestorm in 2011 from a Minecraft Machinima video, and was promptly introduced to Monstercat soon after and developed a fascination with dubstep and other bass music. Tompkins started producing dubstep using Renoise under the alias &#039;&#039;&#039;c0nvexity&#039;&#039;&#039; in March 2012.&lt;br /&gt;
&lt;br /&gt;
After years of failing to reach an audience, in late 2016, Tompkins felt there was a gap between the biggest record labels and the smaller passionate communities beginning to pop up on Discord, which was a new platform at the time. As a result, Tompkins founded the netlabel Xpanse Records in October 2016 in order to help give a platform to the underground bass music scene. Xpanse Records kickstarted the careers of artists such as gyrofield, Euan Ellis, Cloudcage, Feathervane, and more before it ceased operations at the end of 2019.&lt;br /&gt;
&lt;br /&gt;
During the peak of Xpanse&#039;s success, Tompkins released their first successful song “Cosmic Kittens” in March 2018, which was promoted by YouTuber CaptainSparklez and covered by streamer The8BitDrummer. Around this time, Tompkins rebranded their project to &#039;&#039;&#039;Convexity&#039;&#039;&#039; and started taking music more seriously.&lt;br /&gt;
&lt;br /&gt;
Tompkins self-released their debut album &#039;&#039;Complications&#039;&#039; in June 2020 as their senior capstone project for Clemson University. Later that year, Tompkins was discovered by British producer Chime, the pioneer of the Color Bass movement, who signed them to her record label Rushdown. Tompkins debuted on Rushdown in April 2021 with their single &amp;quot;Entanglement&amp;quot;. Months later, Tompkins released &#039;&#039;Timequake EP&#039;&#039; via Rushdown, which began earning them support and recognition across the underground bass music scene. Tompkins became A&amp;amp;R for Rushdown at the start of 2022 until it ceased operations in mid-2023.&lt;br /&gt;
&lt;br /&gt;
Tompkins went on to release on various different labels and participate in various community events over the years. Most notably, Tompkins debuted alongside Chime on Canadian electronic music record label Monstercat in January 2024 with the single &amp;quot;Liminal&amp;quot;. Later that year, Tompkins went on to release &#039;&#039;Transmissions EP&#039;&#039; on American label Disciple. Tompkins went on to debut on British label Never Say Die Records in 2026 alongside Iraqi-Canadian producer euphee with a mashup remix of American producer Ace Aura&#039;s singles &amp;quot;Shattered&amp;quot; and &amp;quot;Gem World&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Tompkins became an integral part of the Fizz movement at its debut, and in April 2026, founded the Fizz record label [[Telefuzz]], which they currently own and operate.&lt;br /&gt;
&lt;br /&gt;
== Musical style and influences ==&lt;br /&gt;
Tompkins&#039;s current sound is a forward-thinking blend of jazz, funk, vaporwave, and bass music, inspired by the styles of jazztronica artists such as Haywyre and Anomalie, as well as funk legends such as George Clinton and Bootsy Collins. Tompkins&#039;s current style of dubstep is inspired by Eptic, Teminite, Veksyu, JoeB, OCTANE, and many others.&lt;br /&gt;
&lt;br /&gt;
In 2021 with the release of &amp;quot;Lattice&amp;quot; from &#039;&#039;Timequake EP&#039;&#039;, Tompkins inadvertently created a meme within the underground bass music community about using unconventional snares and percussion, especially when Chime exclaimed &amp;quot;What even is that snare?&amp;quot; during a performance that used the song.&lt;br /&gt;
&lt;br /&gt;
Tompkins is proudly autodidactic, having self-taught piano, music theory, and jazz theory, feverishly studying and advocating for alternate theories, such as George Russell’s Lydian Chromatic Concept of Tonal Organization, and Wayne Shorter&#039;s and Jacob Collier&#039;s ideas on nonfunctional harmony.&lt;br /&gt;
&lt;br /&gt;
== Fuzz ==&lt;br /&gt;
&#039;&#039;&#039;Fuzz&#039;&#039;&#039; (stylized &#039;&#039;&#039;FUZZ&#039;&#039;&#039;, short for &#039;&#039;&#039;[https://genius.com/Bootsys-rubber-band-bootsy-get-live-lyrics#:~:text=Super%20Hip%2DNotic%2C%20Trans%2DA%2DPhonic Super Hip-Notic Trans-A-Phonic] [https://genius.com/Parliament-supergroovalisticprosifunkstication-lyrics GroovalisticprosiFUZZtication]&#039;&#039;&#039;) is an audiovisual aesthetic and alternate universe created by Convexity that the [[Telefuzz]] label and community follows. Fuzz first made an appearance in Convexity&#039;s 2023 proto-fizz song [https://soundcloud.com/convexity/fuzzstep FUZZSTEP]. The aesthetic of Fuzz is derived from several points of inspiration, primarily [[wikipedia:P-Funk_mythology|P-Funk Mythology]], as well as analog horror, vaporwave, and retrofuturism. &lt;br /&gt;
&lt;br /&gt;
In the lore of Fuzz, the protagonist represented by Convexity continually sends transmissions from ***** County, an unnamed oppressive regime that exhibits supernatural control over the region and clamps down any dissent. ***** County is a metaphor for the corporate consolidation of electronic dance music and the continued direction of risk aversion that prevents Fuzz from propagating. After receiving a decree from [[wikipedia:Dr._Funkenstein|Dr. Funkenstein]] to be their own label, Jae created Telefuzz to distribute Fuzz as widely as possible, rescue refugees from ***** County (now otherwise known as the [https://genius.com/Parliament-sir-nose-dvoidoffunk-pay-attention-b3m-lyrics#:~:text=Zone%20of%20Zero%20Funkativity Zone of Zero FUZZativity]), and start a revolution against THE MACHINE that represents the County government.&lt;br /&gt;
&lt;br /&gt;
After the debut of the Fizz genre, Fuzz adopted the values of [[Dark Fizz|Dark Fizz / Fizz Extremism]], especially its anti-establishment ideology. The finalized tenets of Fuzz after the debut of Telefuzz include [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], Endless Pursuit of [https://www.youtube.com/watch?v=ph6AaddC6bA THE ONE] ([https://genius.com/Parliament-funkentelechy-lyrics FUZZentelechy], analogous to [[The Thing]]), Mogging Slopbots ([https://genius.com/Parliament-placebo-syndrome-lyrics The Placebo Syndrome]), and Rejection of Corpsloplidation (The Zone of Zero FUZZativity).&lt;br /&gt;
&lt;br /&gt;
== Abridged discography ==&lt;br /&gt;
&#039;&#039;This list only shows the portion of Convexity&#039;s discography that is considered to be officially Fizz music.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== EPs ===&lt;br /&gt;
&lt;br /&gt;
* WHAT REMAINS (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Singles ===&lt;br /&gt;
&lt;br /&gt;
* FUZZSTEP (2023, SILKENWOOD)&lt;br /&gt;
* SWOG LAMP (with KERO) (2024, artbyFORM)&lt;br /&gt;
* THE ITEM (with KERO) (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Remixes ===&lt;br /&gt;
&lt;br /&gt;
* Anomalie - Velours (2022, Independent)&lt;br /&gt;
* The Gap Band - I Like It (2026, Independent)&lt;br /&gt;
* Ace Aura &amp;amp; Nytrix - Shattered Gem (with euphee) (2026, Never Say Die Records)&lt;br /&gt;
&lt;br /&gt;
[[Category: Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Convexity&amp;diff=1758</id>
		<title>Convexity</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Convexity&amp;diff=1758"/>
		<updated>2026-08-24T16:42:39Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Origin|custom_label3=Occupations|custom_label4=Instruments|custom_label5=Genre|custom_label6=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28) &amp;lt;br&amp;gt; [[wikipedia:Rocky_Mount,_North_Carolina|Rocky Mount, North Carolina]], US|datapoint2=[[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]], US|datapoint3=Composer • songwriter • producer • multi-instrumentalist|datapoint4=Piano • alto saxophone • baritone saxophone • clarinet|datapoint5=[[Fizz]]|datapoint6=[[Telefuzz]] • Never Say Die Records • Monstercat • Disciple • Circus Records • Rushdown • artbyFORM • SILKENWOOD • Neoluminum • The Half Heart Project • Maverick&#039;s Playlist|image_caption=Convexity in 2023|name=Convexity|image=[[File:Convexity.jpg|thumb|Convexity in 2023]]|custom_label7=Years active|datapoint7=2012–present}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jared &amp;quot;Jae&amp;quot; Lee Tompkins&#039;&#039;&#039; (born July 17, 1998), known professionally as &#039;&#039;&#039;Convexity&#039;&#039;&#039;, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retro-futuristic music style, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene. Raised in [[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]], they gained initial recognition following the release of &#039;&#039;Timequake EP&#039;&#039; (2021) on British producer [[wikipedia:Chime_(musician)|Chime]]&#039;s record label Rushdown. After several stints of label management and ownership, Tompkins founded and currently manages the [[Fizz]] record label [[Telefuzz]].&lt;br /&gt;
&lt;br /&gt;
== Early life ==&lt;br /&gt;
Tompkins was born on July 17, 1998 in [[wikipedia:Rocky_Mount,_North_Carolina|Rocky Mount, North Carolina]], moving to [[wikipedia:Myrtle_Beach,_South_Carolina|Myrtle Beach, South Carolina]] only a year afterward.&lt;br /&gt;
&lt;br /&gt;
Tompkins&#039;s grandmother introduced them to piano when they were 5 years old, putting color-coded stickers on the family heirloom piano and writing sheet music where notes were color-coded to the stickers. Their father bought them Magix Music Maker from Circuit City when they were 7 years old, which was their first exposure to a digital audio workstation, and began arranging loops and playing with MIDI and sequencers at this age. During middle school, Tompkins developed an interest in tracker software such as MadTracker and Renoise, inspired by artists such as Binärpilot.&lt;br /&gt;
&lt;br /&gt;
While attending Scholars Academy for high school education, Tompkins participated as a baritone saxophone player in the Socastee High School Marching Braves.&lt;br /&gt;
&lt;br /&gt;
Tompkins participated in the Clemson University Tiger Band for one year as an alto saxophone player. They received a Bachelor of Science in Computer Science and a Bachelor of Arts in Performing Arts (Audio Technology Concentration) from Clemson University in May 2020. They were honored with the Outstanding Student In Performing Arts (Audio Technology) Award for the 2019-2020 school year, and were employed as the department intern before graduating.&lt;br /&gt;
&lt;br /&gt;
Tompkins uses any pronouns, primarily &#039;&#039;they/them&#039;&#039;, and are loosely a part of the Furry community.&lt;br /&gt;
&lt;br /&gt;
== Career ==&lt;br /&gt;
Tompkins was introduced to Noisestorm in 2011 from a Minecraft Machinima video, and was promptly introduced to Monstercat soon after and developed a fascination with dubstep and other bass music. Tompkins started producing dubstep using Renoise under the alias &#039;&#039;&#039;c0nvexity&#039;&#039;&#039; in March 2012.&lt;br /&gt;
&lt;br /&gt;
After years of failing to reach an audience, in late 2016, Tompkins felt there was a gap between the biggest record labels and the smaller passionate communities beginning to pop up on Discord, which was a new platform at the time. As a result, Tompkins founded the netlabel Xpanse Records in October 2016 in order to help give a platform to the underground bass music scene. Xpanse Records kickstarted the careers of artists such as gyrofield, Euan Ellis, Cloudcage, Feathervane, and more before it ceased operations at the end of 2019.&lt;br /&gt;
&lt;br /&gt;
During the peak of Xpanse&#039;s success, Tompkins released their first successful song “Cosmic Kittens” in March 2018, which was promoted by YouTuber CaptainSparklez and covered by streamer The8BitDrummer. Around this time, Tompkins rebranded their project to &#039;&#039;&#039;Convexity&#039;&#039;&#039; and started taking music more seriously.&lt;br /&gt;
&lt;br /&gt;
Tompkins self-released their debut album &#039;&#039;Complications&#039;&#039; in June 2020 as their senior capstone project for Clemson University. Later that year, Tompkins was discovered by British producer Chime, the pioneer of the Color Bass movement, who signed them to her record label Rushdown. Tompkins debuted on Rushdown in April 2021 with their single &amp;quot;Entanglement&amp;quot;. Months later, Tompkins released &#039;&#039;Timequake EP&#039;&#039; via Rushdown, which began earning them support and recognition across the underground bass music scene. Tompkins became A&amp;amp;R for Rushdown at the start of 2022 until it ceased operations in mid-2023.&lt;br /&gt;
&lt;br /&gt;
Tompkins went on to release on various different labels and participate in various community events over the years. Most notably, Tompkins debuted alongside Chime on Canadian electronic music record label Monstercat in January 2024 with the single &amp;quot;Liminal&amp;quot;. Later that year, Tompkins went on to release &#039;&#039;Transmissions EP&#039;&#039; on American label Disciple. Tompkins went on to debut on British label Never Say Die Records in 2026 alongside Iraqi-Canadian producer euphee with a mashup remix of American producer Ace Aura&#039;s singles &amp;quot;Shattered&amp;quot; and &amp;quot;Gem World&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Tompkins became an integral part of the Fizz movement at its debut, and in April 2026, founded the Fizz record label [[Telefuzz]], which they currently own and operate.&lt;br /&gt;
&lt;br /&gt;
== Musical style and influences ==&lt;br /&gt;
Tompkins&#039;s current sound is a forward-thinking blend of jazz, funk, vaporwave, and bass music, inspired by the styles of jazztronica artists such as Haywyre and Anomalie, as well as funk legends such as George Clinton and Bootsy Collins. Tompkins&#039;s current style of dubstep is inspired by Eptic, Teminite, Veksyu, JoeB, OCTANE, and many others.&lt;br /&gt;
&lt;br /&gt;
In 2021 with the release of &amp;quot;Lattice&amp;quot; from &#039;&#039;Timequake EP&#039;&#039;, Tompkins inadvertently created a meme within the underground bass music community about using unconventional snares and percussion, especially when Chime exclaimed &amp;quot;What even is that snare?&amp;quot; during a performance that used the song.&lt;br /&gt;
&lt;br /&gt;
Tompkins is proudly autodidactic, having self-taught piano, music theory, and jazz theory, feverishly studying and advocating for alternate theories, such as George Russell’s Lydian Chromatic Concept of Tonal Organization, and Wayne Shorter&#039;s and Jacob Collier&#039;s ideas on nonfunctional harmony.&lt;br /&gt;
&lt;br /&gt;
== Fuzz ==&lt;br /&gt;
&#039;&#039;&#039;Fuzz&#039;&#039;&#039; (stylized &#039;&#039;&#039;FUZZ&#039;&#039;&#039;, short for &#039;&#039;&#039;[https://genius.com/Bootsys-rubber-band-bootsy-get-live-lyrics#:~:text=Super%20Hip%2DNotic%2C%20Trans%2DA%2DPhonic Super Hip-Notic Trans-A-Phonic] [https://genius.com/Parliament-supergroovalisticprosifunkstication-lyrics GroovalisticprosiFUZZtication]&#039;&#039;&#039;) is an audiovisual aesthetic and alternate universe created by Convexity that the [[Telefuzz]] label and community follows. Fuzz first made an appearance in Convexity&#039;s 2023 proto-fizz song [https://soundcloud.com/convexity/fuzzstep FUZZSTEP]. The aesthetic of Fuzz is derived from several points of inspiration, primarily [[wikipedia:P-Funk_mythology|P-Funk Mythology]], as well as analog horror, vaporwave, and retrofuturism. &lt;br /&gt;
&lt;br /&gt;
In the lore of Fuzz, the protagonist represented by Convexity continually sends transmissions from ***** County, an unnamed oppressive regime that exhibits supernatural control over the region and clamps down any dissent. ***** County is a metaphor for the corporate consolidation of electronic dance music and the continued direction of risk aversion that prevents Fuzz from propagating. After receiving a decree from [[wikipedia:Dr._Funkenstein|Dr. Funkenstein]] to be their own label, Jae created Telefuzz to distribute Fuzz as widely as possible, rescue refugees from ***** County (now otherwise known as the [https://genius.com/Parliament-sir-nose-dvoidoffunk-pay-attention-b3m-lyrics#:~:text=Zone%20of%20Zero%20Funkativity Zone of Zero FUZZativity]), and start a revolution against THE MACHINE that represents the County government.&lt;br /&gt;
&lt;br /&gt;
After the debut of the Fizz genre, Fuzz adopted the values of [[Dark Fizz|Dark Fizz / Fizz Extremism]], especially its anti-establishment ideology. The finalized tenets of Fuzz after the debut of Telefuzz include [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], Endless Pursuit of [https://www.youtube.com/watch?v=ph6AaddC6bA THE ONE] ([https://genius.com/Parliament-funkentelechy-lyrics FUZZentelechy], analogous to [[The Thing]]), Mogging Slopbots ([https://genius.com/Parliament-placebo-syndrome-lyrics The Placebo Syndrome]), and Rejection of Corpsloplidation (The Zone of Zero FUZZativity).&lt;br /&gt;
&lt;br /&gt;
== Abridged discography ==&lt;br /&gt;
&#039;&#039;This list only shows the portion of Convexity&#039;s discography that is considered to be officially Fizz music.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== EPs ===&lt;br /&gt;
&lt;br /&gt;
* WHAT REMAINS (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Singles ===&lt;br /&gt;
&lt;br /&gt;
* FUZZSTEP (2023, SILKENWOOD)&lt;br /&gt;
* SWOG LAMP (with KERO) (2024, artbyFORM)&lt;br /&gt;
* THE ITEM (with KERO) (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Remixes ===&lt;br /&gt;
&lt;br /&gt;
* Anomalie - Velours (2022, Independent)&lt;br /&gt;
* The Gap Band - I Like It (2026, Independent)&lt;br /&gt;
* Ace Aura &amp;amp; Nytrix - Shattered Gem (with euphee) (2026, Never Say Die Records)&lt;br /&gt;
&lt;br /&gt;
[[Category: Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Convexity&amp;diff=1757</id>
		<title>Convexity</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Convexity&amp;diff=1757"/>
		<updated>2026-08-24T16:30:47Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Origin|custom_label3=Occupations|custom_label4=Instruments|custom_label5=Genre|custom_label6=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28) &amp;lt;br&amp;gt; Rocky Mount, North Carolina, US|datapoint2=Myrtle Beach, South Carolina, US|datapoint3=Composer • songwriter • producer • multi-instrumentalist|datapoint4=Piano • alto saxophone • baritone saxophone • clarinet|datapoint5=[[Fizz]]|datapoint6=[[Telefuzz]] • Never Say Die Records • Monstercat • Disciple • Circus Records • Rushdown • artbyFORM • SILKENWOOD • Neoluminum • The Half Heart Project • Maverick&#039;s Playlist|image_caption=Convexity in 2023|name=Convexity|image=[[File:Convexity.jpg|thumb|Convexity in 2023]]|custom_label7=Years active|datapoint7=2012–present}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jared &amp;quot;Jae&amp;quot; Lee Tompkins&#039;&#039;&#039; (born July 17, 1998), known professionally as &#039;&#039;&#039;Convexity&#039;&#039;&#039;, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retrofuturistic music style, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene. Raised in Myrtle Beach, South Carolina, they gained initial recognition following the release of &#039;&#039;Timequake EP&#039;&#039; (2021) on British producer Chime&#039;s record label Rushdown. After several stints of label management and ownership, Tompkins founded and currently manages the [[Fizz]] record label [[Telefuzz]].&lt;br /&gt;
&lt;br /&gt;
== Early life ==&lt;br /&gt;
Tompkins was born on July 17, 1998 in Rocky Mount, North Carolina, moving to Myrtle Beach, South Carolina only a year afterward.&lt;br /&gt;
&lt;br /&gt;
Tompkins&#039;s grandmother introduced them to piano when they were 5 years old, putting color-coded stickers on the family heirloom piano and writing sheet music where notes were color-coded to the stickers. Their father bought them Magix Music Maker from Circuit City when they were 7 years old, which was their first exposure to a digital audio workstation, and began arranging loops and playing with MIDI and sequencers at this age. During middle school, Tompkins developed an interest in tracker software such as MadTracker and Renoise, inspired by artists such as Binärpilot.&lt;br /&gt;
&lt;br /&gt;
While attending Scholars Academy for high school education, Tompkins participated as a baritone saxophone player in the Socastee High School Marching Braves.&lt;br /&gt;
&lt;br /&gt;
Tompkins participated in the Clemson University Tiger Band for one year as an alto saxophone player. They received a Bachelor of Science in Computer Science and a Bachelor of Arts in Performing Arts (Audio Technology Concentration) from Clemson University in May 2020. They were honored with the Outstanding Student In Performing Arts (Audio Technology) Award for the 2019-2020 school year, and were employed as the department intern before graduating.&lt;br /&gt;
&lt;br /&gt;
Tompkins uses any pronouns, primarily &#039;&#039;they/them&#039;&#039;, and are loosely a part of the Furry community.&lt;br /&gt;
&lt;br /&gt;
== Career ==&lt;br /&gt;
Tompkins was introduced to Noisestorm in 2011 from a Minecraft Machinima video, and was promptly introduced to Monstercat soon after and developed a fascination with dubstep and other bass music. Tompkins started producing dubstep using Renoise under the alias &#039;&#039;&#039;c0nvexity&#039;&#039;&#039; in March 2012.&lt;br /&gt;
&lt;br /&gt;
After years of failing to reach an audience, in late 2016, Tompkins felt there was a gap between the biggest record labels and the smaller passionate communities beginning to pop up on Discord, which was a new platform at the time. As a result, Tompkins founded the netlabel Xpanse Records in October 2016 in order to help give a platform to the underground bass music scene. Xpanse Records kickstarted the careers of artists such as gyrofield, Euan Ellis, Cloudcage, Feathervane, and more before it ceased operations at the end of 2019.&lt;br /&gt;
&lt;br /&gt;
During the peak of Xpanse&#039;s success, Tompkins released their first successful song “Cosmic Kittens” in March 2018, which was promoted by YouTuber CaptainSparklez and covered by streamer The8BitDrummer. Around this time, Tompkins rebranded their project to &#039;&#039;&#039;Convexity&#039;&#039;&#039; and started taking music more seriously.&lt;br /&gt;
&lt;br /&gt;
At the time of Xpanse&#039;s closure, Tompkins began co-owning Novatone, reshaping it into a neurodivergent &amp;amp; LGBTQ+ friendly music production space which created genre-focused compilations and donated all royalties to Save The Music Foundation. Tompkins stepped down from Novatone in September 2023. Several years after Tompkins had left, Novatone suddenly shut down and took down its discography.&lt;br /&gt;
&lt;br /&gt;
Tompkins self-released their debut album &#039;&#039;Complications&#039;&#039; in June 2020 as their senior capstone project for Clemson University. Later that year, Tompkins was discovered by British producer Chime, the pioneer of the Color Bass movement, who signed them to her record label Rushdown. Tompkins debuted on Rushdown in April 2021 with their single &amp;quot;Entanglement&amp;quot;. Months later, Tompkins released &#039;&#039;Timequake EP&#039;&#039; via Rushdown, which began earning them support and recognition across the underground bass music scene. Tompkins became A&amp;amp;R for Rushdown at the start of 2022 until it ceased operations in mid-2023.&lt;br /&gt;
&lt;br /&gt;
Tompkins went on to release on various different labels and participate in various community events over the years. Most notably, Tompkins debuted alongside Chime on Canadian electronic music record label Monstercat in January 2024 with the single &amp;quot;Liminal&amp;quot;. Later that year, Tompkins went on to release &#039;&#039;Transmissions EP&#039;&#039; on American label Disciple. Tompkins went on to debut on British label Never Say Die Records in 2026 alongside Iraqi-Canadian producer euphee with a mashup remix of American producer Ace Aura&#039;s singles &amp;quot;Shattered&amp;quot; and &amp;quot;Gem World&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Tompkins became an integral part of the Fizz movement at its debut, and in April 2026, founded the Fizz record label [[Telefuzz]], which they currently own and operate.&lt;br /&gt;
&lt;br /&gt;
== Musical style and influences ==&lt;br /&gt;
Tompkins&#039;s current sound is a forward-thinking blend of jazz, funk, vaporwave, and bass music, inspired by the styles of jazztronica artists such as Haywyre and Anomalie, as well as funk legends such as George Clinton and Bootsy Collins. Tompkins&#039;s current style of dubstep is inspired by Eptic, Teminite, Veksyu, JoeB, OCTANE, and many others.&lt;br /&gt;
&lt;br /&gt;
In 2021 with the release of &amp;quot;Lattice&amp;quot; from &#039;&#039;Timequake EP&#039;&#039;, Tompkins inadvertently created a meme within the underground bass music community about using unconventional snares and percussion, especially when Chime exclaimed &amp;quot;What even is that snare?&amp;quot; during a performance that used the song.&lt;br /&gt;
&lt;br /&gt;
Tompkins is proudly autodidactic, having self-taught piano, music theory, and jazz theory, feverishly studying and advocating for alternate theories, such as George Russell’s Lydian Chromatic Concept of Tonal Organization, and Wayne Shorter&#039;s and Jacob Collier&#039;s ideas on nonfunctional harmony.&lt;br /&gt;
&lt;br /&gt;
== Fuzz ==&lt;br /&gt;
&#039;&#039;&#039;Fuzz&#039;&#039;&#039; (stylized &#039;&#039;&#039;FUZZ&#039;&#039;&#039;, short for &#039;&#039;&#039;[https://genius.com/Bootsys-rubber-band-bootsy-get-live-lyrics#:~:text=Super%20Hip%2DNotic%2C%20Trans%2DA%2DPhonic Super Hip-Notic Trans-A-Phonic] [https://genius.com/Parliament-supergroovalisticprosifunkstication-lyrics GroovalisticprosiFUZZtication]&#039;&#039;&#039;) is an audiovisual aesthetic and alternate universe created by Convexity that the [[Telefuzz]] label and community follows. Fuzz first made an appearance in Convexity&#039;s 2023 proto-fizz song [https://soundcloud.com/convexity/fuzzstep FUZZSTEP]. The aesthetic of Fuzz is derived from several points of inspiration, primarily [[wikipedia:P-Funk_mythology|P-Funk Mythology]], as well as analog horror, vaporwave, and retrofuturism. &lt;br /&gt;
&lt;br /&gt;
In the lore of Fuzz, the protagonist represented by Convexity continually sends transmissions from ***** County, an unnamed oppressive regime that exhibits supernatural control over the region and clamps down any dissent. ***** County is a metaphor for the corporate consolidation of electronic dance music and the continued direction of risk aversion that prevents Fuzz from propagating. After receiving a decree from [[wikipedia:Dr._Funkenstein|Dr. Funkenstein]] to be their own label, Jae created Telefuzz to distribute Fuzz as widely as possible, rescue refugees from ***** County (now otherwise known as the [https://genius.com/Parliament-sir-nose-dvoidoffunk-pay-attention-b3m-lyrics#:~:text=Zone%20of%20Zero%20Funkativity Zone of Zero FUZZativity]), and start a revolution against THE MACHINE that represents the County government.&lt;br /&gt;
&lt;br /&gt;
After the debut of the Fizz genre, Fuzz adopted the values of [[Dark Fizz|Dark Fizz / Fizz Extremism]], especially its anti-establishment ideology. The finalized tenets of Fuzz after the debut of Telefuzz include [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], Endless Pursuit of [https://www.youtube.com/watch?v=ph6AaddC6bA THE ONE] ([https://genius.com/Parliament-funkentelechy-lyrics FUZZentelechy], analogous to [[The Thing]]), Mogging Slopbots ([https://genius.com/Parliament-placebo-syndrome-lyrics The Placebo Syndrome]), and Rejection of Corpsloplidation (The Zone of Zero FUZZativity).&lt;br /&gt;
&lt;br /&gt;
== Abridged discography ==&lt;br /&gt;
&#039;&#039;This list only shows the portion of Convexity&#039;s discography that is considered to be officially Fizz music.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== EPs ===&lt;br /&gt;
&lt;br /&gt;
* WHAT REMAINS (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Singles ===&lt;br /&gt;
&lt;br /&gt;
* FUZZSTEP (2023, SILKENWOOD)&lt;br /&gt;
* SWOG LAMP (with KERO) (2024, artbyFORM)&lt;br /&gt;
* THE ITEM (with KERO) (2026, [[Telefuzz]])&lt;br /&gt;
&lt;br /&gt;
=== Remixes ===&lt;br /&gt;
&lt;br /&gt;
* Anomalie - Velours (2022, Independent)&lt;br /&gt;
* The Gap Band - I Like It (2026, Independent)&lt;br /&gt;
* Ace Aura &amp;amp; Nytrix - Shattered Gem (with euphee) (2026, Never Say Die Records)&lt;br /&gt;
&lt;br /&gt;
[[Category: Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Convexity&amp;diff=1756</id>
		<title>Convexity</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Convexity&amp;diff=1756"/>
		<updated>2026-08-24T16:21:40Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Occupations|custom_label3=Instruments|custom_label4=Genre|custom_label5=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28) &amp;lt;br&amp;gt; Rocky Mount, North Carolina, US|datapoint2=Composer • songwriter • producer • multi-instrumentalist|datapoint3=Piano • alto saxophone • baritone saxophone • clarinet|datapoint4=[[Fizz]]|datapoint5=[[Telefuzz]] • Never Say Die Records • Monstercat • Disciple • Circus Records • Rushdown • artbyFORM • SILKENWOOD • Neoluminum • The Half Heart Project • Maverick&#039;s Playlist|image_caption=Convexity in 2023|name=Convexity|image=[[File:Convexity.jpg|thumb|Convexity in 2023]]|custom_label6=Years active|datapoint6=2012–present}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jared &amp;quot;Jae&amp;quot; Lee Tompkins&#039;&#039;&#039; (born July 17, 1998), known professionally as &#039;&#039;&#039;Convexity&#039;&#039;&#039;, is an American composer, songwriter, producer, and multi-instrumentalist active in electronic dance music since 2012. Known for their retrofuturistic music style, they are considered an influential figure in the Fizz movement and the broader underground dubstep scene. Raised in Myrtle Beach, South Carolina, they gained initial recognition following the release of Timequake EP (2021) on Chime&#039;s record label Rushdown. After several stints of label management and ownership, Tompkins founded and currently manages the [[Fizz]] record label [[Telefuzz]].&lt;br /&gt;
&lt;br /&gt;
== Early life ==&lt;br /&gt;
Tompkins was born on July 17, 1998 in Rocky Mount, North Carolina, moving to Myrtle Beach, South Carolina only a year afterward.&lt;br /&gt;
&lt;br /&gt;
Tompkins&#039;s grandmother introduced them to piano when they were 5 years old, putting color-coded stickers on the family heirloom piano and writing sheet music where notes were color-coded to the stickers. Their father bought them Magix Music Maker from Circuit City when they were 7 years old, which was their first exposure to a digital audio workstation, and began arranging loops and playing with MIDI and sequencers at this age. During middle school, Tompkins developed an interest in tracker software such as MadTracker and Renoise, inspired by artists such as Binärpilot.&lt;br /&gt;
&lt;br /&gt;
While attending Scholars Academy for high school education, Tompkins participated as a baritone saxophone player in the Socastee High School Marching Braves.&lt;br /&gt;
&lt;br /&gt;
Tompkins participated in the Clemson University Tiger Band for one year as an alto saxophone player. They received a Bachelor of Science in Computer Science and a Bachelor of Arts in Performing Arts (Audio Technology Concentration) from Clemson University in May 2020. They were honored with the Outstanding Student In Performing Arts (Audio Technology) Award for the 2019-2020 school year, and were employed as the department intern before graduating.&lt;br /&gt;
&lt;br /&gt;
Tompkins uses any pronouns, primarily &#039;&#039;they/them&#039;&#039;, and are loosely a part of the Furry community.&lt;br /&gt;
&lt;br /&gt;
== Career ==&lt;br /&gt;
Tompkins was introduced to Noisestorm in 2011 from a Minecraft Machinima video, and was promptly introduced to Monstercat soon after and developed a fascination with dubstep and other bass music. Tompkins started producing dubstep using Renoise under the alias &#039;&#039;&#039;c0nvexity&#039;&#039;&#039; in March 2012.&lt;br /&gt;
&lt;br /&gt;
After years of failing to reach an audience, in late 2016, Tompkins felt there was a gap between the biggest record labels and the smaller passionate communities beginning to pop up on Discord, which was a new platform at the time. As a result, Tompkins founded the netlabel Xpanse Records in October 2016 in order to help give a platform to the underground bass music scene. Xpanse Records kickstarted the careers of artists such as gyrofield, Euan Ellis, Cloudcage, Feathervane, and more before it ceased operations at the end of 2019.&lt;br /&gt;
&lt;br /&gt;
During the peak of Xpanse&#039;s success, Tompkins released their first successful song “Cosmic Kittens” in March 2018, which was promoted by YouTuber CaptainSparklez and covered by streamer The8BitDrummer. Around this time, Tompkins rebranded their project to &#039;&#039;&#039;Convexity&#039;&#039;&#039; and started taking music more seriously.&lt;br /&gt;
&lt;br /&gt;
At the time of Xpanse&#039;s closure, Tompkins began co-owning Novatone, reshaping it into a neurodivergent &amp;amp; LGBTQ+ friendly music production space which created genre-focused compilations and donated all royalties to Save The Music Foundation. Tompkins stepped down from Novatone in September 2023. Several years after Tompkins had left, Novatone suddenly shut down and took down its discography.&lt;br /&gt;
&lt;br /&gt;
Tompkins self-released their debut album &#039;&#039;Complications&#039;&#039; in June 2020 as their senior capstone project for Clemson University. Later that year, Tompkins was discovered by British producer Chime, the pioneer of the Color Bass movement, who signed them to her record label Rushdown. Tompkins debuted on Rushdown in April 2021 with their single &amp;quot;Entanglement&amp;quot;. Months later, Tompkins released &#039;&#039;Timequake EP&#039;&#039; via Rushdown, which began earning them support and recognition across the underground bass music scene. Tompkins became A&amp;amp;R for Rushdown at the start of 2022 until it ceased operations in mid-2023.&lt;br /&gt;
&lt;br /&gt;
Tompkins went on to release on various different labels and participate in various community events over the years. Most notably, Tompkins debuted alongside Chime on Canadian electronic music record label Monstercat in January 2024 with the single &amp;quot;Liminal&amp;quot;. Later that year, Tompkins went on to release &#039;&#039;Transmissions EP&#039;&#039; on American label Disciple. Tompkins went on to debut on British label Never Say Die Records in 2026 alongside Iraqi-Canadian producer euphee with a mashup remix of American producer Ace Aura&#039;s singles &amp;quot;Shattered&amp;quot; and &amp;quot;Gem World&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Tompkins became an integral part of the [[Fizz movement]] at its debut, and in April 2026, founded the Fizz record label [[Telefuzz]], which they currently own and operate.&lt;br /&gt;
&lt;br /&gt;
== Musical style and influences ==&lt;br /&gt;
Tompkins&#039;s current sound is a forward-thinking blend of jazz, funk, vaporwave, and bass music, inspired by the styles of jazztronica artists such as Haywyre and Anomalie, as well as funk legends such as George Clinton and Bootsy Collins. Tompkins&#039;s current style of dubstep is inspired by Eptic, Teminite, Veksyu, JoeB, OCTANE, and many others.&lt;br /&gt;
&lt;br /&gt;
In 2021 with the release of &amp;quot;Lattice&amp;quot; from &#039;&#039;Timequake EP&#039;&#039;, Tompkins inadvertently created a meme within the underground bass music community about using unconventional snares and percussion, especially when Chime exclaimed &amp;quot;What even is that snare?&amp;quot; during a performance that used the song.&lt;br /&gt;
&lt;br /&gt;
Tompkins is proudly autodidactic, having self-taught piano, music theory, and jazz theory, feverishly studying and advocating for alternate theories, such as George Russell’s Lydian Chromatic Concept of Tonal Organization, and Wayne Shorter&#039;s and Jacob Collier&#039;s ideas on nonfunctional harmony.&lt;br /&gt;
&lt;br /&gt;
== Fuzz ==&lt;br /&gt;
&#039;&#039;&#039;Fuzz&#039;&#039;&#039; (stylized &#039;&#039;&#039;FUZZ&#039;&#039;&#039;, short for &#039;&#039;&#039;[https://genius.com/Bootsys-rubber-band-bootsy-get-live-lyrics#:~:text=Super%20Hip%2DNotic%2C%20Trans%2DA%2DPhonic Super Hip-Notic Trans-A-Phonic] [https://genius.com/Parliament-supergroovalisticprosifunkstication-lyrics GroovalisticprosiFUZZtication]&#039;&#039;&#039;) is an audiovisual aesthetic and alternate universe created by Convexity that the [[Telefuzz]] label and community follows. Fuzz first made an appearance in Convexity&#039;s 2023 proto-fizz song [https://soundcloud.com/convexity/fuzzstep FUZZSTEP]. The aesthetic of Fuzz is derived from several points of inspiration, primarily [[wikipedia:P-Funk_mythology|P-Funk Mythology]], as well as analog horror, vaporwave, and retrofuturism. &lt;br /&gt;
&lt;br /&gt;
In the lore of Fuzz, the protagonist represented by Convexity continually sends transmissions from ***** County, an unnamed oppressive regime that exhibits supernatural control over the region and clamps down any dissent. ***** County is a metaphor for the corporate consolidation of electronic dance music and the continued direction of risk aversion that prevents Fuzz from propagating. After receiving a decree from [[wikipedia:Dr._Funkenstein|Dr. Funkenstein]] to be their own label, Jae created Telefuzz to distribute Fuzz as widely as possible, rescue refugees from ***** County (now otherwise known as the [https://genius.com/Parliament-sir-nose-dvoidoffunk-pay-attention-b3m-lyrics#:~:text=Zone%20of%20Zero%20Funkativity Zone of Zero FUZZativity]), and start a revolution against THE MACHINE that represents the County government.&lt;br /&gt;
&lt;br /&gt;
After the debut of the Fizz genre, Fuzz adopted the values of [[Dark Fizz|Dark Fizz / Fizz Extremism]], especially its anti-establishment ideology. The finalized tenets of Fuzz after the debut of Telefuzz include [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], Endless Pursuit of [https://www.youtube.com/watch?v=ph6AaddC6bA THE ONE] ([https://genius.com/Parliament-funkentelechy-lyrics FUZZentelechy], analogous to [[The Thing]]), Mogging Slopbots ([https://genius.com/Parliament-placebo-syndrome-lyrics The Placebo Syndrome]), and Rejection of Corpsloplidation (The Zone of Zero FUZZativity).&lt;br /&gt;
&lt;br /&gt;
== Abridged discography ==&lt;br /&gt;
&#039;&#039;This list only shows the portion of Convexity&#039;s discography that is considered to be officially Fizz music.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Category: Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=File:Convexity.jpg&amp;diff=1755</id>
		<title>File:Convexity.jpg</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=File:Convexity.jpg&amp;diff=1755"/>
		<updated>2026-08-24T15:00:15Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Convexity in 2023&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Convexity&amp;diff=1754</id>
		<title>Convexity</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Convexity&amp;diff=1754"/>
		<updated>2026-08-24T14:52:43Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Occupations|custom_label3=Instruments|custom_label4=Genre|custom_label5=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28) &amp;lt;br&amp;gt; Rocky Mount, North Carolina, US|datapoint2=Composer • Producer • Multi-instrumentalist|datapoint3=Piano • Alto Saxophone • Baritone Saxophone • Clarinet|datapoint4=[[Fizz]]|datapoint5=[[Telefuzz]] • Never Say Die • Monstercat • Disciple • Circus Records • Rushdown • artbyFORM • SILKENWOOD • Neoluminum • The Half Heart Project • Maverick&#039;s Playlist|image_caption=Convexity in 2026|name=Convexity|image=https://i.scdn.co/image/ab6761610000e5eb9099305b0f5eca8d089fc1f2|custom_label6=Years active|datapoint6=2012–present}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jared &amp;quot;Jae&amp;quot; Lee Tompkins&#039;&#039;&#039; (born July 17, 1998), known professionally as &#039;&#039;&#039;Convexity&#039;&#039;&#039;, is an American composer, producer, and multi-instrumentalist active in electronic dance music since 2012.&lt;br /&gt;
&lt;br /&gt;
== Early Life and Education ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
== Influence ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
== Style and Approach ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
== Fuzz ==&lt;br /&gt;
&#039;&#039;&#039;Fuzz&#039;&#039;&#039; (stylized &#039;&#039;&#039;FUZZ&#039;&#039;&#039;, short for &#039;&#039;&#039;[https://genius.com/Bootsys-rubber-band-bootsy-get-live-lyrics#:~:text=Super%20Hip%2DNotic%2C%20Trans%2DA%2DPhonic Super Hip-Notic Trans-A-Phonic] [https://genius.com/Parliament-supergroovalisticprosifunkstication-lyrics GroovalisticprosiFUZZtication]&#039;&#039;&#039;) is an audiovisual aesthetic and alternate universe created by Convexity that the Telefuzz label and community follows. Fuzz first made an appearance in Convexity&#039;s 2023 proto-fizz song [https://soundcloud.com/convexity/fuzzstep FUZZSTEP]. The aesthetic of Fuzz is derived from several points of inspiration, primarily [[wikipedia:P-Funk_mythology|P-Funk Mythology]], as well as analog horror, vaporwave, and retrofuturism. &lt;br /&gt;
&lt;br /&gt;
In the lore of Fuzz, Jae, the protagonist represented by Convexity, continually sends transmissions from ***** County, an unnamed oppressive regime that exhibits supernatural control over the region and clamps down any dissent. ***** County is a metaphor for the corporate consolidation of electronic dance music and the continued direction of risk aversion that prevents Fuzz from propagating. After receiving a decree from [[wikipedia:Dr._Funkenstein|Dr. Funkenstein]] to be their own label, Jae created Telefuzz to distribute Fuzz as widely as possible, rescue refugees from ***** County (now otherwise known as the [https://genius.com/Parliament-sir-nose-dvoidoffunk-pay-attention-b3m-lyrics#:~:text=Zone%20of%20Zero%20Funkativity Zone of Zero FUZZativity]), and start a revolution against THE MACHINE that represents the County government.&lt;br /&gt;
&lt;br /&gt;
After the debut of the fizz genre, Fuzz adopted the values of [[Dark Fizz|Dark Fizz / Fizz Extremism]], especially its anti-establishment ideology. The finalized tenets of Fuzz after the debut of Telefuzz include [[Torus of Fizzosophy#Extreme Information Density|Extreme Information Density]], Endless Pursuit of [https://www.youtube.com/watch?v=ph6AaddC6bA THE ONE] ([https://genius.com/Parliament-funkentelechy-lyrics FUZZentelechy], analogous to [[The Thing]]), Mogging Slopbots ([https://genius.com/Parliament-placebo-syndrome-lyrics The Placebo Syndrome]), and Rejection of Corpsloplidation (The Zone of Zero FUZZativity).&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
[[Category: Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Convexity&amp;diff=1753</id>
		<title>Convexity</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Convexity&amp;diff=1753"/>
		<updated>2026-08-24T14:50:09Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Occupations|custom_label3=Instruments|custom_label4=Genre|custom_label5=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28)|datapoint2=Composer • Producer • Multi-instrumentalist|datapoint3=Piano • Alto Saxophone • Baritone Saxophone • Clarinet|datapoint4=[[Fizz]]|datapoint5=[[TELEFUZZ]] • Never Say Die • Monstercat • Disciple • Circus Records • Rushdown • artbyFORM • SILKENWOOD • Neoluminum • The Half Heart Project • Maverick&#039;s Playlist|image_caption=Convexity in 2026|name=Convexity|image=https://i.scdn.co/image/ab6761610000e5eb9099305b0f5eca8d089fc1f2|custom_label6=Years active|datapoint6=2012–present}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jared &amp;quot;Jae&amp;quot; Lee Tompkins&#039;&#039;&#039; (born July 17, 1998), known professionally as &#039;&#039;&#039;Convexity&#039;&#039;&#039;, is an American composer, producer, and multi-instrumentalist active in electronic dance music since 2012.&lt;br /&gt;
&lt;br /&gt;
== Early Life and Education ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
== Influence ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
== Style and Approach ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
[[Category: Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Convexity&amp;diff=1752</id>
		<title>Convexity</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Convexity&amp;diff=1752"/>
		<updated>2026-08-24T14:28:26Z</updated>

		<summary type="html">&lt;p&gt;Convexity: Created page with &amp;quot;{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Occupations|custom_label3=Instruments|custom_label4=Genre|custom_label5=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28)|datapoint2=Composer • Producer • Multi-instrumentalist|datapoint3=Piano • Alto Saxophone • Baritone Saxophone • Clarinet|datapoint4=Fizz|datapoint5=Never Say Die • Monstercat • Disciple • Circus Records • Rushdown • artbyFORM • SILKENWOOD...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox|custom_label0=Background|custom_label1=Born|custom_label2=Occupations|custom_label3=Instruments|custom_label4=Genre|custom_label5=Labels|datapoint1=Jared &amp;quot;Jae&amp;quot; Lee Tompkins &amp;lt;br&amp;gt; July 17, 1998 (age 28)|datapoint2=Composer • Producer • Multi-instrumentalist|datapoint3=Piano • Alto Saxophone • Baritone Saxophone • Clarinet|datapoint4=[[Fizz]]|datapoint5=Never Say Die • Monstercat • Disciple • Circus Records • Rushdown • artbyFORM • SILKENWOOD • Neoluminum • The Half Heart Project • Maverick&#039;s Playlist|image_caption=|name=Convexity|image=|custom_label6=Years active|datapoint6=2012–present}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jared &amp;quot;Jae&amp;quot; Lee Tompkins&#039;&#039;&#039; (born July 17, 1998), known professionally as &#039;&#039;&#039;Convexity&#039;&#039;&#039;, is an American composer, producer, and multi-instrumentalist active in electronic dance music since 2012.&lt;br /&gt;
&lt;br /&gt;
== Early Life and Education ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
== Influence ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
== Style and Approach ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
[[Category: Fizz Community]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=User:TBM&amp;diff=459</id>
		<title>User:TBM</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=User:TBM&amp;diff=459"/>
		<updated>2026-06-12T16:47:40Z</updated>

		<summary type="html">&lt;p&gt;Convexity: Reverted edit by Convexity (talk) to last revision by TBM&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:TBM profile picture.jpg|thumb|TBM’s profile picture. ]]&lt;br /&gt;
&#039;&#039;&#039;TBM&#039;&#039;&#039; (born on the 7th of October 2011), also known as “𝑓izzy 89-limit comma” in the Fizz Inc. discord server, and “65535/64881” in practically any other server, is a swiss-chinese pianist/keyboardist, trackmania player, and composer/musician.&lt;br /&gt;
&lt;br /&gt;
== Projects ==&lt;br /&gt;
I am currently working on the [https://youtube.com/playlist?list=PLnNMLBXl5LeBpjbKDwRuFzgXEw_1hhKAw fizz transcription series], where I transcribe tracks from the album “Fizz vol. 1”, voted each time by you guys, the community. The series currently has 1 episode, and another one is planned to release this summer.&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
!Episode number&lt;br /&gt;
!Track&lt;br /&gt;
!Release date&lt;br /&gt;
!Link&lt;br /&gt;
|-&lt;br /&gt;
|1&lt;br /&gt;
|5. weevil lore&lt;br /&gt;
|22.03.2026&lt;br /&gt;
|[https://www.youtube.com/watch?v=5f8YnGJh-SY weevil lore transcription]&lt;br /&gt;
|-&lt;br /&gt;
|2&lt;br /&gt;
|12. carousel horse&lt;br /&gt;
|Summer 2026&lt;br /&gt;
|(not out yet)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== TrackMania career ==&lt;br /&gt;
It all started with TrackMania Nations Forever. The game was completely free to play, and had pretty much everything. Map making, online servers, local multiplayer, et cetera… it is so much fun. Then I looked towards Trackmania 2020. It was more modern, had weekly maps (that were free) and free map making, but that was it. Everything else was behind a 20$/yr subscription. Luckily, there was a single week where everything in TM2020 was free to celebrate the 2nd edition of Red Bull Faster, and I got just what I needed that week — a fully lime green car skin!! Now I make kacky maps for Kacky Reloaded, and compete against [[User:Vubobinali|vubobinali]] in the amount of medals in TMNF. I am winning right now.&lt;br /&gt;
&lt;br /&gt;
== What do my names stand for? ==&lt;br /&gt;
TBM stands for “The Best Musician”. I have no idea why I named myself that, but that is my name now. And 65536/64881 is the 89-limit comma that I hand calculated when I was making custom microtonal HEJI symbols for harmonics above 53 : &amp;lt;math&amp;gt;\frac{65536}{64881}=\frac{2^{16}}{3^6\cdot89}&amp;lt;/math&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
MUSIC!!!!!!!!!! I love making music. It is one of my favorite things to do. Unless I don’t have any ideas for the music. My music is highly inspired by Tigran Hamasyan and Fizz Inc. I use MuseScore 4.7.2 to make my music, and I will try out some free DAWs after my exams.&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=User:TBM&amp;diff=458</id>
		<title>User:TBM</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=User:TBM&amp;diff=458"/>
		<updated>2026-06-12T13:37:29Z</updated>

		<summary type="html">&lt;p&gt;Convexity: Reverted edits by TBM (talk) to last revision by Convexity&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:TBM profile picture.jpg|thumb|TBM’s profile picture. ]]&lt;br /&gt;
&#039;&#039;&#039;TBM&#039;&#039;&#039; (born on the 7th of October 2011), also known as “𝑓izzy 89-limit comma” in the Fizz Inc. discord server, and “65535/64881” in practically any other server, is a swiss-chinese pianist/keyboardist, trackmania player, and composer/musician.&lt;br /&gt;
&lt;br /&gt;
== Projects ==&lt;br /&gt;
He is currently working on the [https://youtube.com/playlist?list=PLnNMLBXl5LeBpjbKDwRuFzgXEw_1hhKAw fizz transcription series], where he transcribes tracks from the album “Fizz vol. 1”, voted each time by the community. The series currently has 1 episode, and another one is planned to release this summer.&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
!Episode number&lt;br /&gt;
!Track&lt;br /&gt;
!Release date&lt;br /&gt;
|-&lt;br /&gt;
|1&lt;br /&gt;
|5. weevil lore&lt;br /&gt;
|22.03.2026&lt;br /&gt;
|-&lt;br /&gt;
|2&lt;br /&gt;
|12. carousel horse&lt;br /&gt;
|Summer 2026&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Fuzz&amp;diff=454</id>
		<title>Fuzz</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Fuzz&amp;diff=454"/>
		<updated>2026-06-11T19:55:24Z</updated>

		<summary type="html">&lt;p&gt;Convexity: Changed redirect target from Telefuzz to Telefuzz#Fuzz&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Telefuzz#Fuzz]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Fuzz&amp;diff=453</id>
		<title>Fuzz</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Fuzz&amp;diff=453"/>
		<updated>2026-06-11T19:54:17Z</updated>

		<summary type="html">&lt;p&gt;Convexity: Redirected page to Telefuzz&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Telefuzz]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=451</id>
		<title>Neo-Rimsky-Korsakovian Space</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=451"/>
		<updated>2026-06-11T17:01:14Z</updated>

		<summary type="html">&lt;p&gt;Convexity: added Neapolitan&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability.png|thumb|500x500px|&#039;&#039;&#039;A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability&#039;&#039;&#039;]]&lt;br /&gt;
&amp;lt;blockquote&amp;gt;Nikolai Rimsky-Korsakov considered four scales to be the &amp;quot;basis of harmony&amp;quot;: the natural minor and major, and the harmonic minor and major. &amp;lt;/blockquote&amp;gt;A &#039;&#039;&#039;Neo-Rimsky-Korsakovian space&#039;&#039;&#039; (abbreviated &#039;&#039;&#039;NeRK&#039;&#039;&#039;) is the basis of almost all heptatonic harmony within modality. Initially posited by Russian composer Nikolai Rimsky-Korsakov, since Fizzheads consider the natural minor scale to be the Aeolian major mode, the natural minor scale is thus replaced with the melodic minor scale. This replacement creates four distinct parent scale quadrants defined by the combinations of absence or presence of a ♭3 or a ♭6 in the parent scale.&lt;br /&gt;
&lt;br /&gt;
An individual NeRK yields 28 total scales that cover almost any possible heptatonic color in common practice. 12 different NeRKs exist within 12-tone equal temperament, one for each root note.&lt;br /&gt;
&lt;br /&gt;
== Notable exceptions ==&lt;br /&gt;
&lt;br /&gt;
=== Melodic minor ♯5 ===&lt;br /&gt;
In his book &#039;&#039;Modal Jazz Composition &amp;amp; Harmony, Vol. 1&#039;&#039;, Ron Miller presents a unique heptatonic scale, the melodic minor ♯5, that doesn&#039;t exist in any NeRK. Two of the most common modes of this scale are Mixolydian ♯9 and Palamidian ♮13. However, these colors can be derived from an octatonic scale, or &amp;quot;close enough&amp;quot; with one of the modes in a NeRK, such as Palamidian or Adonian respectively.&lt;br /&gt;
&lt;br /&gt;
=== Neapolitan ===&lt;br /&gt;
The [[wikipedia:Neapolitan_scale|Neapolitan major and minor scales]] are the melodic and harmonic minor scales respectively but with a ♭9. Two of the most common modes of Neapolitan major are Arcadian♭13 and major Locrian. Both are &amp;quot;close enough&amp;quot; to a whole-tone scale for these to be unnecessary.&lt;br /&gt;
&lt;br /&gt;
=== Non-heptatonic scales ===&lt;br /&gt;
Scales such as octatonic scales, bebop scales, whole-tone scales, etc. that contain more or less than seven notes fall out of the scope of a NeRK.&lt;br /&gt;
[[Category:Music Theory]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=443</id>
		<title>Neo-Rimsky-Korsakovian Space</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=443"/>
		<updated>2026-06-11T06:53:21Z</updated>

		<summary type="html">&lt;p&gt;Convexity: added NeRK abbreviation&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability.png|thumb|500x500px|&#039;&#039;&#039;A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability&#039;&#039;&#039;]]&lt;br /&gt;
&amp;lt;blockquote&amp;gt;Nikolai Rimsky-Korsakov considered four scales to be the &amp;quot;basis of harmony&amp;quot;: the natural minor and major, and the harmonic minor and major. &amp;lt;/blockquote&amp;gt;A &#039;&#039;&#039;Neo-Rimsky-Korsakovian space&#039;&#039;&#039; (abbreviated &#039;&#039;&#039;NeRK&#039;&#039;&#039;) is the basis of almost all heptatonic harmony within modality. Initially posited by Russian composer Nikolai Rimsky-Korsakov, since Fizzheads consider the natural minor scale to be the Aeolian major mode, the natural minor scale is thus replaced with the melodic minor scale. This replacement creates four distinct parent scale quadrants defined by the combinations of absence or presence of a ♭3 or a ♭6 in the parent scale.&lt;br /&gt;
&lt;br /&gt;
An individual NeRK yields 28 total scales that cover almost any possible heptatonic color in common practice. 12 different NeRKs exist within 12-tone equal temperament, one for each root note.&lt;br /&gt;
&lt;br /&gt;
== Notable exceptions ==&lt;br /&gt;
&lt;br /&gt;
=== Melodic minor ♯5 ===&lt;br /&gt;
In his book &#039;&#039;Modal Jazz Composition &amp;amp; Harmony, Vol. 1&#039;&#039;, Ron Miller presents a unique heptatonic scale, the melodic minor ♯5, that doesn&#039;t exist in any NeRK. Two of the most common modes in this scale are Mixolydian ♯9 and Palamidian ♮6. However, these colors can be derived from an octatonic scale, or &amp;quot;close enough&amp;quot; with one of the modes in a NeRK, such as Palamidian or Adonian respectively.&lt;br /&gt;
&lt;br /&gt;
=== Non-heptatonic scales ===&lt;br /&gt;
Scales such as octatonic scales, bebop scales, whole-tone scales, etc. that contain more or less than seven notes fall out of the scope of a NeRK.&lt;br /&gt;
[[Category:Music Theory]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Oreo_Theory&amp;diff=442</id>
		<title>Oreo Theory</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Oreo_Theory&amp;diff=442"/>
		<updated>2026-06-11T06:39:57Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Oreo Theory Chart v2.jpg|thumb|An oreo graph depicting two particularly dissonant notes and a possible combination of notes to resolve them.]]&lt;br /&gt;
[[File:Flavor examples.jpg|thumb|Examples of different flavors for the same two Oreo cookies]]&lt;br /&gt;
&#039;&#039;&#039;Oreo Theory&#039;&#039;&#039; is the idea that any two notes, regardless of the interval between them, may be compatible, and that what really matters are the notes that exist between them. Think of it like an Oreo cookie: you have the two dark-colored (unless you eat vanilla oreos.. ew) biscuits on the top and bottom, and you have the cream in the middle that holds them together. The &amp;quot;biscuits&amp;quot; in this sense are the top and bottom notes, and the &amp;quot;cream&amp;quot; are the notes that justify the two notes and solidify their harmonic profile. If you&#039;ve ever seen reharmonization exercises where the guy takes two notes and sets one to descend chromatically, harmonizing each note pair, you&#039;ll understand what we&#039;re talking about.&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&#039;&#039;&amp;quot;for example, bass note D, melody note G# how could we harmonize that? well the interval is a #11. what scales have a #11? lydian, which outlines a DM13#11. or perhaps even arcadian? D13#11&amp;quot;&#039;&#039; - Convexity, May 27th, 2026&amp;lt;/blockquote&amp;gt;[https://www.youtube.com/watch?v=-D2qCKrIs14 This video] by Convexity explains Oreo Theory in detail.&lt;br /&gt;
&lt;br /&gt;
== CREAM CHART ==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
!Interval between cookies&lt;br /&gt;
(scale degree)&lt;br /&gt;
!Interval between cookies&lt;br /&gt;
(interval notation)&lt;br /&gt;
!Possible Ionian Creams&lt;br /&gt;
!Possible [[Melodic Minor Modes (Alternate Names)|Athenian]] Creams&lt;br /&gt;
!Possible [[Harmonic Minor Modes (Alternate Names)|Appalachian]] Creams&lt;br /&gt;
!Possible [[Harmonic Major Modes (Alternate Names)|Laramidian]] Creams&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;1&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;P1&#039;&#039;&#039;&lt;br /&gt;
|Any&lt;br /&gt;
|Any&lt;br /&gt;
|Any&lt;br /&gt;
|Any&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;b9&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m2&#039;&#039;&#039;&lt;br /&gt;
|Phrygian&lt;br /&gt;
Locrian&lt;br /&gt;
|Cappadocian&lt;br /&gt;
Palamidian&lt;br /&gt;
|Herculean&lt;br /&gt;
Adonian&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Sangarian&lt;br /&gt;
Plummetian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;9&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M2&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
&lt;br /&gt;
Mixolydian&lt;br /&gt;
&lt;br /&gt;
Dorian&lt;br /&gt;
&lt;br /&gt;
Aeolian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
&lt;br /&gt;
Olympian&lt;br /&gt;
&lt;br /&gt;
Athenian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
|Thesian&lt;br /&gt;
Paralydian&lt;br /&gt;
&lt;br /&gt;
Appalachian&lt;br /&gt;
|Morossian&lt;br /&gt;
Laramidian&lt;br /&gt;
&lt;br /&gt;
Dolorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;b3 / #9&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m3&#039;&#039;&#039;&lt;br /&gt;
|Dorian&lt;br /&gt;
Aeolian&lt;br /&gt;
&lt;br /&gt;
Phrygian&lt;br /&gt;
&lt;br /&gt;
Locrian&lt;br /&gt;
|Athenian&lt;br /&gt;
Cappadocian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
&lt;br /&gt;
Palamidian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Paralydian&lt;br /&gt;
&lt;br /&gt;
Appalachian&lt;br /&gt;
&lt;br /&gt;
Adonian&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
&lt;br /&gt;
Dolorian&lt;br /&gt;
&lt;br /&gt;
Plummetian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;3&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M3&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
&lt;br /&gt;
Mixolydian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
&lt;br /&gt;
Olympian&lt;br /&gt;
&lt;br /&gt;
Palamidian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Thesian&lt;br /&gt;
&lt;br /&gt;
Herculean&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Laramidian&lt;br /&gt;
&lt;br /&gt;
Sangarian&lt;br /&gt;
&lt;br /&gt;
Plummetian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;11&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;P4&#039;&#039;&#039;&lt;br /&gt;
|Ionian&lt;br /&gt;
Mixolydian&lt;br /&gt;
&lt;br /&gt;
Dorian&lt;br /&gt;
&lt;br /&gt;
Aeolian&lt;br /&gt;
&lt;br /&gt;
Phrygian&lt;br /&gt;
&lt;br /&gt;
Locrian&lt;br /&gt;
|Olympian&lt;br /&gt;
Athenian&lt;br /&gt;
&lt;br /&gt;
Cappadocian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
|Thesian&lt;br /&gt;
Appalachian&lt;br /&gt;
&lt;br /&gt;
Herculean&lt;br /&gt;
&lt;br /&gt;
Adonian&lt;br /&gt;
|Laramidian&lt;br /&gt;
Sangarian&lt;br /&gt;
&lt;br /&gt;
Dolorian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;#11 / b5&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;TT&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Locrian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
&lt;br /&gt;
Palamidian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Paralydian&lt;br /&gt;
&lt;br /&gt;
Adonian&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
&lt;br /&gt;
Dolorian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;5&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;P5&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
&lt;br /&gt;
Mixolydian&lt;br /&gt;
&lt;br /&gt;
Dorian&lt;br /&gt;
&lt;br /&gt;
Aeolian&lt;br /&gt;
&lt;br /&gt;
Phrygian&lt;br /&gt;
|Arcadian&lt;br /&gt;
Olympian&lt;br /&gt;
&lt;br /&gt;
Athenian&lt;br /&gt;
&lt;br /&gt;
Cappadocian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Paralydian&lt;br /&gt;
&lt;br /&gt;
Appalachian&lt;br /&gt;
&lt;br /&gt;
Herculean&lt;br /&gt;
|Morossian&lt;br /&gt;
Laramidian&lt;br /&gt;
&lt;br /&gt;
Sangarian&lt;br /&gt;
&lt;br /&gt;
Plummetian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;#5 / b13&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m6&#039;&#039;&#039;&lt;br /&gt;
|Aeolian&lt;br /&gt;
Phrygian&lt;br /&gt;
&lt;br /&gt;
Locrian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Olympian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
&lt;br /&gt;
Palamidian&lt;br /&gt;
|Thesian&lt;br /&gt;
Appalachian&lt;br /&gt;
&lt;br /&gt;
Herculean&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Laramidian&lt;br /&gt;
&lt;br /&gt;
Plummetian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;13&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M6&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
&lt;br /&gt;
Mixolydian&lt;br /&gt;
&lt;br /&gt;
Dorian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
&lt;br /&gt;
Athenian&lt;br /&gt;
&lt;br /&gt;
Cappadocian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Thesian&lt;br /&gt;
&lt;br /&gt;
Paralydian&lt;br /&gt;
&lt;br /&gt;
Adonian&lt;br /&gt;
&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
&lt;br /&gt;
Sangarian&lt;br /&gt;
&lt;br /&gt;
Dolorian&lt;br /&gt;
&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;b7&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m7&#039;&#039;&#039;&lt;br /&gt;
|Mixolydian&lt;br /&gt;
Dorian&lt;br /&gt;
&lt;br /&gt;
Aeolian&lt;br /&gt;
&lt;br /&gt;
Phrygian&lt;br /&gt;
&lt;br /&gt;
Locrian&lt;br /&gt;
|Arcadian&lt;br /&gt;
Olympian&lt;br /&gt;
&lt;br /&gt;
Cappadocian&lt;br /&gt;
&lt;br /&gt;
Sisyphean&lt;br /&gt;
&lt;br /&gt;
Palamidian&lt;br /&gt;
|Paralydian&lt;br /&gt;
Herculean&lt;br /&gt;
&lt;br /&gt;
Adonian&lt;br /&gt;
|Sangarian&lt;br /&gt;
Dolorian&lt;br /&gt;
&lt;br /&gt;
Plummetian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;7&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M7&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Athenian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Thesian&lt;br /&gt;
&lt;br /&gt;
Appalachian&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
&lt;br /&gt;
Laramidian&lt;br /&gt;
|}&lt;br /&gt;
[[Category:Music Theory]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Oreo_Theory&amp;diff=441</id>
		<title>Oreo Theory</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Oreo_Theory&amp;diff=441"/>
		<updated>2026-06-11T06:36:52Z</updated>

		<summary type="html">&lt;p&gt;Convexity: added harmonic major creams, did some tidying&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Oreo Theory Chart v2.jpg|thumb|An oreo graph depicting two particularly dissonant notes and a possible combination of notes to resolve them.]]&lt;br /&gt;
[[File:Flavor examples.jpg|thumb|Examples of different flavors for the same two Oreo cookies]]&lt;br /&gt;
&#039;&#039;&#039;Oreo Theory&#039;&#039;&#039; is the idea that any two notes, regardless of the interval between them, may be compatible, and that what really matters are the notes that exist between them. Think of it like an Oreo cookie: you have the two dark-colored (unless you eat vanilla oreos.. ew) biscuits on the top and bottom, and you have the cream in the middle that holds them together. The &amp;quot;biscuits&amp;quot; in this sense are the top and bottom notes, and the &amp;quot;cream&amp;quot; are the notes that justify the two notes and solidify their harmonic profile. If you&#039;ve ever seen reharmonization exercises where the guy takes two notes and sets one to descend chromatically, harmonizing each note pair, you&#039;ll understand what we&#039;re talking about.&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&#039;&#039;&amp;quot;for example, bass note D, melody note G# how could we harmonize that? well the interval is a #11. what scales have a #11? lydian, which outlines a DM13#11. or perhaps even arcadian? D13#11&amp;quot;&#039;&#039; - Convexity, May 27th, 2026&amp;lt;/blockquote&amp;gt;[https://www.youtube.com/watch?v=-D2qCKrIs14 This video] by Convexity explains Oreo Theory in detail.&lt;br /&gt;
&lt;br /&gt;
== CREAM CHART ==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
!Interval between cookies&lt;br /&gt;
(scale degree)&lt;br /&gt;
!Interval between cookies&lt;br /&gt;
(interval notation)&lt;br /&gt;
!Possible Ionian Creams&lt;br /&gt;
!Possible [[Melodic Minor Modes (Alternate Names)|Athenian]] Creams&lt;br /&gt;
!Possible [[Harmonic Minor Modes (Alternate Names)|Appalachian]] Creams&lt;br /&gt;
!Possible [[Harmonic Major Modes (Alternate Names)|Laramidian]] Creams&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;1&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;P1&#039;&#039;&#039;&lt;br /&gt;
|Any&lt;br /&gt;
|Any&lt;br /&gt;
|Any&lt;br /&gt;
|Any&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;b9&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m2&#039;&#039;&#039;&lt;br /&gt;
|Phrygian&lt;br /&gt;
Locrian&lt;br /&gt;
|Cappadocian&lt;br /&gt;
Palamidian&lt;br /&gt;
|Herculean&lt;br /&gt;
Adonian&lt;br /&gt;
Morphean&lt;br /&gt;
|Sangarian&lt;br /&gt;
Plummetian&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;9&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M2&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
Mixolydian&lt;br /&gt;
Dorian&lt;br /&gt;
Aeolian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
Olympian&lt;br /&gt;
Athenian&lt;br /&gt;
Sisyphean&lt;br /&gt;
|Thesian&lt;br /&gt;
Paralydian&lt;br /&gt;
Appalachian&lt;br /&gt;
|Morossian&lt;br /&gt;
Laramidian&lt;br /&gt;
Dolorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;b3 / #9&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m3&#039;&#039;&#039;&lt;br /&gt;
|Dorian&lt;br /&gt;
Aeolian&lt;br /&gt;
Phrygian&lt;br /&gt;
Locrian&lt;br /&gt;
|Athenian&lt;br /&gt;
Cappadocian&lt;br /&gt;
Sisyphean&lt;br /&gt;
Palamidian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Paralydian&lt;br /&gt;
Appalachian&lt;br /&gt;
Adonian&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
Dolorian&lt;br /&gt;
Plummetian&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;3&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M3&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
Mixolydian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
Olympian&lt;br /&gt;
Palamidian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Thesian&lt;br /&gt;
Herculean&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Laramidian&lt;br /&gt;
Sangarian&lt;br /&gt;
Plummetian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;11&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;P4&#039;&#039;&#039;&lt;br /&gt;
|Ionian&lt;br /&gt;
Mixolydian&lt;br /&gt;
Dorian&lt;br /&gt;
Aeolian&lt;br /&gt;
Phrygian&lt;br /&gt;
Locrian&lt;br /&gt;
|Olympian&lt;br /&gt;
Athenian&lt;br /&gt;
Cappadocian&lt;br /&gt;
Sisyphean&lt;br /&gt;
|Thesian&lt;br /&gt;
Appalachian&lt;br /&gt;
Herculean&lt;br /&gt;
Adonian&lt;br /&gt;
|Laramidian&lt;br /&gt;
Sangarian&lt;br /&gt;
Dolorian&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;#11 / b5&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;TT&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Locrian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
Sisyphean&lt;br /&gt;
Palamidian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Paralydian&lt;br /&gt;
Adonian&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
Dolorian&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;5&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;P5&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
Mixolydian&lt;br /&gt;
Dorian&lt;br /&gt;
Aeolian&lt;br /&gt;
Phrygian&lt;br /&gt;
|Arcadian&lt;br /&gt;
Olympian&lt;br /&gt;
Athenian&lt;br /&gt;
Cappadocian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Paralydian&lt;br /&gt;
Appalachian&lt;br /&gt;
Herculean&lt;br /&gt;
|Morossian&lt;br /&gt;
Laramidian&lt;br /&gt;
Sangarian&lt;br /&gt;
Plummetian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;#5 / b13&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m6&#039;&#039;&#039;&lt;br /&gt;
|Aeolian&lt;br /&gt;
Phrygian&lt;br /&gt;
Locrian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Olympian&lt;br /&gt;
Sisyphean&lt;br /&gt;
Palamidian&lt;br /&gt;
|Thesian&lt;br /&gt;
Appalachian&lt;br /&gt;
Herculean&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Laramidian&lt;br /&gt;
Plummetian&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;13&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M6&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
Mixolydian&lt;br /&gt;
Dorian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Arcadian&lt;br /&gt;
Athenian&lt;br /&gt;
Cappadocian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Thesian&lt;br /&gt;
Paralydian&lt;br /&gt;
Adonian&lt;br /&gt;
Morphean&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
Sangarian&lt;br /&gt;
Dolorian&lt;br /&gt;
Phobetorian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;b7&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;m7&#039;&#039;&#039;&lt;br /&gt;
|Mixolydian&lt;br /&gt;
Dorian&lt;br /&gt;
Aeolian&lt;br /&gt;
Phrygian&lt;br /&gt;
Locrian&lt;br /&gt;
|Arcadian&lt;br /&gt;
Olympian&lt;br /&gt;
Cappadocian&lt;br /&gt;
Sisyphean&lt;br /&gt;
Palamidian&lt;br /&gt;
|Paralydian&lt;br /&gt;
Herculean&lt;br /&gt;
Adonian&lt;br /&gt;
|Sangarian&lt;br /&gt;
Dolorian&lt;br /&gt;
Plummetian&lt;br /&gt;
|-&lt;br /&gt;
|&#039;&#039;&#039;7&#039;&#039;&#039;&lt;br /&gt;
|&#039;&#039;&#039;M7&#039;&#039;&#039;&lt;br /&gt;
|Lydian&lt;br /&gt;
Ionian&lt;br /&gt;
|Asgardian&lt;br /&gt;
Athenian&lt;br /&gt;
|Calliopean&lt;br /&gt;
Thesian&lt;br /&gt;
Appalachian&lt;br /&gt;
|Empyrean&lt;br /&gt;
Morossian&lt;br /&gt;
Laramidian&lt;br /&gt;
|}&lt;br /&gt;
[[Category:Music Theory]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=440</id>
		<title>Neo-Rimsky-Korsakovian Space</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=440"/>
		<updated>2026-06-11T04:51:13Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability.png|thumb|500x500px|&#039;&#039;&#039;A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability&#039;&#039;&#039;]]&lt;br /&gt;
&amp;lt;blockquote&amp;gt;Nikolai Rimsky-Korsakov considered four scales to be the &amp;quot;basis of harmony&amp;quot;: the natural minor and major, and the harmonic minor and major. &amp;lt;/blockquote&amp;gt;A &#039;&#039;&#039;Neo-Rimsky-Korsakovian space&#039;&#039;&#039; is the basis of almost all heptatonic harmony within modality. Initially posited by Russian composer Nikolai Rimsky-Korsakov, since Fizzheads consider the natural minor scale to be the Aeolian major mode, the natural minor scale is thus replaced with the melodic minor scale. This replacement creates four distinct parent scale quadrants defined by the combinations of absence or presence of a ♭3 or a ♭6 in the parent scale.&lt;br /&gt;
&lt;br /&gt;
An individual Neo-Rimsky-Korsakovian space yields 28 total scales that cover almost any possible heptatonic color in common practice. 12 different spaces exist within 12-tone equal temperament, one for each root note.&lt;br /&gt;
&lt;br /&gt;
== Notable exceptions ==&lt;br /&gt;
&lt;br /&gt;
=== Melodic minor ♯5 ===&lt;br /&gt;
In his book &#039;&#039;Modal Jazz Composition &amp;amp; Harmony, Vol. 1&#039;&#039;, Ron Miller presents a unique heptatonic scale, the melodic minor ♯5, that doesn&#039;t exist in Neo-Rimsky-Korsakovian space. Two of the most common modes in this scale are Mixolydian ♯9 and Palamidian ♮6. However, these colors can be derived from an octatonic scale, or &amp;quot;close enough&amp;quot; with one of the modes in a Neo-Rimsky-Korsakovian space, such as Palamidian or Adonian respectively.&lt;br /&gt;
&lt;br /&gt;
=== Non-heptatonic scales ===&lt;br /&gt;
Scales such as octatonic scales, bebop scales, whole-tone scales, etc. that contain more or less than seven notes fall out of the scope of a Neo-Rimsky-Korsakovian space.&lt;br /&gt;
[[Category:Music Theory]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=438</id>
		<title>Neo-Rimsky-Korsakovian Space</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=438"/>
		<updated>2026-06-11T04:42:09Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability.png|thumb|500x500px|&#039;&#039;&#039;A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability&#039;&#039;&#039;]]&lt;br /&gt;
&amp;lt;blockquote&amp;gt;Nikolai Rimsky-Korsakov considered four scales to be the &amp;quot;basis of harmony&amp;quot;: the natural minor and major, and the harmonic minor and major. &amp;lt;/blockquote&amp;gt;A &#039;&#039;&#039;Neo-Rimsky-Korsakovian space&#039;&#039;&#039; is the basis of almost all heptatonic harmony within modality. Initially posited by Russian composer Nikolai Rimsky-Korsakov, since Fizzheads consider the natural minor scale to be the Aeolian major mode, the natural minor scale is thus replaced with the melodic minor scale. This replacement creates four distinct parent scale quadrants defined by the combinations of absence or presence of a ♭3 or a ♭6 in the parent scale.&lt;br /&gt;
&lt;br /&gt;
Neo-Rimsky-Korsakovian spaces yield 28 total scales that cover almost any possible heptatonic color in common practice, with 12 different spaces existing within 12-tone equal temperament.&lt;br /&gt;
&lt;br /&gt;
== Notable exceptions ==&lt;br /&gt;
&lt;br /&gt;
=== Melodic minor ♯5 ===&lt;br /&gt;
In his book &#039;&#039;Modal Jazz Composition &amp;amp; Harmony, Vol. 1&#039;&#039;, Ron Miller presents a unique heptatonic scale, the melodic minor ♯5, that doesn&#039;t exist in Neo-Rimsky-Korsakovian space. Two of the most common modes in this scale are Mixolydian ♯9 and Palamidian ♮6. However, these colors can be derived from an octatonic scale, or &amp;quot;close enough&amp;quot; with one of the modes in a Neo-Rimsky-Korsakovian space, such as Palamidian or Adonian respectively.&lt;br /&gt;
&lt;br /&gt;
=== Non-heptatonic scales ===&lt;br /&gt;
Scales such as octatonic scales, bebop scales, whole-tone scales, etc. that contain more or less than seven notes fall out of the scope of a Neo-Rimsky-Korsakovian space.&lt;br /&gt;
[[Category:Music Theory]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=434</id>
		<title>Neo-Rimsky-Korsakovian Space</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=434"/>
		<updated>2026-06-11T04:36:17Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability.png|thumb|500x500px|&#039;&#039;&#039;A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability&#039;&#039;&#039;]]&lt;br /&gt;
&amp;lt;blockquote&amp;gt;Nikolai Rimsky-Korsakov considered four scales to be the &amp;quot;basis of harmony&amp;quot;: the natural minor and major, and the harmonic minor and major. &amp;lt;/blockquote&amp;gt;A &#039;&#039;&#039;Neo-Rimsky-Korsakovian space&#039;&#039;&#039; is the basis of almost all heptatonic harmony within modality. Initially posited by Russian composer Nikolai Rimsky-Korsakov, since Fizzheads consider the natural minor scale to be the Aeolian major mode, the natural minor scale is thus replaced with the melodic minor scale. This replacement creates four distinct parent scale quadrants defined by the combinations of absence or presence of a ♭3 or a ♭6 in the parent scale.&lt;br /&gt;
&lt;br /&gt;
Neo-Rimsky-Korsakovian spaces yield 28 total scales that cover almost any possible heptatonic color in common practice, with 12 different spaces existing within 12-tone equal temperament.&lt;br /&gt;
&lt;br /&gt;
== Notable exceptions ==&lt;br /&gt;
&lt;br /&gt;
=== Melodic minor ♯5 ===&lt;br /&gt;
In his book &#039;&#039;Modal Jazz Composition &amp;amp; Harmony, Vol. 1&#039;&#039;, Ron Miller presents a unique heptatonic scale, the melodic minor ♯5, that doesn&#039;t exist in Neo-Rimsky-Korsakovian space. Two of the most common modes in this scale are Mixolydian ♯9 and Palamidian ♮6. However, these colors can be derived from an octatonic scale, or &amp;quot;close enough&amp;quot; with one of the modes in a Neo-Rimsky-Korsakovian space, such as Palamidian or Adonian respectively.&lt;br /&gt;
&lt;br /&gt;
=== Non-heptatonic scales ===&lt;br /&gt;
Scales such as octatonic scales, bebop scales, whole-tone scales, etc. that contain more or less than seven notes fall out of the scope of a Neo-Rimsky-Korsakovian space.&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=433</id>
		<title>Neo-Rimsky-Korsakovian Space</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Neo-Rimsky-Korsakovian_Space&amp;diff=433"/>
		<updated>2026-06-11T04:35:02Z</updated>

		<summary type="html">&lt;p&gt;Convexity: Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability&amp;#039;&amp;#039;&amp;#039; &amp;lt;blockquote&amp;gt;Nikolai Rimsky-Korsakov considered four scales to be the &amp;quot;basis of harmony&amp;quot;: the natural minor and major, and the harmonic minor and major. &amp;lt;/blockquote&amp;gt;A &amp;#039;&amp;#039;&amp;#039;Neo-Rimsky-Korsakovian space&amp;#039;&amp;#039;&amp;#039; is the basis of most h...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability.png|thumb|500x500px|&#039;&#039;&#039;A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability&#039;&#039;&#039;]]&lt;br /&gt;
&amp;lt;blockquote&amp;gt;Nikolai Rimsky-Korsakov considered four scales to be the &amp;quot;basis of harmony&amp;quot;: the natural minor and major, and the harmonic minor and major. &amp;lt;/blockquote&amp;gt;A &#039;&#039;&#039;Neo-Rimsky-Korsakovian space&#039;&#039;&#039; is the basis of most heptatonic harmony within modality. Initially posited by Russian composer Nikolai Rimsky-Korsakov, since Fizzheads consider the natural minor scale to be the Aeolian major mode, the natural minor scale is thus replaced with the melodic minor scale. This replacement creates four distinct parent scale quadrants defined by the combinations of absence or presence of a ♭3 or a ♭6 in the parent scale.&lt;br /&gt;
&lt;br /&gt;
Neo-Rimsky-Korsakovian spaces yield 28 total scales that cover almost any possible heptatonic color in common practice, with 12 different spaces existing within 12-tone equal temperament.&lt;br /&gt;
&lt;br /&gt;
== Notable exceptions ==&lt;br /&gt;
&lt;br /&gt;
=== Melodic minor ♯5 ===&lt;br /&gt;
In his book &#039;&#039;Modal Jazz Composition &amp;amp; Harmony, Vol. 1&#039;&#039;, Ron Miller presents a unique heptatonic scale, the melodic minor ♯5, that doesn&#039;t exist in Neo-Rimsky-Korsakovian space. Two of the most common modes in this scale are Mixolydian ♯9 and Palamidian ♮6. However, these colors can be derived from an octatonic scale, or &amp;quot;close enough&amp;quot; with one of the modes in a Neo-Rimsky-Korsakovian space, such as Palamidian or Adonian respectively.&lt;br /&gt;
&lt;br /&gt;
=== Non-heptatonic scales ===&lt;br /&gt;
Scales such as octatonic scales, bebop scales, whole-tone scales, etc. that contain more or less than seven notes fall out of the scope of a Neo-Rimsky-Korsakovian space.&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=File:A_diagram_of_a_Neo-Rimsky-Korsakovian_Space,_with_every_possible_mode_organized_by_brightness_and_stability.png&amp;diff=427</id>
		<title>File:A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability.png</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=File:A_diagram_of_a_Neo-Rimsky-Korsakovian_Space,_with_every_possible_mode_organized_by_brightness_and_stability.png&amp;diff=427"/>
		<updated>2026-06-11T04:08:46Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;A diagram of a Neo-Rimsky-Korsakovian Space, with every possible mode organized by brightness and stability&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=User:TBM&amp;diff=420</id>
		<title>User:TBM</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=User:TBM&amp;diff=420"/>
		<updated>2026-06-11T00:11:54Z</updated>

		<summary type="html">&lt;p&gt;Convexity: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:TBM profile picture.jpg|thumb|TBM’s profile picture. ]]&lt;br /&gt;
&#039;&#039;&#039;TBM&#039;&#039;&#039; (born on the 7th of October 2011), also known as “𝑓izzy 89-limit comma” in the Fizz Inc. discord server, and “65535/64881” in practically any other server, is a swiss-chinese pianist/keyboardist, trackmania player, and composer/musician.&lt;br /&gt;
&lt;br /&gt;
== Projects ==&lt;br /&gt;
He is currently working on the [https://youtube.com/playlist?list=PLnNMLBXl5LeBpjbKDwRuFzgXEw_1hhKAw fizz transcription series], where he transcribes tracks from the album “Fizz vol. 1”, voted each time by the community. The series currently has 1 episode, and another one is planned to release this summer.&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
!Episode number&lt;br /&gt;
!Track&lt;br /&gt;
!Release date&lt;br /&gt;
|-&lt;br /&gt;
|1&lt;br /&gt;
|5. weevil lore&lt;br /&gt;
|22.03.2026&lt;br /&gt;
|-&lt;br /&gt;
|2&lt;br /&gt;
|12. carousel horse&lt;br /&gt;
|Summer 2026&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Modes_of_the_Harmonic_Major_Scale&amp;diff=403</id>
		<title>Modes of the Harmonic Major Scale</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Modes_of_the_Harmonic_Major_Scale&amp;diff=403"/>
		<updated>2026-06-10T23:40:27Z</updated>

		<summary type="html">&lt;p&gt;Convexity: Augurean -&amp;gt; Morossian&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;In music, the &#039;&#039;&#039;Laramidian&#039;&#039;&#039;, &#039;&#039;&#039;Dolorian&#039;&#039;&#039;, &#039;&#039;&#039;Plummetian&#039;&#039;&#039;, &#039;&#039;&#039;Morossian&#039;&#039;&#039;, &#039;&#039;&#039;Sangarian&#039;&#039;&#039;, &#039;&#039;&#039;Empyrean&#039;&#039;&#039;, and &#039;&#039;&#039;Phobetorian&#039;&#039;&#039; scales are scale names for the modes of harmonic major created by Convexity.&lt;br /&gt;
&lt;br /&gt;
=== Scales ===&lt;br /&gt;
&#039;&#039;&#039;Laramidian&#039;&#039;&#039; 1 2 3 4 5 ♭6 7 Aka. Ionian ♭6&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dolorian&#039;&#039;&#039; 1 2 ♭3 4 ♭5 6 ♭7 Aka. Dorian-Locrian, Dorian ♭5&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Plummetian&#039;&#039;&#039; 1 ♭2 ♭3 ♭4 5 ♭6 ♭7 Aka. Phrygian ♭4&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Morossian&#039;&#039;&#039; 1 2 ♭3 ♯4 5 6 7 Aka. Diminished Lydian, Lydian ♭3&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sangarian&#039;&#039;&#039; 1 ♭2 3 4 5 6 ♭7 Aka. Mixolydian ♭2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Empyrean&#039;&#039;&#039; 1 ♯2 3 ♯4 ♯5 6 7 Aka. Asgardian ♯2, Lydian ♯2 ♯5&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Phobetorian&#039;&#039;&#039; 1 ♭2 ♭3 4 ♭5 ♭6 𝄫7 Aka. Locrian 𝄫7&lt;br /&gt;
&lt;br /&gt;
[[Category:Music Theory]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Modes_of_the_Harmonic_Major_Scale&amp;diff=394</id>
		<title>Modes of the Harmonic Major Scale</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Modes_of_the_Harmonic_Major_Scale&amp;diff=394"/>
		<updated>2026-06-10T23:18:42Z</updated>

		<summary type="html">&lt;p&gt;Convexity: Delorian -&amp;gt; Dolorian&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;In music, the &#039;&#039;&#039;Laramidian&#039;&#039;&#039;, &#039;&#039;&#039;Dolorian&#039;&#039;&#039;, &#039;&#039;&#039;Plummetian&#039;&#039;&#039;, &#039;&#039;&#039;Augurean&#039;&#039;&#039;, &#039;&#039;&#039;Sangarian&#039;&#039;&#039;, &#039;&#039;&#039;Empyrean&#039;&#039;&#039;, and &#039;&#039;&#039;Phobetorian&#039;&#039;&#039; scales are scale names for the modes of harmonic major created by Convexity.&lt;br /&gt;
&lt;br /&gt;
=== Scales ===&lt;br /&gt;
&#039;&#039;&#039;Laramidian&#039;&#039;&#039; 1 2 3 4 5 ♭6 7 Aka. Ionian ♭6&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dolorian&#039;&#039;&#039; 1 2 ♭3 4 ♭5 6 ♭7 Aka. Dorian-Locrian, Dorian ♭5&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Plummetian&#039;&#039;&#039; 1 ♭2 ♭3 ♭4 5 ♭6 ♭7 Aka. Phrygian ♭4&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Augurean&#039;&#039;&#039; 1 2 ♭3 ♯4 5 6 7 Aka. Diminished Lydian, Lydian ♭3&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sangarian&#039;&#039;&#039; 1 ♭2 3 4 5 6 ♭7 Aka. Mixolydian ♭2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Empyrean&#039;&#039;&#039; 1 ♯2 3 ♯4 ♯5 6 7 Aka. Asgardian ♯2, Lydian ♯2 ♯5&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Phobetorian&#039;&#039;&#039; 1 ♭2 ♭3 4 ♭5 ♭6 𝄫7 Aka. Locrian 𝄫7&lt;br /&gt;
&lt;br /&gt;
[[Category:Music Theory]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Modes_of_the_Harmonic_Major_Scale&amp;diff=393</id>
		<title>Modes of the Harmonic Major Scale</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Modes_of_the_Harmonic_Major_Scale&amp;diff=393"/>
		<updated>2026-06-10T23:16:11Z</updated>

		<summary type="html">&lt;p&gt;Convexity: Created page with &amp;quot;In music, the &amp;#039;&amp;#039;&amp;#039;Laramidian&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;Delorian&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;Plummetian&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;Augurean&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;Sangarian&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;Empyrean&amp;#039;&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;&amp;#039;Phobetorian&amp;#039;&amp;#039;&amp;#039; scales are scale names for the modes of harmonic major created by Convexity.  === Scales === &amp;#039;&amp;#039;&amp;#039;Laramidian&amp;#039;&amp;#039;&amp;#039; 1 2 3 4 5 ♭6 7 Aka. Ionian ♭6  &amp;#039;&amp;#039;&amp;#039;Delorian&amp;#039;&amp;#039;&amp;#039; 1 2 ♭3 4 ♭5 6 ♭7 Aka. Dorian-Locrian, Dorian ♭5  &amp;#039;&amp;#039;&amp;#039;Plummetian&amp;#039;&amp;#039;&amp;#039; 1 ♭2 ♭3 ♭4 5 ♭6 ♭7 Aka. Phrygian ♭4  &amp;#039;&amp;#039;&amp;#039;Augurean&amp;#039;&amp;#039;&amp;#039; 1 2 ♭3 ♯4 5 6 7 Aka. Diminished Lydi...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;In music, the &#039;&#039;&#039;Laramidian&#039;&#039;&#039;, &#039;&#039;&#039;Delorian&#039;&#039;&#039;, &#039;&#039;&#039;Plummetian&#039;&#039;&#039;, &#039;&#039;&#039;Augurean&#039;&#039;&#039;, &#039;&#039;&#039;Sangarian&#039;&#039;&#039;, &#039;&#039;&#039;Empyrean&#039;&#039;&#039;, and &#039;&#039;&#039;Phobetorian&#039;&#039;&#039; scales are scale names for the modes of harmonic major created by Convexity.&lt;br /&gt;
&lt;br /&gt;
=== Scales ===&lt;br /&gt;
&#039;&#039;&#039;Laramidian&#039;&#039;&#039; 1 2 3 4 5 ♭6 7 Aka. Ionian ♭6&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Delorian&#039;&#039;&#039; 1 2 ♭3 4 ♭5 6 ♭7 Aka. Dorian-Locrian, Dorian ♭5&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Plummetian&#039;&#039;&#039; 1 ♭2 ♭3 ♭4 5 ♭6 ♭7 Aka. Phrygian ♭4&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Augurean&#039;&#039;&#039; 1 2 ♭3 ♯4 5 6 7 Aka. Diminished Lydian, Lydian ♭3&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sangarian&#039;&#039;&#039; 1 ♭2 3 4 5 6 ♭7 Aka. Mixolydian ♭2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Empyrean&#039;&#039;&#039; 1 ♯2 3 ♯4 ♯5 6 7 Aka. Asgardian ♯2, Lydian ♯2 ♯5&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Phobetorian&#039;&#039;&#039; 1 ♭2 ♭3 4 ♭5 ♭6 𝄫7 Aka. Locrian 𝄫7&lt;br /&gt;
&lt;br /&gt;
[[Category:Music Theory]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
	<entry>
		<id>http://fizzwiki.com/index.php?title=Torus_of_Fizzosophy&amp;diff=283</id>
		<title>Torus of Fizzosophy</title>
		<link rel="alternate" type="text/html" href="http://fizzwiki.com/index.php?title=Torus_of_Fizzosophy&amp;diff=283"/>
		<updated>2026-06-08T16:26:33Z</updated>

		<summary type="html">&lt;p&gt;Convexity: /* Extreme Information Density */ changed the language of discussing neurodivergence to be more inclusive&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Torus Of Fizzosophy.png|thumb|Torus of Fizzosophy]]&lt;br /&gt;
The &#039;&#039;&#039;Torus of Fizzosophy&#039;&#039;&#039; is a donut-shaped manifesto which lays out the principles of [[Fizz]]. &#039;&#039;&#039;Jazz x Bass Music&#039;&#039;&#039;, &#039;&#039;&#039;Zoomer Internet Culture&#039;&#039;&#039; and the &#039;&#039;&#039;3 Axioms&#039;&#039;&#039; are the main core principles from which all the other principles arise, as illustrated with the red arrows.&lt;br /&gt;
&lt;br /&gt;
== Jazz x Bass Music ==&lt;br /&gt;
Fizz is a subgenre of Bass Music, which itself is a subgenre of EDM. Fizz has harmonic influence from Nu-Jazz and Jazz adjacent artists (ex. Bill Wurtz, Knower, and Jacob Collier), which makes Fizz very compositionally dense compared to other Bass subgenres like Dubstep and Drum n Bass, It&#039;s also less rigid than other Bass subgenres about which sounds and BPMs you can use.&lt;br /&gt;
&lt;br /&gt;
== Music Theory/Sound Design Indulgence ==&lt;br /&gt;
The online communities of both Jazz and Bass music have a significant subset of music nerds, Jazz nerds focusing on music theory and virtuosity, and Bass nerds focused on sound design and production. Despite the obvious compatibility and various instances of cross-pollination between these two groups, they rarely collide head on. One of the main missions of Fizz is to fully bridge that gap, so collaboration and knowledge sharing between the two groups is very much encouraged.&lt;br /&gt;
&lt;br /&gt;
== Allergy to Unstimulating, Cliche Musical Ideas ==&lt;br /&gt;
Fizz has a culture of innovating and experimenting with music theory and sound design, and being all too aware of the endless possibilities that lie ahead. Safe, insincere and lazy decision making are widespread in music, and Fizz is the polar opposite of the mindset that gives rise to those things. Fizz fans thrive on stimulating, creative musical ideas. Fizz addicts have reported regular music feeling &amp;quot;empty&amp;quot; after listening to Fizz for too long.&lt;br /&gt;
&lt;br /&gt;
== Fizz Remix Philosophy ==&lt;br /&gt;
In EDM, there’s a tradition of spicing up other artist&#039;s works, usually by taking a sound recording of a work, or the stems thereof, and playing with it. This is what everyone thinks of when they hear the word “remix”. In Jazz, there’s a similar tradition of taking the melody of a work and the harmonic content surrounding it, and playing with that. A Fizz remix is the result of combining these different traditions in an aggressive fashion, insatiably rearranging, reharmonizing, sonically transforming and improvising over a work in order to absolutely rip it apart, mock it and honour it.&lt;br /&gt;
&lt;br /&gt;
== Extreme Information Density ==&lt;br /&gt;
Because of it&#039;s roots in zoomer Jazz and Bass music online communities, Fizz has a high concentration of music enjoyers who aren&#039;t afraid of intricate, layered chord progressions, bass sounds and rhythms. Within the Fizz community, It&#039;s fashionable to reject the prevalent &amp;quot;Less is more&amp;quot; artistic dogma, and embrace maximalism. Fizz has been described as &amp;quot;ADHD Music&amp;quot;, which is an appropriate description as many individuals in the Fizz movement are neurodivergent, including those who are autistic or have ADHD and OCD.&lt;br /&gt;
&lt;br /&gt;
== Zoomer Internet Culture ==&lt;br /&gt;
=== Taking a Thing and Exhaustively Milking It ===&lt;br /&gt;
In this age, everything gets beaten/memed to death on the internet, whether it be viral content, anything in the news cycle, or memes themselves. Remixes (video edits like YTPs and musical remixes in various EDM subgenres) are one of the more wholesome and artistic parts of that process. Remix culture as we know it today was established by millennials, but online zoomers internalized that kind of art at a young age, so it checks out that they would eventually create a high information, ironic yet sincere, fast paced, meme genre of music that reflects the environment they grew up in. This idea of taking something and ripping it apart in an over-the-top way is core to the Fizz Remix Philosophy and Fizz in general; The chaotic resampling and motivic development (and motivic abuse in some cases) in Fizz songs often makes it feel like the songs are a remix of themselves.&lt;br /&gt;
&lt;br /&gt;
=== 2000s Nostalgia ===&lt;br /&gt;
2000s nostalgia is a non-fundamental, yet recurring theme in Fizz.  &lt;br /&gt;
&lt;br /&gt;
=== Post-Irony ===&lt;br /&gt;
This other zoomer trope is explored in Fizz music in very abstract ways, but much more tangibly in Fizz edits and memes.&lt;br /&gt;
&lt;br /&gt;
=== Self Referentiality ===&lt;br /&gt;
Self Referentiality&lt;br /&gt;
&lt;br /&gt;
Zoomers are typically more accustomed to Jazz and Bass music than previous generations, making it easy for zoomer musicians from both the music theory/virtuosity side and the sound design/production side to understand the compatibility of one another. &amp;quot;2000s nostalgia and zoomer internet culture cut deep, meaning they’ve both been exposed to everything from Animusic to YouTube gaming dubstep intros.&amp;quot; (from &amp;quot;What is Fizz&amp;quot;). Video games also had a hand in familiarizing a significant swath of zoomers with Dubstep (ex. Geometry Dash, Beat Saber), and Jazz (ex. Wii Sports, Mario Kart).&lt;br /&gt;
&lt;br /&gt;
Since the start of the Fizz movement, various instagram pages have been created by the community to post edits and memes about Fizz, and Fizz artists will often meme their own music to promote it. Fizz isn&#039;t merely conducive to memes, memes are an integral part of Fizz.&lt;br /&gt;
&lt;br /&gt;
== The 3 Axioms ==&lt;br /&gt;
&lt;br /&gt;
=== We Love Everything ===&lt;br /&gt;
We love everything. Nested tuplets, convolution reverb, polychords, vocal stacks, reese basses, earworm melodies, layered risers... We love it all.&lt;br /&gt;
&lt;br /&gt;
=== We Hate Everything ===&lt;br /&gt;
Fizz was born out of a love for music, but it was also born out of a hatred for the way it&#039;s treated. Trend following, overusing tropes, creating music purely for &amp;quot;vibes&amp;quot; and not art, using AI to make important production or compositional decisions, settling for less, making what you think people want instead of what you believe in, these things are the opposite of what Fizz is about.&lt;br /&gt;
&lt;br /&gt;
=== Everything Matters ===&lt;br /&gt;
Whether it manifests in love, hate, or an ironic layered version of either... Care and obsession over everything, including all the little insignificant details is at the heart of Fizz.&lt;br /&gt;
&lt;br /&gt;
== Blurred Line Between Veneration and Mockery ==&lt;br /&gt;
In Fizz, mockery is flavoured with veneration, and veneration is flavoured with mockery.  &lt;br /&gt;
&lt;br /&gt;
== Unhinged Musical Shenanigans ==&lt;br /&gt;
Fizz&#039;s culture of enthusiasm for a melting-pot of music theory, virtuosity, sound design, production and rejection of the status quo make it uniquely positioned to be the home of some of the most innovative western music.&lt;br /&gt;
&lt;br /&gt;
[[Category:Fizz Lore]]&lt;/div&gt;</summary>
		<author><name>Convexity</name></author>
	</entry>
</feed>